The Women Aesthetes vol 1

The Women Aesthetes vol 1 PDF Author: Jane Spirit
Publisher: Taylor & Francis
ISBN: 1040233864
Category : Literary Criticism
Languages : en
Pages : 414

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Book Description
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.

The Women Aesthetes vol 1

The Women Aesthetes vol 1 PDF Author: Jane Spirit
Publisher: Taylor & Francis
ISBN: 1040233864
Category : Literary Criticism
Languages : en
Pages : 414

Get Book Here

Book Description
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.

The Women Aesthetes vol 2

The Women Aesthetes vol 2 PDF Author: Jane Spirit
Publisher: Taylor & Francis
ISBN: 1040244793
Category : Literary Criticism
Languages : en
Pages : 380

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Book Description
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.

The Women Aesthetes vol 3

The Women Aesthetes vol 3 PDF Author: Jane Spirit
Publisher: Taylor & Francis
ISBN: 1040250009
Category : Literary Criticism
Languages : en
Pages : 428

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Book Description
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.

The Palgrave Encyclopedia of Victorian Women's Writing

The Palgrave Encyclopedia of Victorian Women's Writing PDF Author: Lesa Scholl
Publisher: Springer Nature
ISBN: 3030783189
Category : Literary Criticism
Languages : en
Pages : 1753

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Book Description
Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.

British Women’s Short Supernatural Fiction, 1860–1930

British Women’s Short Supernatural Fiction, 1860–1930 PDF Author: Victoria Margree
Publisher: Springer Nature
ISBN: 3030271420
Category : Literary Criticism
Languages : en
Pages : 208

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Book Description
This book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.

Lives of Victorian Literary Figures, Part IV, Volume 1

Lives of Victorian Literary Figures, Part IV, Volume 1 PDF Author: Ralph Pite
Publisher: Taylor & Francis
ISBN: 104012920X
Category : Literary Criticism
Languages : en
Pages : 374

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Book Description
Part of the "Lives of Victorian Literary Figures" series, this set collects contemporary memoirs, biographies and ephemera relating to Oscar Wilde, Henry James and Edith Wharton. Editorial apparatus includes a general introduction, headnotes, endnotes and a general index.

British Women Writers and the Short Story, 1850-1930

British Women Writers and the Short Story, 1850-1930 PDF Author: K. Krueger
Publisher: Springer
ISBN: 1137359242
Category : Literary Criticism
Languages : en
Pages : 235

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Book Description
This book addresses a critically neglected genre used by women writers from Gaskell to Woolf to complicate Victorian and modernist notions of gender and social space. Their innovative short stories ask Britons to reconsider where women could live, how they could be identified, and whether they could be contained.

British Women’s Writing from Brontë to Bloomsbury, Volume 3

British Women’s Writing from Brontë to Bloomsbury, Volume 3 PDF Author: Adrienne E. Gavin
Publisher: Springer Nature
ISBN: 3031572882
Category :
Languages : en
Pages : 328

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Book Description


Form and Modernity in Women’s Poetry, 1895–1922

Form and Modernity in Women’s Poetry, 1895–1922 PDF Author: Sarah Parker
Publisher: Taylor & Francis
ISBN: 1003853641
Category : Literary Criticism
Languages : en
Pages : 241

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Book Description
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.

Gatsby's Oxford

Gatsby's Oxford PDF Author: Christopher A Snyder
Publisher: Simon and Schuster
ISBN: 1643131095
Category : History
Languages : en
Pages : 326

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Book Description
The story of F. Scott Fitzgerald's creation of Jay Gatsby—war hero and Oxford man—at the beginning of the Jazz Age, when the City of Dreaming Spires attracted an astounding array of intellectuals, including the Inklings, W.B. Yeats, and T.S. Eliot. A diverse group of Americans came to Oxford in the first quarter of the twentieth century—the Jazz Age—when the Rhodes Scholar program had just begun and the Great War had enveloped much of Europe. Scott Fitzgerald created his most memorable character—Jay Gatsby—shortly after his and Zelda’s visit to Oxford. Fitzgerald’s creation is a cultural reflection of the aspirations of many Americans who came to the University of Oxford. Beginning in 1904, when the first American Rhodes Scholars arrived in Oxford, this book chronicles the experiences of Americans in Oxford through the Great War to the beginning of the Great Depression. This period is interpreted through the pages of The Great Gatsby, producing a vivid cultural history. Archival material covering Scholars who came to Oxford during Trinity Term 1919—when Jay Gatsby claims he studied at Oxford—enables the narrative to illuminate a detailed portrait of what a “historical Gatsby” would have looked like, what he would have experienced at the postwar university, and who he would have encountered around Oxford—an impressive array of artists including W.B. Yeats, Virginia Woolf, Aldous Huxley, and C.S. Lewis.