Author: Charles Reade
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
The Works of Charles Reade: A simpleton
Author: Charles Reade
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
A Simpleton
Author: Charles Reade
Publisher: Golden Text
ISBN:
Category : Literary Collections
Languages : en
Pages : 500
Book Description
Publisher: Golden Text
ISBN:
Category : Literary Collections
Languages : en
Pages : 500
Book Description
A Simpleton
Author: Charles Reade
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
A Simpleton
Author: Charles Reade
Publisher: BoD – Books on Demand
ISBN: 3732666476
Category : Fiction
Languages : de
Pages : 366
Book Description
Reproduktion des Originals: A Simpleton von Charles Reade
Publisher: BoD – Books on Demand
ISBN: 3732666476
Category : Fiction
Languages : de
Pages : 366
Book Description
Reproduktion des Originals: A Simpleton von Charles Reade
Delphi Complete Works of Charles Reade (Illustrated)
Author: Charles Reade
Publisher: Delphi Classics
ISBN:
Category : Fiction
Languages : en
Pages : 13593
Book Description
Although famed for his meticulously researched medieval masterpiece 'The Cloister and the Hearth', Charles Reade also penned some of the Victorian era’s most gripping sensation novels, creating controversial works that strove to end social evils and fight injustice. This comprehensive eBook presents the complete works of Charles Reade, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Reade's life and works * Concise introductions to the novels and other texts * ALL 15 novels, with individual contents tables * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * Famous works such as THE CLOISTER AND THE HEARTH are fully illustrated with their original artwork * Rare story collections and plays appearing here for the first time in digital print * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Includes Reade's non-fiction seminal work on copyright: THE EIGHTH COMMANDMENT – available no where else * Special criticism section, with five essays evaluating Reade’s contribution to literature * Features two biographies, including the seminal memoir compiled by Reade’s family - discover Reade's literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels PEG WOFFINGTON CHRISTIE JOHNSTONE IT IS NEVER TOO LATE TO MEND WHITE LIES ‘LOVE ME LITTLE LOVE ME LONG.’ THE CLOISTER AND THE HEARTH VERY HARD CASH GRIFFITH GAUNT FOUL PLAY PUT YOURSELF IN HIS PLACE A TERRIBLE TEMPTATION A SIMPLETON THE WANDERING HEIR A WOMAN HATER A PERILOUS SECRET The Tales THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH THE BOX TUNNEL CREAM A GOOD FIGHT SINGLE HEART AND DOUBLE FACE GOOD STORIES OF MAN AND OTHER ANIMALS THE JILT AND OTHER STORIES The Short Stories LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER LIST OF SHORT STORIES IN ALPHABETICAL ORDER The Plays THE COURIER OF LYONS MASKS AND FACES TWO LOVES AND A LIFE IT’S NEVER TOO LATE TO MEND The Non-Fiction THE EIGHTH COMMANDMENT TRADE MALICE A HERO AND A MARTYR The Criticism DICKENS, READE, AND COLLINS: SENSATION NOVELISTS by Walter C. Phillips CHARLES READE by Sir Arthur Thomas Quiller-Couch CHARLES READE by William Dean Howells CHARLES READE by David Christie Murray LETTERS AND REMINISCENCES OF CHARLES READE by Kinahan Cornwallis The Biographies CHARLES READE: DRAMATIST, NOVELIST, JOURNALIST CHARLES READE AS I KNEW HIM by John Coleman Please visit www.delphiclassics.com to browse through our range of exciting titles
Publisher: Delphi Classics
ISBN:
Category : Fiction
Languages : en
Pages : 13593
Book Description
Although famed for his meticulously researched medieval masterpiece 'The Cloister and the Hearth', Charles Reade also penned some of the Victorian era’s most gripping sensation novels, creating controversial works that strove to end social evils and fight injustice. This comprehensive eBook presents the complete works of Charles Reade, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Reade's life and works * Concise introductions to the novels and other texts * ALL 15 novels, with individual contents tables * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * Famous works such as THE CLOISTER AND THE HEARTH are fully illustrated with their original artwork * Rare story collections and plays appearing here for the first time in digital print * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Includes Reade's non-fiction seminal work on copyright: THE EIGHTH COMMANDMENT – available no where else * Special criticism section, with five essays evaluating Reade’s contribution to literature * Features two biographies, including the seminal memoir compiled by Reade’s family - discover Reade's literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels PEG WOFFINGTON CHRISTIE JOHNSTONE IT IS NEVER TOO LATE TO MEND WHITE LIES ‘LOVE ME LITTLE LOVE ME LONG.’ THE CLOISTER AND THE HEARTH VERY HARD CASH GRIFFITH GAUNT FOUL PLAY PUT YOURSELF IN HIS PLACE A TERRIBLE TEMPTATION A SIMPLETON THE WANDERING HEIR A WOMAN HATER A PERILOUS SECRET The Tales THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH THE BOX TUNNEL CREAM A GOOD FIGHT SINGLE HEART AND DOUBLE FACE GOOD STORIES OF MAN AND OTHER ANIMALS THE JILT AND OTHER STORIES The Short Stories LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER LIST OF SHORT STORIES IN ALPHABETICAL ORDER The Plays THE COURIER OF LYONS MASKS AND FACES TWO LOVES AND A LIFE IT’S NEVER TOO LATE TO MEND The Non-Fiction THE EIGHTH COMMANDMENT TRADE MALICE A HERO AND A MARTYR The Criticism DICKENS, READE, AND COLLINS: SENSATION NOVELISTS by Walter C. Phillips CHARLES READE by Sir Arthur Thomas Quiller-Couch CHARLES READE by William Dean Howells CHARLES READE by David Christie Murray LETTERS AND REMINISCENCES OF CHARLES READE by Kinahan Cornwallis The Biographies CHARLES READE: DRAMATIST, NOVELIST, JOURNALIST CHARLES READE AS I KNEW HIM by John Coleman Please visit www.delphiclassics.com to browse through our range of exciting titles
Hard cash
Author: Charles Reade
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
Book Description
Hard Cash
Author: Charles Reade
Publisher: Golden Text
ISBN:
Category : Literary Collections
Languages : en
Pages : 943
Book Description
IN a snowy villa, with a sloping lawn, just outside the great commercial seaport, Barkington, there lived a few years ago a happy family. A lady, middle-aged, but still charming; two young friends of hers; and a periodical visitor. The lady was Mrs. Dodd; her occasional visitor was her husband; her friends were her son Edward, aged twenty, and her daughter Julia, nineteen, the fruit of a misalliance. Mrs. Dodd was originally Miss Fountain, a young lady well born, high bred, and a denizen of the fashionable world. Under a strange concurrence of circumstances she coolly married the captain of an East Indiaman. The deed done, and with her eyes open, for she was not, to say, in love with him, she took a judicious line--and kept it: no hankering after Mayfair, no talking about “Lord this” and “Lady that,” to commercial gentlewomen; no amphibiousness. She accepted her place in society, reserving the right to embellish it with the graces she had gathered in a higher sphere. In her home, and in her person, she was little less elegant than a countess; yet nothing more than a merchant-captain’s wife; and she reared that commander’s children in a suburban villa, with the manners which adorn a palace. When they happen to be there. She had a bugbear; Slang. Could not endure the smart technicalities current; their multitude did not overpower her distaste; she called them “jargon”--“slang” was too coarse a word for her to apply to slang: she excluded many a good “racy idiom” along with the real offenders; and monosyllables in general ran some risk of’ having to show their passports. If this was pedantry, it went no further; she was open, free, and youthful with her young pupils; and had the art to put herself on their level: often, when they were quite young, she would feign infantine ignorance, in order to hunt trite truth in couples with them, and detect, by joint experiment, that rainbows cannot, or else will not, be walked into, nor Jack-o’-lantern be gathered like a cowslip; and that, dissect we the vocal dog--whose hair is so like a lamb’s--never so skilfully, no fragment of palpable bark, no sediment of tangible squeak, remains inside him to bless the inquisitive little operator, and c., and c. When they advanced from these elementary branches to Languages, History, Tapestry, and “What Not,” she managed still to keep by their side learning with them, not just hearing them lessons down from the top of a high tower of maternity. She never checked their curiosity, but made herself share it; never gave them, as so many parents do, a white-lying answer; wooed their affections with subtle though innocent art, thawed their reserve, obtained their love, and retained their respect. Briefly, a female Chesterfield; her husband’s lover after marriage, though not before; and the mild monitress the elder sister, the favourite companion and bosom friend of both her children.
Publisher: Golden Text
ISBN:
Category : Literary Collections
Languages : en
Pages : 943
Book Description
IN a snowy villa, with a sloping lawn, just outside the great commercial seaport, Barkington, there lived a few years ago a happy family. A lady, middle-aged, but still charming; two young friends of hers; and a periodical visitor. The lady was Mrs. Dodd; her occasional visitor was her husband; her friends were her son Edward, aged twenty, and her daughter Julia, nineteen, the fruit of a misalliance. Mrs. Dodd was originally Miss Fountain, a young lady well born, high bred, and a denizen of the fashionable world. Under a strange concurrence of circumstances she coolly married the captain of an East Indiaman. The deed done, and with her eyes open, for she was not, to say, in love with him, she took a judicious line--and kept it: no hankering after Mayfair, no talking about “Lord this” and “Lady that,” to commercial gentlewomen; no amphibiousness. She accepted her place in society, reserving the right to embellish it with the graces she had gathered in a higher sphere. In her home, and in her person, she was little less elegant than a countess; yet nothing more than a merchant-captain’s wife; and she reared that commander’s children in a suburban villa, with the manners which adorn a palace. When they happen to be there. She had a bugbear; Slang. Could not endure the smart technicalities current; their multitude did not overpower her distaste; she called them “jargon”--“slang” was too coarse a word for her to apply to slang: she excluded many a good “racy idiom” along with the real offenders; and monosyllables in general ran some risk of’ having to show their passports. If this was pedantry, it went no further; she was open, free, and youthful with her young pupils; and had the art to put herself on their level: often, when they were quite young, she would feign infantine ignorance, in order to hunt trite truth in couples with them, and detect, by joint experiment, that rainbows cannot, or else will not, be walked into, nor Jack-o’-lantern be gathered like a cowslip; and that, dissect we the vocal dog--whose hair is so like a lamb’s--never so skilfully, no fragment of palpable bark, no sediment of tangible squeak, remains inside him to bless the inquisitive little operator, and c., and c. When they advanced from these elementary branches to Languages, History, Tapestry, and “What Not,” she managed still to keep by their side learning with them, not just hearing them lessons down from the top of a high tower of maternity. She never checked their curiosity, but made herself share it; never gave them, as so many parents do, a white-lying answer; wooed their affections with subtle though innocent art, thawed their reserve, obtained their love, and retained their respect. Briefly, a female Chesterfield; her husband’s lover after marriage, though not before; and the mild monitress the elder sister, the favourite companion and bosom friend of both her children.
The Literary World
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 510
Book Description
Hardy of Wessex
Author: Carl J. Weber
Publisher: Routledge
ISBN: 1317199200
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
First published in 1940 and revised in 1965, this work by the distinguished Hardy Scholar, Carl J. Weber, traces Hardy’s literary career from High Brockhampton to the grave in Poet’s corner, Westminster Abbey. Using a multitude of letters, it explains why Thomas Hardy wrote, and how his books grew from ideas, emotions and experiences to the printed volumes that have delighted the world. This book will be of interest to those studying the works of Thomas Hardy and 19th century literature.
Publisher: Routledge
ISBN: 1317199200
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
First published in 1940 and revised in 1965, this work by the distinguished Hardy Scholar, Carl J. Weber, traces Hardy’s literary career from High Brockhampton to the grave in Poet’s corner, Westminster Abbey. Using a multitude of letters, it explains why Thomas Hardy wrote, and how his books grew from ideas, emotions and experiences to the printed volumes that have delighted the world. This book will be of interest to those studying the works of Thomas Hardy and 19th century literature.
Original Copy
Author: Robert Macfarlane
Publisher: OUP Oxford
ISBN: 0191537926
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways. Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.
Publisher: OUP Oxford
ISBN: 0191537926
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways. Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.