'The Winter's Tale' in Performance in England and America 1611-1976 PDF Download
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Author: Dennis Bartholomeusz
Publisher: Cambridge University Press
ISBN: 052124529X
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This 1982 book examines The Winter's Tale in performance from Jacobean England to the twentieth century.
Author: Dennis Bartholomeusz
Publisher: Cambridge University Press
ISBN: 052124529X
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This 1982 book examines The Winter's Tale in performance from Jacobean England to the twentieth century.
Author: William Shakespeare
Publisher: Penguin
ISBN: 1101119039
Category : Drama
Languages : en
Pages : 305
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Book Description
The Newly Revised Signet Classic Shakespeare Series The work of the world’s greatest dramatist edited by outstanding scholars The Winter’s Tale Unique Features of the Signet Classic Shakespeare •An extensive overview of Shakespeare’s life, world, and theater by the general editor of the Signet Classic Shakespeare series, Sylvan Barnet •Special introduction to the play by the editor, Frank Kermode, Fellow of the British Academy •Source from which Shakespeare derived The Winter’s Tale—a generous selection from Robert Greene’s Pandosto •Dramatic criticism from the past and present: commentaries by Simon Forman, Samuel Taylor Coleridge, E.M.W. Tillyard, G. Wilson Knight, Carol Thomas Neely, and Coppelia Kahn •A comprehensive stage and screen history of notable productions of The Winter’s Tale, then and now •Text, notes, and commentaries printed in the clearest, most readable type •Up-to-date list of recommended readings
Author: Maurice Hunt
Publisher: Routledge
ISBN: 1135023301
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
A collection that includes a lengthy introduction describing historical trends in critical interpretations and theatrical performances of Shakespeare's play; 20 essays on the play, including two written especially for this volume (by Maurice Hunt and David Bergeron).
Author: Ros King
Publisher: Bloomsbury Publishing
ISBN: 1350317020
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This Handbook provides an introductory guide to The Winter's Tale offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.
Author: Christopher J. Cobb
Publisher: University of Delaware Press
ISBN: 9780874139716
Category : Drama
Languages : en
Pages : 312
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Book Description
This book examines Shakespeare's response in his late plays to the challenge of making romance stories believable through theatrical representation and the kind of experience the late plays in performance seek to create for their spectators. Taking The Winter's Tale as a case study, the book's central chapters demonstrate how Shakespeare tests and transforms the techniques to create the sweeping, restorative transformations of individuals and communities that are central to both earlier dramatic romances and Shakespeare's own romance experiments. The book's three other chapters address the methodologies for study of spectator's experience through a dramatic text, the history of dramatic romance to 1610, and Shakespeare's further experiments with the staging of romance after The Winter's Tale.-
Author: Joseph M. Ortiz
Publisher: Routledge
ISBN: 135190079X
Category : Literary Criticism
Languages : en
Pages : 476
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Book Description
The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble’s staging of The Winter’s Tale at Drury Lane or John Boydell’s marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare’s works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions”Whig and Tory, male and female, intellectual and commercial”found in Shakespeare a powerful medium through which to claim authority for their particular interests.
Author: Carol Chillington Rutter
Publisher: Routledge
ISBN: 1134216688
Category : Drama
Languages : en
Pages : 273
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Book Description
Shakespeare wrote more than fifty parts for children, amounting to the first comprehensive portrait of childhood in the English theatre. Focusing mostly on boys, he put sons against fathers, servants against masters, innocence against experience, testing the notion of masculinity, manners, morals, and the limits of patriarchal power. He explored the nature of relationships and ideas about parenting in terms of nature and nurture, permissiveness and discipline, innocence and evil. He wrote about education, adolescent rebellion, delinquency, fostering, and child-killing, as well as the idea of the redemptive child who ‘cures’ diseased adult imaginations. ‘Childness’ – the essential nature of being a child – remains a vital critical issue for us today. In Shakespeare and Child’s-Play Carol Rutter shows how recent performances on stage and film have used the range of Shakespeare’s insights in order to re-examine and re-think these issues in terms of today’s society and culture.
Author: Valerie L. Gager
Publisher: Cambridge University Press
ISBN: 9780521455268
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
This 1996 book traces Dickens' interest in Shakespeare through his own reading and performance and through theatrical, literary and artistic sources.
Author: Laura Lisy-Wagner
Publisher: Routledge
ISBN: 1317112415
Category : History
Languages : en
Pages : 241
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Book Description
Unlike many narratives about the Czech lands, which place them on the periphery of their own history, this study considers Czechs as central characters, looking both east and west to find their place in the early modern world. Islam, Christianity and the Making of Czech Identity, 1453-1683 works through the descriptive and ethnographic texts produced by Czech speakers about Islam and the Ottoman Empire to show how they used this discourse to create Czech identities. Rather than simply constructing identity in opposition to the Islamic Other, Laura Lisy-Wagner shows how these authors played the Holy Roman and Ottoman Empires off each other, creating an autonomous space for themselves in between. Lisy-Wagner introduces sources that are new to English-language historiography and uses them in a way that is new to Czech historiography as well. The chapters are organized based on different categories of agents-travelers, ethnographers, religious leaders, artists, and political revolutionaries-whose voices cast ideas of Europe and Czech identity in the early modern period in a new and different light.
Author: Karen Bamford
Publisher: Routledge
ISBN: 1317099400
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Though recent scholarship has focused both on motherhood and on romance literature in early modern England, until now, no full length volume has addressed the notable intersections between the two topics. This collection contributes to the scholarly investigation of maternity in early modern England by scrutinizing romance narratives in various forms, considering motherhood not as it was actually lived, but as it was figured in the fantasy world of romance by authors ranging from Edmund Spenser to Margaret Cavendish. Contributors explore the traditional association between romance and women, both as readers of fiction and as tellers of ’old wives’ tales,’ as well as the tendency of romance plots, with their emphasis on the family and its reproduction, to foreground matters of maternity. Collectively, the essays in this volume invite reflection on the uses to which Renaissance culture put maternal stereotypes (the virgin mother, the cruel step-dame), as well as the powerful fears and desires that mothers evoke, assuage and sometimes express in the fantasy world of romance.
