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Author: John Ruskin
Publisher: Legare Street Press
ISBN: 9781021605641
Category :
Languages : en
Pages : 0
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Book Description
A masterpiece of architectural criticism, this groundbreaking work by renowned art critic and social thinker John Ruskin explores the history and aesthetics of the monuments, sculpture, and architecture of Venice. Thought-provoking and illuminating, this book is a must-read for those interested in the history of art and architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Ruskin
Publisher: Legare Street Press
ISBN: 9781021605641
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
A masterpiece of architectural criticism, this groundbreaking work by renowned art critic and social thinker John Ruskin explores the history and aesthetics of the monuments, sculpture, and architecture of Venice. Thought-provoking and illuminating, this book is a must-read for those interested in the history of art and architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 682
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 96
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Book Description
Author: John Ruskin
Publisher: Penguin
ISBN: 1101651148
Category : Philosophy
Languages : en
Pages : 74
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Book Description
Includes two of John Ruskin's famous essays: "The Nature of the Gothic" and "The Work of Iron" from his book The Stones of Venice. Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass-production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
Author: Sarah Quill
Publisher:
ISBN: 9781315205502
Category : Electronic books
Languages : en
Pages :
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Book Description
"This title was first published in 2000: John Ruskin's three-volume "The Stones of Venice" (1851-3) remains massively influential in art and architecture. To mark the centenary of Ruskin's death, this illustrated guide links Ruskin's descriptions of individual buildings with a photograph of the architecture and sculpture as it is today. Much of Ruskin's prose is reproduced, together with many of his drawings and watercolours and a number of 19th-century engravings. Sarah Quill's photographs identify the details described by Ruskin and show the extent to which the city's architecture has survived, or changed, since first publication of "The Stones of Venice". The opening chapter provides an introduction to Ruskin's involvment with Venice and to the periods and styles of Venetian architecture."--Provided by publisher.
Author: John Ruskin
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 248
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 604
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Book Description
Author: John Ruskin
Publisher: OUP Oxford
ISBN: 0191627364
Category : Biography & Autobiography
Languages : en
Pages : 1369
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Book Description
'For as I look deeper into the mirror, I find myself a more curious person than I had thought.' John Ruskin (1819-1900) was a towering figure of the nineteenth century: an art critic who spoke up for J. M. W. Turner and for the art of the Italian Middle Ages; a social critic whose aspiration for, and disappointment in, the future of Great Britain was expressed in some of the most vibrant prose in the language. Ruskin's incomplete autobiography was written between periods of serious mental illness at the end of his career, and is an eloquent analysis of the guiding powers of his life, both public and private. An elegy for lost places and people, Praeterita recounts Ruskin's intense childhood, his time as an undergraduate at Oxford, and, most of all, his journeys across France, the Alps, and northern Italy. Attentive to the human or divine meaning of everything around him, Praeterita is an astonishing account of revelation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Leah Price
Publisher: Princeton University Press
ISBN: 0691159548
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Author: Adrian Stokes
Publisher: Penn State Press
ISBN: 9780271022178
Category : Art
Languages : en
Pages : 676
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Book Description
Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on Modernism and ongoing acclaim for their beauty and intellectual acuity. Two of his most influential books, The Quattro Cento of 1932 and Stones of Rimini of 1934, are brought together for the first time in this new volume, which includes all their original illustrations. This new edition also provides a foreword by Stephen Bann and introductions by David Carrier and Stephen Kite that place Stokes's masterworks in the context of early twentieth-century culture and discuss their structure and relevance to today's experience of art and architecture.Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his analysis with Melanie Klein and recent innovations in literature, dance, and the visual arts.Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini. They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Henry Moore and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arosea realization that the materials of art "were the actual objects of inspiration, the stocks for the deepest fantasies." During the Renaissance, Stokes maintained, stone accordingly "blossomed" into sculpture and buildings,
