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Author: Mark Knowles
Publisher: McFarland
ISBN: 0786453605
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.
Author: Mark Knowles
Publisher: McFarland
ISBN: 0786453605
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.
Author: Mark Knowles
Publisher: McFarland Publishing
ISBN: 9780786437085
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing on decency and health, they failed to suppress the popularity of the waltz or other dance crazes of the period, such as the Charleston, the Tango, and Ragtime dances such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development and importance of these popular dances with particular attention to the waltz, evaluating in particular how their very existence as "taboo" cultural fads led to initial outrage while ultimately providing a catalyst for lasting social reform. Focusing on couple dances of the 19th and early 20th centuries, it reveals how they expressed this tumultuous period and the shifting social attitudes of the day. In addition to examining the impact of the waltz craze on fashion, music, leisure, and social reform, the text describes the opposition to the dance and the proliferation of both anti-dance and courtesy literature. It then explores these same issues as they relate to other dance crazes of the early 1900s.
Author: Tomaž Simetinger
Publisher: Založba ZRC
ISBN: 9610507220
Category :
Languages : en
Pages : 144
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Book Description
Delo je v izvirniku pod naslovom Zvezdne poti in plesne sledi: Od Platona do romarskega vrtca izdalo Slovensko etnološko društvo leta 2021. Skozi sistematično zasnovana poglavja avtor bralca opremlja z znanji, ki so nujna za umeščanje pojava v kulturno-zgodovinske prostore. Opozarja ga na spreminjajoče se filozofske, moralne, etične, verske in druge predispozicije, ki so vplivale in tudi danes vplivajo na v raziskavi izpostavljene pojave. Da bi odgovoril na zastavljeno vprašanje, avtor zastavi širok zgodovinski prostor, in sicer od razumevanja antične tradicije ter ključnih antičnih filozofskih paradigem, prek zgodnjega krščanstva, do filozofskih in verskih dogem srednjega in novega veka. Upošteva tiste ključne miselne premise, ki so zaznamovale vsakokratna razumevanja plesnih vedênj v odnosu do pojmov, kot so sakralni prostor, sakralna vsebina, telo, gib … Monografija bralcu ponuja do zdaj nepoznane in še neinterpretirane referenčne literaturo, vire in podatke ter jih postavlja v širok okvir večdisciplinarnih razlag pojavov. Avtor je zanimanje iz polja svojih domicilnih ved, etnologije in kulturne antropologije, razširil na splošno zgodovino, zgodovino plesa, filozofijo, zgodovino glasbe in cerkve, teologijo in mitologijo. Gre za lucidno, kritično, teoretsko, metodološko in vsebinsko znanstveno utemeljeno delo o zgodovini umeščanja giba/plesa v kontekst sakralnega.
Author: Sonia Gollance
Publisher: Stanford University Press
ISBN: 1503627802
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
Author: Mark Knowles
Publisher: McFarland
ISBN: 0786487461
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
The language of tap dancing is as rich and varied as that of any art, and different choreographers, teachers and performers often use totally different terms for exactly the same step. The various names of all steps and clear descriptions of them are collected for the first time in this reference work. The emphasis is on all variations of a name, from universally recognized terms to simple "pet" names that individual performers and choreographers have created, with extensive cross-references provided. Each of the steps is fully described, with appropriate counts, explanations and history. Many antique and unusual steps such as the Patting Juba, the Quack and the Swanee Shuffle are included. Instructors considering this book for use in a course may request an examination copy here.
Author: Allison Abra
Publisher: Manchester University Press
ISBN: 1526105950
Category : History
Languages : en
Pages : 313
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Book Description
Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.
Author: Stephen Downes
Publisher: Routledge
ISBN: 0429837410
Category : Music
Languages : en
Pages : 324
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Book Description
In a wide-ranging study of sentimentalism’s significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism’s place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of ‘easy’ listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartók, Szymanowski and Górecki, the Merchant-Ivory adaptation of The Remains of the Day, Antônio Carlos Jobim’s bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility.
Author: Mark V. Tushnet
Publisher: NYU Press
ISBN: 1479805513
Category : Law
Languages : en
Pages : 269
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Book Description
A look at First Amendment coverage of music, non-representational art, and nonsense The Supreme Court has unanimously held that Jackson Pollock’s paintings, Arnold Schöenberg’s music, and Lewis Carroll’s poem “Jabberwocky” are “unquestionably shielded” by the First Amendment. Nonrepresentational art, instrumental music, and nonsense: all receive constitutional coverage under an amendment protecting “the freedom of speech,” even though none involves what we typically think of as speech—the use of words to convey meaning. As a legal matter, the Court’s conclusion is clearly correct, but its premises are murky, and they raise difficult questions about the possibilities and limitations of law and expression. Nonrepresentational art, instrumental music, and nonsense do not employ language in any traditional sense, and sometimes do not even involve the transmission of articulable ideas. How, then, can they be treated as “speech” for constitutional purposes? What does the difficulty of that question suggest for First Amendment law and theory? And can law resolve such inquiries without relying on aesthetics, ethics, and philosophy? Comprehensive and compelling, this book represents a sustained effort to account, constitutionally, for these modes of “speech.” While it is firmly centered in debates about First Amendment issues, it addresses them in a novel way, using subject matter that is uniquely well suited to the task, and whose constitutional salience has been under-explored. Drawing on existing legal doctrine, aesthetics, and analytical philosophy, three celebrated law scholars show us how and why speech beyond words should be fundamental to our understanding of the First Amendment.
Author: Stewart Cooke
Publisher: Oxford University Press
ISBN: 0198739842
Category : Literary Criticism
Languages : en
Pages : 632
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Book Description
This volume of letters by Charles Burney, the first to be published since 1991, runs from 1794 to 10 January 1800, beginning with his recovery from a debilitating attack of rheumatism, continuing with the death of his wife in 1796, and ending with the shocking death of his daughter Susanna. Certain leitmotifs, typical of Burney's concerns, stand out throughout the volume: his trepidation over the war with France and its effect on domestic politics, his exhausting social life, his travels, and his publication of the memoirs of the poet and lyricist Metastasio. A staunch monarchist and a self-confessed 'allarmist', Burney is haunted 'day and night' by the French Revolution and the threat that Republican France poses to 'religion, morals, liberty, property, & life'. He frets frequently over those he considers to be domestic Jacobins, a word he uses forty-seven times in the course of the volume to describe anyone whose politics differ from his own conservative values. Although Burney turns sixty-eight in April 1794, in this volume he barely slows down his habitual hectic pace of teaching and publishing. In the summer of 1795, he publishes his final book, Memoirs of the Life and Writings of the Abate Pietro Metastasio, despite a hectic social life that sees him hobnobbing with the elite in society and politics and a love of travel that takes him to the homes of friends in Hampshire and Cheshire and into his past on a nostalgic visit to Shrewsbury, his childhood home.
Author: Erica Buurman
Publisher: Cambridge University Press
ISBN: 1108495850
Category : Music
Languages : en
Pages : 209
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Book Description
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
