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Author: Birmingham Free Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 396
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Book Description
Author: Birmingham Free Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 396
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Book Description
Author: John North
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 242
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Book Description
Author: Marliss C. Desens
Publisher: University of Delaware Press
ISBN: 9780874134766
Category : Drama
Languages : en
Pages : 188
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Book Description
None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.
Author: Henry George Bohn
Publisher:
ISBN:
Category :
Languages : en
Pages : 1062
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
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Book Description
Author: Darren Freebury-Jones
Publisher: Manchester University Press
ISBN: 1526177315
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
A fascinating book exploring the early modern authors who helped to shape Shakespeare’s beloved plays. Shakespeare’s plays have influenced generations of writers, but who were the early modern playwrights who influenced him? Using the latest techniques in textual analysis Shakespeare's borrowed feathers offers a fresh look at William Shakespeare and reveals the influence of a community of playwrights that shaped his work. This compelling book argues that we need to see early modern drama as a communal enterprise, with playwrights borrowing from and adapting one another's work. From John Lyly's wit to the collaborative genius of John Fletcher, to Christopher Marlowe and Ben Jonson, Shakespeare's borrowed feathers offers fresh insights into Shakespeare’s artistic development and shows us new ways of looking at the masterpieces that have enchanted audiences for centuries.
Author: T. R. Langley
Publisher: James Clarke & Co.
ISBN: 9780227679630
Category : Art
Languages : en
Pages : 264
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Book Description
'Spin' seems to be everywhere in politics nowadays, and is often spoken of as if it were entirely new. This book gives the lie to that claim, showing how the art of the spin-doctor was widely practised over three hundred years ago. The term 'art'is used here in the sense of artistic imagery as well as of the skill of the spinner in manipulating opinion. Langley discusses the work of authors such as Edmund Waller and painters like Antonio Verrio to illuminate the changing ideologies of the late Stuart era and the way in which ideas about sovereignty were expressed by artists. Image Government traces some of the cranks and windings, ebbings and flowings that lead from Charles I's downfall to Queen Anne's coronation, as they are registered in printed literature and visual art. The poetry of Marvell and Dryden, multifarious political writings by greater and lesser figures, and the works of significant divines like the Whiggish Burnet, and Hickes, doyen of the non-jurers, are all used to show how the expression of ideas changed in the second half of the seventeenth century. While his awareness of the contributions of modern scholarship is everywhere apparent, the author shows a magisterial grasp of often under-exploited primary sources. This book will be a valuable addition to the libraries of all students and scholars of later seventeenth-century literature, history and art in bringing to light aspects of sovereignty and the underlying principles of political cohesion in the period which have hitherto been little understood.
Author: Eric Dunnum
Publisher: Routledge
ISBN: 1351252631
Category : Performing Arts
Languages : en
Pages : 459
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Book Description
Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.
Author: George Offor
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
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Book Description
Author: Frand Karslake
Publisher:
ISBN:
Category : Book auctions
Languages : en
Pages : 498
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Book Description
A priced and annotated annual record of London, New York and Edinburgh book-auctions.
