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Author: Lucian (of Samosata)
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Author: Lucian (of Samosata)
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Get Book Here
Book Description
Author: Lucian of Samosata
Publisher: BoD – Books on Demand
ISBN: 3387054661
Category : Fiction
Languages : en
Pages : 378
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Lucian (of Samosata)
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Book Description
Author: Lucian
Publisher: Phoemixx Classics Ebooks
ISBN: 3986770216
Category : Political Science
Languages : en
Pages : 1073
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Book Description
The Works of Lucian of Samosata Lucian - The Works of Lucian of Samosata Volume 01,02,03 Complete. - The Vision, A Literary Prometheus, Nigrinus, Trial in the Court of Vowels, Timon the Misanthrope, Prometheus on Caucasus, Dialogues of the Gods, Dialogues of the Sea-Gods, Dialogues of the Dead, Menippus, Charon, Of Sacrifice, Sale of Creeds, The Fisher, Voyage to the Lower World, The Dependent Scholar, Apology for The Dependent Scholar, A Slip of the Tongue in Salutation, Hermotimus, or the Rival Philosophies, Herodotus and Aetion, Zeuxis and Antiochus, Harmonides, The Scythian, The Way to Write History, The True History, The Tyrannicide, The Disinherited, Phalaris, I, Phalaris, II, Alexander the Oracle-Monger, Of Pantomime, Lexiphanes, Life of Demonax, A Portrait-Study, Defence of the Portrait-Study, Toxaris: A Dialogue of Friendship, Zeus Cross-Examined, Zeus Tragoedus, The Cock, Icaromenippus, an Aerial Expedition, The Double Indictment, The Parasite, a Demonstration that Sponging is a Profession, Anacharsis, a Discussion of Physical Training, Of Mourning, The Rhetoricians Vade Mecum, The Liar, Dionysus, an Introductory Lecture, Heracles, an Introductory Lecture, Swans and Amber, The Fly, an Appreciation, Remarks Addressed to an Illiterate Book-Fancier, Slander, a Warning, The Hall, Patriotism, Dipsas, the Thirst-Snake, A Word with Hesiod, The Ship: Or, the Wishes, Dialogues of the Hetaerae, The Death of Peregrine, The Runaways, Saturnalia, Cronosolon, Saturnalian Letters, A Feast of Lapithae, Demosthenes, The Gods in Council, The Cynic, The Purist PurizedABOUT THE AUTHOR:Lucian of Samosata was a rhetorician and satirist who wrote in the Greek language. He is noted for his witty and scoffing nature. Although he wrote solely in Greek, mainly Attic Greek, he was ethnically Syrian. Lucian was also one of the earliest novelists in Western civilization. In A True Story, a fictional narrative work written in prose, he parodied some fantastic tales told by Homer in the Odyssey and some feeble fantasies that were popular in his time. He anticipated "modern" fictional themes like voyages to the moon and Venus, extraterrestrial life and wars between planets, nearly two millennia before Jules Verne and H. G. Wells. His novel is widely regarded as an early, if not the earliest science fiction work.
Author: Lucian (of Samosata.)
Publisher:
ISBN:
Category : Dialogues, Greek
Languages : en
Pages : 288
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Author: Marian Hobson
Publisher: Open Book Publishers
ISBN: 1909254932
Category : Philosophy
Languages : en
Pages : 180
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Book Description
In a famous Parisian chess café, a down-and-out, HIM, accosts a former acquaintance, ME, who has made good, more or less. They talk about chess, about genius, about good and evil, about music, they gossip about the society in which they move, one of extreme inequality, of corruption, of envy, and about the circle of hangers-on in which the down-and-out abides. The down-and-out from time to time is possessed with movements almost like spasms, in which he imitates, he gestures, he rants. And towards half past five, when the warning bell of the Opera sounds, they part, going their separate ways. Probably completed in 1772-73, Denis Diderot’s Rameau’s Nephew fascinated Goethe, Hegel, Engels and Freud in turn, achieving a literary-philosophical status that no other work by Diderot shares. This interactive, multi-media and bilingual edition offers a brand new translation of Diderot’s famous dialogue, and it also gives the reader much more. Portraits and biographies of the numerous individuals mentioned in the text, from minor actresses to senior government officials, enable the reader to see the people Diderot describes, and provide a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces specially selected by Pascal Duc and performed by students of the Conservatoire national supérieur de musique et de danse de Paris, illuminate the wider musical context of the work, enlarging it far beyond its now widely understood relation to opéra comique. This new edition includes: * Introduction * Original text * English translation * Embedded audio-files * Explanatory notes * Interactive material
Author: Beate Fricke
Publisher: Penn State Press
ISBN: 0271093757
Category : Art
Languages : en
Pages : 167
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Book Description
To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place. The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian’s present tense. Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures. In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jaś Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy.
Author: Dr. Robert R. Seyda
Publisher: WestBow Press
ISBN:
Category : Religion
Languages : en
Pages : 917
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Book Description
The Apostle John tells his readers, he has an important message to tell them. It is about a person who was already there before the beginning of the world. We heard him speak. We’ve seen Him with our own eyes. We watched Him and we touched Him. He is the Word that gives us life with God. This is the message: God is completely good and pure. He is like light. There is nothing dark about Him. Amazingly, John tells us that one of the things Jesus wanted us to understand is that by loving others we love God. Yes, we do make mistakes and so do other believers but we are not to hold that against them because just as we were given forgiveness by God’s mercy and grace since we are in union with His Son, so can they. What we are not to do is claim access to this privilege but then live like those in the world. Our goal is not just life, but eternal life. After all, we are God’s children and no child of God keeps on sinning after they are born again through Jesus the Anointed One.
Author: Lucian of Samosata
Publisher: Library of Alexandria
ISBN: 1465574719
Category : Fiction
Languages : en
Pages : 1427
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It is not to be understood that all statements here made are either ascertained facts or universally admitted conjectures. The introduction is intended merely to put those who are not scholars, and probably have not books of reference at hand, in a position to approach the translation at as little disadvantage as may be. Accordingly, we give the account that commends itself to us, without discussion or reference to authorities. Those who would like a more complete idea of Lucian should read Croiset's Essai sur la vie et les oeuvres de Lucien, on which the first two sections of this introduction are very largely based. The only objections to the book (if they are objections) are that it is in French, and of 400 octavo pages. It is eminently readable. With the exception of a very small number of statements, of which the truth is by no means certain, all that we know of Lucian is derived from his own writings. And any reader who prefers to have his facts at first rather than at second hand can consequently get them by reading certain of his pieces, and making the natural deductions from them. Those that contain biographical matter are, in the order corresponding to the periods of his life on which they throw light, The Vision, Demosthenes, Nigrinus, The Portrait-study and Defence (in which Lucian is Lycinus), The Way to write History, The double ndictment (in which he is The Syrian), The Fisher (Parrhesiades), Swans and Amber, Alexander, Hermotimus_ (Lycinus), Menippus and Icaromenippus (in which Menippus represents him), A literary Prometheus, Herodotus, Zeuxis, Harmonides, The Scythian, The Death of Peregrine, The Book-fancier, Demonax, The Rhetorician's Vade mecum, Dionysus, Heracles, A Slip of the Tongue, Apology for 'The dependent Scholar.'_ Of these The Vision is a direct piece of autobiography; there is intentional but veiled autobiography in several of the other pieces; in others again conclusions can be drawn from comparison of his statements with facts known from external sources. Lucian lived from about 125 to about 200 A.D., under the Roman Emperors Antoninus Pius, M. Aurelius and Lucius Verus, Commodus, and perhaps Pertinax. He was a Syrian, born at Samosata on the Euphrates, of parents to whom it was of importance that he should earn his living without spending much time or money on education. His maternal uncle being a statuary, he was apprenticed to him, having shown an aptitude for modelling in the wax that he surreptitiously scraped from his school writing-tablets. The apprenticeship lasted one day. It is clear that he was impulsive all through life; and when his uncle corrected him with a stick for breaking a piece of marble, he ran off home, disposed already to think he had had enough of statuary. His mother took his part, and he made up his mind by the aid of a vision that came to him the same night.
Author: Lucian (of Samosata.)
Publisher:
ISBN:
Category : Voyages, Imaginary
Languages : en
Pages : 124
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