The Works of Charles Dickens: Bleak house [1901? PDF Download
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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
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Book Description
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Get Book Here
Book Description
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
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Book Description
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 039334763X
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
A revelatory work that examines the intricate relationship between history and literature, truth and fiction—with some surprising conclusions. Focusing on three literary masterpieces—Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)—Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.
Author: George Gissing
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
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Book Description
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 726
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Book Description
![The works of Charles Dickens. Household ed. [22 vols. Orig. issued in monthly parts]. PDF](https://books.google.com/books/content/images/frontcover/RSc60AEACAAJ?fife=w80-h100)
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John O. Jordan
Publisher: Cambridge University Press
ISBN: 1107494192
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
The Cambridge Companion to Charles Dickens contains fourteen specially-commissioned chapters by leading international scholars, who together provide diverse but complementary approaches to the full span of Dickens's work, with particular focus on his major fiction. The essays cover the whole range of Dickens's writing, from Sketches by Boz through The Mystery of Edwin Drood. Separate chapters address important thematic topics: childhood, the city, and domestic ideology. Others consider formal features of the novels, including their serial publication and Dickens's distinctive use of language. Three final chapters examine Dickens in relation to work in other media: illustration, theatre, and film. Each essay provides guidance to further reading. The volume as a whole offers a valuable introduction to Dickens for students and general readers, as well as fresh insights, informed by recent critical theory, that will be of interest to scholars and teachers of the novels.
Author: Deirdre David
Publisher: Cambridge University Press
ISBN: 1107005132
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
A new edition of this standard work, fully updated with four brand new chapters.
Author: Emily Steinlight
Publisher: Cornell University Press
ISBN: 1501710710
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.
