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Author: Stefan Maechler
Publisher: Schocken
ISBN: 0307493245
Category : Biography & Autobiography
Languages : en
Pages : 514
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Book Description
This is the definitive report on Fragments, Binjamin Wilkomirski's invented "memoir" of a childhood spent in concentration camps, which created international turmoil. In 1995 Fragments, a memoir by a Swiss musician named Binjamin Wilkomirski, was published in Germany. Hailed by critics, who compared it with the masterpieces of Primo Levi and Anne Frank, the book received major prizes and was translated into nine languages. The English-language edition was published by Schocken in 1996. In Fragments, Wilkomirski described in heart-wrenching detail how as a small child he survived internment in Majdanek and Birkenau and was eventually smuggled into Switzerland at the war's end. But three years after the book was first published, articles began to appear that questioned its authenticity and the author's claim that he was a Holocaust survivor. Stefan Maechler, a Swiss historian and expert on anti-Semitism and Switzerland's treatment of refugees during and after World War II, was commissioned on behalf of the publishers of Fragments to conduct a full investigation into Wilkomirski's life. Maechler was given unrestricted access to hundreds of government and personal documents, interviewed eyewitnesses and family members in seven countries, and discovered facts that completely refute Wilkomirski's book. The Maechler report has implications far beyond the tragic story of one individual's deluded life. It explores our feelings about survivor literature and the impact these works can have on our remembrance of the Holocaust.
Author: Stefan Maechler
Publisher: Schocken
ISBN: 0307493245
Category : Biography & Autobiography
Languages : en
Pages : 514
Get Book Here
Book Description
This is the definitive report on Fragments, Binjamin Wilkomirski's invented "memoir" of a childhood spent in concentration camps, which created international turmoil. In 1995 Fragments, a memoir by a Swiss musician named Binjamin Wilkomirski, was published in Germany. Hailed by critics, who compared it with the masterpieces of Primo Levi and Anne Frank, the book received major prizes and was translated into nine languages. The English-language edition was published by Schocken in 1996. In Fragments, Wilkomirski described in heart-wrenching detail how as a small child he survived internment in Majdanek and Birkenau and was eventually smuggled into Switzerland at the war's end. But three years after the book was first published, articles began to appear that questioned its authenticity and the author's claim that he was a Holocaust survivor. Stefan Maechler, a Swiss historian and expert on anti-Semitism and Switzerland's treatment of refugees during and after World War II, was commissioned on behalf of the publishers of Fragments to conduct a full investigation into Wilkomirski's life. Maechler was given unrestricted access to hundreds of government and personal documents, interviewed eyewitnesses and family members in seven countries, and discovered facts that completely refute Wilkomirski's book. The Maechler report has implications far beyond the tragic story of one individual's deluded life. It explores our feelings about survivor literature and the impact these works can have on our remembrance of the Holocaust.
Author: Blake Eskin
Publisher: W. W. Norton & Company
ISBN: 9780393048711
Category : Biography & Autobiography
Languages : en
Pages : 262
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Book Description
In 1997, Binjamin Wilkomirski arrived in New York to read from his prize-winning book Fragments: Memories of a Wartime Childhood, his memoir of an early childhood lost to the concentration camps at Majdanek and Auschwitz, and to raise money for the Holocaust Museum in Washington D.C. This orphaned survivor also came as the guest of honor to the family reunion of the Wilburs (once Wilkomirskis). The Wilburs hoped to trace the unrecorded link between the Wilkomirskis of Riga in Latvia and the name that Binjamin remembered. The Wilburs and the media embraced Binjamin as a humanitarian whose eloquent story typified that of many child survivors. One year later, however, Binjamin was publicly accused of being a gentile imposter: on August 27, 1998, a German novelist named Daniel Ganzfried announced to the world that he had uncovered documentary evidence proving that Fragments was an elaborate fiction. Yet Binjamin still insisted his wartime memories carried more weight than the documents against him, proclaiming, "Nobody has to believe me." Those who continued to believe Binjamin included child survivors, psychotherapists, and his publishers. Who was Binjamin Wilkomirski? Why would someone want to be him? And why would so many of us want to believe him? Wilbur family member Blake Eskin recounts the dispute over Binjamin's authenticity through reportage, interviews with Binjamin's acquaintances, and a visit to Riga in search of actual Wilkomirski relatives. In his absorbing narrative Eskin records the reactions of the media, the child-survivor community, and the Wilburs themselves to reveal larger disagreements over the reliability of memory, the value of testimony, and the individual's relationship to history. Part biography, part mystery, and part memoir, Eskin's A Life in Pieces is an important and lasting contribution to the literature of the Holocaust.
Author: Binjamin Wilkomirski
Publisher: Schocken
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
Memoir of a small boy who was separated from his family at the age of three or four-years-old after his father was killed during a round-up of Jews in Latvia, and was sent to the Majdanek death camp where he was discovered by Allied soldiers in 1945.
Author: Ann Coulter
Publisher: Crown Forum
ISBN: 0307449874
Category : Political Science
Languages : en
Pages : 320
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Book Description
“Liberals seem to have hit upon a reverse Christ story as their belief system. He suffered and died for our sins; liberals make the rest of us suffer for sins we didn’t commit.” Who are the victims here? To hear liberals tell it, you’d think they do nothing but suffer at the hands of ruthless entities like the “Republican Attack Machine” and Fox News. Really? It’s just another instance of the Big Lie, of course, told so often that some people have actually started to believe it. In Guilty, Ann Coulter explodes this myth to reveal that when it comes to bullying, no one outdoes the Left. Citing case after case, ranging from the hilariously absurd to the shockingly vicious, Coulter dissects these so-called victims who are invariably the oppressors. For instance: •Single mothers: Getting pregnant isn’t like catching the flu. There are volitional acts involved–someone else explain it to Dennis Kucinich. By this purposeful act, single mothers cause irreparable harm to other human beings–their own children–as countless studies on the subject make clear. •The myth of the Republican Attack Machine: The most amazing thing liberals have done is create the myth of a compliant right-wing media with Republicans badgering baffled reporters into attacking Democrats. It’s so mad, it’s brilliant. It’s one kind of lie to say the Holocaust occurred when the Swedes killed the Jews. But it’s another kind of lie entirely to say the Holocaust occurred when the Jews killed the Nazis. •“Brave” liberals: In addition to being beautiful, compassionate tribunes of the downtrodden, liberals are brave. I know that because they’re always telling me how brave they are. Why, five nights a week, MSNBC’s Keith Olbermann courageously books guests who completely agree with him. It doesn’t get much braver than that. •Obambi’s luck: While B. Hussein Obama piously condemned attacks on candidates’ families, his media and campaign surrogates ripped open the court-sealed divorce records of his two principal opponents in his Senate race in Illinois. •The offenders are offended!: Republican senator George Allen’s career was destroyed when he made a joking remark to a privileged Indian American harassing him at campaign stops. When did rich kids become a new protected category that must be shielded from words that are insulting in other languages? How did Sidarth become a specially anointed victim? What did we ever do to India? And why didn’t we ever hear about the far more offensive anti-Semitic flyers of Allen’s opponent Jim Webb? One essential and recurring truth about self-righteous liberals, says Coulter, is that “they viciously attack all while wailing that they are the true victims.” With Guilty–a mordantly witty and shockingly specific catalog of offenses that liberals would rather we ignore and forget–Ann Coulter presents exhibits A through Z.
Author: Uwe Timm
Publisher: Farrar, Straus and Giroux
ISBN: 9780374103743
Category : History
Languages : en
Pages : 160
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Book Description
A renowned German novelist's memoir of his brother, who joined the SS and was killed at the Russian front. Uwe Timm was only two years old when in 1942 his older brother, Karl Heinz, announced to his family he had volunteered for service with an elite squadron of the German army, the SS Totenkopf Division, also known as Death's Heads. Little more than a year later Karl Heinz was injured in battle at the Russian front, his legs amputated, and a few weeks after that he died in a military hospital. To their father, Karl Heinz's death only served to immortalize him as the courageous one, the obedient one, the one who upheld the family honor. His childhood was marked by the mythology of his brother's lost life; his absence-the hole he left in the family-just as palpable as if he were still alive. His mother's sadness and his father's rage over the loss of Karl Heinz ultimately defined Uwe's relationship with his parents. But while they eulogized the boy, Uwe wondered: who really had his brother been? The life and death of his older brother has haunted Uwe Timm for more than sixty years. His parents' silence was one of the most painful aspects of his family history. Not even after the war ended, and details of unspeakable horrors emerged, did his parents ever acknowledge Germany's guilt and Karl Heinz's role in it. They simply said: We didn't know. After the deaths of his parents and older sister Timm set out in search of answers. Using military reports, letters, family photos and cryptic entries from a diary his brother kept during the war, he began to piece together the picture, discovering his brother's story is not just that of one man, but the tragedy of an entire generation. In the Shadow of My Brother is a meditation on German history and guilt, one that is both nuanced and measured.
Author: Daniel H. Magilow
Publisher: Bloomsbury Publishing
ISBN: 1472512421
Category : History
Languages : en
Pages : 241
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Book Description
Holocaust Representations in History is an introduction to critical questions and debates surrounding the depiction, chronicling and memorialization of the Holocaust through the historical analysis of some of the most provocative and significant works of Holocaust representation. In a series of chronologically presented case studies, the book introduces the major themes and issues of Holocaust representation across a variety of media and genres, including film, drama, literature, photography, visual art, television, graphic novels, and memorials. The case studies presented not only include well-known, commercially successful, and canonical works about the Holocaust, such as the film Shoah and Elie Wiesel's memoir Night, but also controversial examples that have drawn accusations of profaning the memory of the genocide. Each work's specific historical and cultural significance is then discussed to provide further insight into the impact of one of the most devastating events of the 20th century and the continued relevance of its memory. Complete with illustrations, a bibliography and suggestions for further reading, key terms and discussion questions, this is an important book for any student keen to know more about the Holocaust and its impact.
Author: Anne Whitehead
Publisher: Edinburgh University Press
ISBN: 074866601X
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
The literary potential of trauma is examined in this book, bringing trauma theory and literary texts together for the first time. Trauma Fiction focuses on the ways in which contemporary novelists explore the theme of trauma and incorporate its structures into their writing. It provides innovative readings of texts by Pat Barker, Jackie Kay, Anne Michaels, Toni Morrison, Caryl Phillips, W. G. Sebald and Binjamin Wilkomirski. It also considers the ways in which trauma has affected fictional form, exploring how novelists have responded to the challenge of writing traumatic narratives, and identifying the key stylistic features associated with the genre. In addition, the book introduces the reader to key critics in the field of trauma theory such as Cathy Caruth, Shoshana Felman and Geoffrey Hartman. The linking of trauma theory and literary texts not only sheds light on works of contemporary fiction, it also points to the inherent connections between trauma theory and the literary which have often been overlooked. The distinction between literary theme and style in the book opens up major questions regarding the nature of trauma itself. Trauma, like the novels discussed, is shown to take an uncertain but productive place between content and form.Key Features*Idenitifes and explores a new and evolving genre in contemporary fiction*Thinks through the relation between trauma and literature*Produces innovative readings of key works of contemporary fiction *Provides an introduction to key ideas in trauma theory
Author: Dominick LaCapra
Publisher: JHU Press
ISBN: 1421414007
Category : History
Languages : en
Pages : 265
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Book Description
This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.
Author: Chantelle Warner
Publisher: Routledge
ISBN: 041550130X
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
In this book, Warner examines a number of German-language literary works that are connected to diverse social movements of the last forty years and have in some way been pivotal in discussions of authenticity, autobiographicality, testimonial representation, and referentiality. By presenting a model for an integrative stylistics approach, such as is needed to understand non-fictional, poetic effects such as authenticity, this book participates in current discussions within fields of literary linguistic scholarship. Of particular interest to those in the fields of German Studies; stylistics; and autobiography, testimony, and life-writing.
Author: Julia V. Emberley
Publisher: SUNY Press
ISBN: 1438453612
Category : Social Science
Languages : en
Pages : 354
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Book Description
Examines how colonial and postcolonial violence is understood and conceptualized through Indigenous storytelling. Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
