The Workes of that Famous Chirurgion Ambrose Parey PDF Download
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Author: Ambroise Paré
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 0
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Book Description
Author: Ambroise Paré
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 0
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Book Description
Author: Ambroise Paré
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 900
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Book Description
Author: Ambroise Par
Publisher:
ISBN: 9781462265282
Category :
Languages : en
Pages : 882
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Book Description
Hardcover reprint of the original 1649 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Par, Ambroise. The Workes Of That Famous Chirurgion Ambrose Parey. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Par, Ambroise. The Workes Of That Famous Chirurgion Ambrose Parey, . London: Printed By Richard Cotes, And Willi: Du-Gard, And Are To Be Sold By John Clarke, 1649.
Author: Ambroise Paré
Publisher:
ISBN:
Category :
Languages : en
Pages : 828
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Book Description
Author: Ambroise Paré
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 898
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Book Description
Author: Ian Buxton
Publisher: Royal Society of Chemistry
ISBN: 1782625585
Category : Technology & Engineering
Languages : en
Pages : 303
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Book Description
Worldwide - whisky has never been in better shape. Despite the recession, new distillation capacity is being added at a record pace and new consumers in new markets are entering the arena. Distillers are experimenting with new finishes, packaging and marketing techniques and amongst consumers there is a hunger for knowledge and informed commentary. The Science and Commerce of Whisky is written by two acknowledged authorities in the area and fills a significant gap in the literature. It will provide a uniquely authoritative overview of a developing and dynamic sector reflecting best current practice and combine this with a historical perspective, production expertise and insightful, expert market and marketing commentary. The style is readable and accessible and will appeal to undergraduates on appropriate degree courses, industry and craft practitioners and the many whisky enthusiasts around the world.
Author: Radcliffe Library (University of Oxford)
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 580
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Book Description
Author: Lindsey Fitzharris
Publisher: Farrar, Straus and Giroux
ISBN: 0374719667
Category : Biography & Autobiography
Languages : en
Pages : 235
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Book Description
A New York Times Bestseller Finalist for the 2022 Kirkus Prize | Named a best book of the year by The Guardian "Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.
Author: Robert Darcy
Publisher: U of Nebraska Press
ISBN: 1496223837
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Misanthropoetics explores efforts by Renaissance writers to represent social flight and withdrawal as a fictional escape from the incongruous demands of culture. Through the invented term of its title, this book investigates the literary misanthrope in a number of key examples from Shakespeare, Jonson, Spenser, and the satirical milieu of Marston to exemplify the seemingly unresolvable paradoxes of social life. In Shakespeare’s England a burgeoning urban population and the codification of social controls drove a new imaginary of revolt and flight in the figure of the literary misanthrope. This figure of disillusionment became an experiment in protesting absurd social demands, pitting friendship and family against prudent economies, testimonies of durable love against erosions of historical time, and stable categories of gender against the breakdown and promiscuity of language. Misanthropoetics chronicles the period’s own excoriating critique of the illusion of resolution fostered within a social world beleaguered by myriad pressures and demands. This study interrogates form as a means not toward order but toward the impasse of irresolution, to detecting and declaring the social function of life as inherently incongruous. Robert Darcy applies questions of phenomenology and psychoanalysis, deconstruction and chaos theory to observe how the great deployers of literary form lost confidence that it could adhere to clear and stable rules of engagement, even as they tried desperately to shape and preserve it.
Author: Patricia A. Cahill
Publisher: OUP Oxford
ISBN: 019154969X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Elizabethan theatrical repertory was enthralled with the era's martial discourses and beset by its blinding visions. In her richly historicized account of the theater's engagement with 'modern' warfare, Patricia Cahill juxtaposes the new military technologies and new modes of martial abstraction with the performance of war-suffused dramas by Shakespeare, Marlowe, and their contemporaries. Equally important, she shows that even as early-modern playwrights engaged cutting-edge military practices, they routinely trafficked in phenomena resistant to the new rationalities, conjuring up a domain of eerie sounds, uncanny figures, and haunted temporalities. By going beyond the usual protocols of historicist criticism and emphasizing the complex dynamics of theatrical modes of address, this wide-ranging study investigates the representation of early-modern war trauma and recovers for us a compelling sense of the intimate relationship between affect and intellect on the Renaissance stage. Intervening in ongoing conversations about the drama's role in shaping the cultural imaginary, Unto the Breach shows that, in an era of escalating militarization, England's first commercial theaters offered their audiences something of incalculable value - namely, a space for the performance and 'working through' of what might otherwise remain psychically unbearable in war's violence.
