The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media PDF Download
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Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674024458
Category : Art
Languages : en
Pages : 452
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Book Description
A series of influential essays on the visual arts that were made possible by machines, and the implications for the future of culture.
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674024458
Category : Art
Languages : en
Pages : 452
Get Book Here
Book Description
A series of influential essays on the visual arts that were made possible by machines, and the implications for the future of culture.
Author: Walter Benjamin
Publisher:
ISBN: 9781774640074
Category : Art
Languages : en
Pages : 0
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Book Description
Walter Benjamin discusses whether art is diminished by the modern culture of mass replication, arriving at the conclusion that the aura or soul of an artwork is indeed removed by duplication. In an essay critical of modern fashion and manufacture, Benjamin decries how new technology affects art. The notion of fine arts is threatened by an absence of scarcity; an affair which diminishes the authenticity and essence of the artist's work. Though the process of art replication dates to classical antiquity, only the modern era allows for a mass quantity of prints or mass production. Given that the unique aura of an artist's work, and the reaction it provokes in those who see it, is diminished, Benjamin posits that artwork is much more political in significance. The style of modern propaganda, of the use of art for the purpose of generating raw emotion or arousing belief, is likely to become more prevalent versus the old-fashioned production of simpler beauty or meaning in a cultural or religious context.
Author: Walter Benjamin
Publisher: Random House Digital, Inc.
ISBN: 0805202412
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
Walter Benjamin was one of the most original cultural critics of the twentieth century. Illuminations includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and Benjamin's theses on the philosophy of history. Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in dark times. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times.
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 0674024451
Category : Art
Languages : en
Pages : 449
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Book Description
A series of influential essays on the visual arts that were made possible by machines, and the implications for the future of culture.
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674022225
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
Not an autobiography in the customary sense, Benjamin's recollection of his childhood in an upper-middle-class Jewish home in Berlin's West End at the turn of the century is translated into English for the first time in book form.
Author: Walter Benjamin
Publisher: Lulu.com
ISBN: 9780359046386
Category : Art
Languages : en
Pages : 40
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Book Description
Walter Benjamin discusses whether art is diminished by the modern culture of mass replication, arriving at the conclusion that the aura or soul of an artwork is indeed removed by duplication. In an essay critical of modern fashion and manufacture, Benjamin decries how new technology affects art. The notion of fine arts is threatened by an absence of scarcity; an affair which diminishes the authenticity and essence of the artist's work. Though the process of art replication dates to classical antiquity, only the modern era allows for a mass quantity of prints or mass production. Given that the unique aura of an artist's work, and the reaction it provokes in those who see it, is diminished, Benjamin posits that artwork is much more political in significance. The style of modern propaganda, of the use of art for the purpose of generating raw emotion or arousing belief, is likely to become more prevalent versus the old-fashioned production of simpler beauty or meaning in a cultural or religious context.
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674022874
Category : Education
Languages : en
Pages : 326
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Book Description
"In this book Benjamin reveals Baudelaire as a social poet of the very first rank. More than a series of studies of Baudelaire, these essays show the extent to which Benjamin identifies with the poet and enable him to explore his own notion of heroism."--BOOK JACKET.
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674022218
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
On Hashish' is Walter Benjamin's posthumous collection of writings, providing a unique and intimate portrait of the man himself, of his experiences of hashish, and also of his views on the Weimar Republic.
Author: Hans Ulrich Gumbrecht
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
Since its publication in 1936, Walter Benjamin’s "Artwork” essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin’s famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin’s position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
Author: Christopher Kul-Want
Publisher: Columbia University Press
ISBN: 0231549369
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought. Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.
