The Whole Book of Psalms: with the usual Hymns and Spiritual Songs; together with all the ancient and proper Tunes sung in Churches, with some of later Use. Composed in Three Parts, Cantus, Medius, and Bassus ... by John Playford PDF Download
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Author: John Playford
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: John Playford
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
Get Book Here
Book Description
Author: John Playford
Publisher:
ISBN:
Category : Psalms (Music)
Languages : en
Pages : 390
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
![Psalms, Hymns, and Spiritual Songs. [The proofs for a reissue of the edition published in 1837 by Thomas Ward & Co.] PDF](https://books.google.com/books/content/images/frontcover/2sNVAAAAcAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
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Book Description
Author:
Publisher: Grove Publishing
ISBN: 9780802136756
Category : Fiction
Languages : en
Pages : 134
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Book Description
Author:
Publisher:
ISBN: 9781584273523
Category : Churches of Christ
Languages : en
Pages :
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Book Description
This hymnal is comprised of 550 hymns which are considered the core repertoire of many churches. To these were added 300 titles of all genres appropriate for congregational worship, including contemporary, folk, gospel, New English Renaissance, and high church hymns.
Author: Isaac Watts
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 246
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Book Description
Author: Isaac Watts
Publisher:
ISBN:
Category :
Languages : en
Pages : 694
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Book Description
Author: Edward Arber
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 766
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Book Description
Author: Rebecca Herissone
Publisher: Routledge
ISBN: 1351547321
Category : Music
Languages : en
Pages : 271
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Book Description
Synopsis of Vocal Musick, by the unidentified A.B., was published in London in 1680 and appears to have only ever had one edition. Its relatively short shelf-life belies its importance to the history of early British music theory. Unlike other English theoretical writings of the period, the Synopsis derives many of its aspects from the continental theoretical tradition, including the first references in English theory to the modern fractional time signatures that had been invented in Italy in the mid-seventeenth century, the first references in English to compound time and the first explanations of tempo terms such as Adagio and Presto. In these respects the treatise forms an important link between English and continental theoretical traditions and may have encouraged the adoption of Italian principles which became a common feature of English writings by the early eighteenth century. The treatise is essentially in two parts. The first section of the book comprises rudimentary instruction on understanding notation and intervals, descriptions of common vocal ornaments and instruction in the process of learning to sing. The second part consists of a selection of psalms, songs and catches which are provided as exercises for the singer, though several of them require a reasonably advanced degree of skill. These pieces provide valuable insight into the way both sacred and secular music might have been performed by amateur musicians in the Restoration period. They include 14 rare English madrigal settings by the Italian composer Gastoldi - further evidence of the Italian influence which pervades the text. This is the first modern edition of the Synopsis, and indeed the first edition to appear since its original publication.
