Author: Harry J. Shafer
Publisher: Trinity University Press
ISBN: 9781595340863
Category : Excavations (Archaeology)
Languages : en
Pages : 0
Book Description
The story of ancient canyon dwellers along the Lower Pecos and their culture
Painters in Prehistory
Author: Harry J. Shafer
Publisher: Trinity University Press
ISBN: 9781595340863
Category : Excavations (Archaeology)
Languages : en
Pages : 0
Book Description
The story of ancient canyon dwellers along the Lower Pecos and their culture
Publisher: Trinity University Press
ISBN: 9781595340863
Category : Excavations (Archaeology)
Languages : en
Pages : 0
Book Description
The story of ancient canyon dwellers along the Lower Pecos and their culture
The Rock Art of Texas Indians
Author: Forrest Kirkland
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
After viewing Indian rock paintings on a bluff above the Concho River near Paint Rock, Texas, in 1934, the late Dallas artist Forrest Kirkland was seized with an idea. He wrote later, "Here was a veritable gallery of primitive art at the mercy of the elements and the hands of a destructive people. In a few more years only the hundreds of deeply carved names and smears of modern paint would remain to mark the site of the paintings left by the Indians. . . . What was at first merely a suggestion in my mind soon became a solemn command. I was a trained artist able to make accurate copies of these Indian paintings. I should save them from total ruin."Kirkland devoted a good part of the rest of his life to copying pictographs and petroglyphs at some eighty far-flung sites in Texas. In The Rock Art of Texas Indians, his meticulous watercolor copies of this rich and diversified art are reproduced, 32 in full color, the rest in black and white. The informative and engaging text is contributed by W. W. Newcomb, Jr., former director of the Texas Memorial Museum and author of The Indians of Texas.The petroglyphs and pictographs reproduced here, states Professor Newcomb, "are relatively rare and absolutely irreplaceable human documents. They can often reveal much about the ways of ancient men, including aspects of life which otherwise would forever go unrecorded, for they may illustrate how a vanished, nameless people perceived themselves and their world, their relation to God and to each other, and their fantasies and fears. They are, then, a treasure to be valued and a heritage to be preserved."
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
After viewing Indian rock paintings on a bluff above the Concho River near Paint Rock, Texas, in 1934, the late Dallas artist Forrest Kirkland was seized with an idea. He wrote later, "Here was a veritable gallery of primitive art at the mercy of the elements and the hands of a destructive people. In a few more years only the hundreds of deeply carved names and smears of modern paint would remain to mark the site of the paintings left by the Indians. . . . What was at first merely a suggestion in my mind soon became a solemn command. I was a trained artist able to make accurate copies of these Indian paintings. I should save them from total ruin."Kirkland devoted a good part of the rest of his life to copying pictographs and petroglyphs at some eighty far-flung sites in Texas. In The Rock Art of Texas Indians, his meticulous watercolor copies of this rich and diversified art are reproduced, 32 in full color, the rest in black and white. The informative and engaging text is contributed by W. W. Newcomb, Jr., former director of the Texas Memorial Museum and author of The Indians of Texas.The petroglyphs and pictographs reproduced here, states Professor Newcomb, "are relatively rare and absolutely irreplaceable human documents. They can often reveal much about the ways of ancient men, including aspects of life which otherwise would forever go unrecorded, for they may illustrate how a vanished, nameless people perceived themselves and their world, their relation to God and to each other, and their fantasies and fears. They are, then, a treasure to be valued and a heritage to be preserved."
The White Shaman Mural
Author: Carolyn E. Boyd
Publisher: University of Texas Press
ISBN: 1477311203
Category : Social Science
Languages : en
Pages : 220
Book Description
Winner, Society for American Archaeology Book Award, 2017 San Antonio Conservation Society Publication Award, 2019 The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural, Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time—making it possibly the oldest pictorial creation narrative in North America. Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago.
Publisher: University of Texas Press
ISBN: 1477311203
Category : Social Science
Languages : en
Pages : 220
Book Description
Winner, Society for American Archaeology Book Award, 2017 San Antonio Conservation Society Publication Award, 2019 The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural, Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time—making it possibly the oldest pictorial creation narrative in North America. Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago.
Playing with Things
Author: Mary Weismantel
Publisher: University of Texas Press
ISBN: 147732321X
Category : Social Science
Languages : en
Pages : 263
Book Description
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own human temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the “pots play jokes, make babies, give power, and hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.
Publisher: University of Texas Press
ISBN: 147732321X
Category : Social Science
Languages : en
Pages : 263
Book Description
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own human temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the “pots play jokes, make babies, give power, and hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.
Nut Country
Author: Edward H. Miller
Publisher: University of Chicago Press
ISBN: 022620538X
Category : History
Languages : en
Pages : 253
Book Description
If there was a city most likely to host the assassination of John F. Kennedy, Dallas was it. Kennedy himself recognized Dallas's special and extreme nature, saying to Jackie in Fort Worth on the morning of November 22, "We're heading into nut country today." Edward H. Miller makes the persuasive case in this lucid and insightful book that the ultraconservative faction of today's Republican Party is a product specifically of the political climate of Dallas in the 1950s and early 1960s, which was marked by apocalyptic language, conspiracy theories, and absolutist thought and rhetoric. Miller shows not only that the influential ultraconservative figures in Dallas fomented religious and racial extremism but that the arc of politics bent ever rightward, as otherwise moderate local Republicans were pressured to move away from the center. This faction promoted the creation of the national Republican Party's "Southern Strategy," which reversed the party's historical position on civil rights. This strategy, often credited to Richard Nixon and Barry Goldwater in the wake of the crises of the 1960s, has its origins instead in the racial and religious beliefs of extremists in this volatile time and place. Dallas is the root of it all.
Publisher: University of Chicago Press
ISBN: 022620538X
Category : History
Languages : en
Pages : 253
Book Description
If there was a city most likely to host the assassination of John F. Kennedy, Dallas was it. Kennedy himself recognized Dallas's special and extreme nature, saying to Jackie in Fort Worth on the morning of November 22, "We're heading into nut country today." Edward H. Miller makes the persuasive case in this lucid and insightful book that the ultraconservative faction of today's Republican Party is a product specifically of the political climate of Dallas in the 1950s and early 1960s, which was marked by apocalyptic language, conspiracy theories, and absolutist thought and rhetoric. Miller shows not only that the influential ultraconservative figures in Dallas fomented religious and racial extremism but that the arc of politics bent ever rightward, as otherwise moderate local Republicans were pressured to move away from the center. This faction promoted the creation of the national Republican Party's "Southern Strategy," which reversed the party's historical position on civil rights. This strategy, often credited to Richard Nixon and Barry Goldwater in the wake of the crises of the 1960s, has its origins instead in the racial and religious beliefs of extremists in this volatile time and place. Dallas is the root of it all.
The Cave Paintings of Baja California
Author: Harry W. Crosby
Publisher:
ISBN:
Category : History
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 208
Book Description
Bitter Waters
Author: Patrick Dearen
Publisher: University of Oklahoma Press
ISBN: 0806154616
Category : History
Languages : en
Pages : 257
Book Description
Rising at 11,750 feet in the Sangre de Cristo range and snaking 926 miles through New Mexico and Texas to the Rio Grande, the Pecos River is one of the most storied waterways in the American West. It is also one of the most troubled. In 1942, the National Resources Planning Board observed that the Pecos River basin “probably presents a greater aggregation of problems associated with land and water use than any other irrigated basin in the Western U.S.” In the twenty-first century, the river’s problems have only multiplied. Bitter Waters, the first book-length study of the entire Pecos, traces the river’s environmental history from the arrival of the first Europeans in the sixteenth century to today. Running clear at its source and turning salty in its middle reach, the Pecos River has served as both a magnet of veneration and an object of scorn. Patrick Dearen, who has written about the Pecos since the 1980s, draws on more than 150 interviews and a wealth of primary sources to trace the river’s natural evolution and man’s interaction with it. Irrigation projects, dams, invasive saltcedar, forest proliferation, fires, floods, flow decline, usage conflicts, water quality deterioration—Dearen offers a thorough and clearly written account of what each factor has meant to the river and its prospects. As fine-grained in detail as it is sweeping in breadth, the picture Bitter Waters presents is sobering but not without hope, as it also extends to potential solutions to the Pecos River’s problems and the current efforts to undo decades of damage. Combining the research skills of an accomplished historian, the investigative techniques of a veteran journalist, and the engaging style of an award-winning novelist, this powerful and accessible work of environmental history may well mark a turning point in the Pecos’s fortunes.
Publisher: University of Oklahoma Press
ISBN: 0806154616
Category : History
Languages : en
Pages : 257
Book Description
Rising at 11,750 feet in the Sangre de Cristo range and snaking 926 miles through New Mexico and Texas to the Rio Grande, the Pecos River is one of the most storied waterways in the American West. It is also one of the most troubled. In 1942, the National Resources Planning Board observed that the Pecos River basin “probably presents a greater aggregation of problems associated with land and water use than any other irrigated basin in the Western U.S.” In the twenty-first century, the river’s problems have only multiplied. Bitter Waters, the first book-length study of the entire Pecos, traces the river’s environmental history from the arrival of the first Europeans in the sixteenth century to today. Running clear at its source and turning salty in its middle reach, the Pecos River has served as both a magnet of veneration and an object of scorn. Patrick Dearen, who has written about the Pecos since the 1980s, draws on more than 150 interviews and a wealth of primary sources to trace the river’s natural evolution and man’s interaction with it. Irrigation projects, dams, invasive saltcedar, forest proliferation, fires, floods, flow decline, usage conflicts, water quality deterioration—Dearen offers a thorough and clearly written account of what each factor has meant to the river and its prospects. As fine-grained in detail as it is sweeping in breadth, the picture Bitter Waters presents is sobering but not without hope, as it also extends to potential solutions to the Pecos River’s problems and the current efforts to undo decades of damage. Combining the research skills of an accomplished historian, the investigative techniques of a veteran journalist, and the engaging style of an award-winning novelist, this powerful and accessible work of environmental history may well mark a turning point in the Pecos’s fortunes.
Shaman's Blues
Author: Denise Sullivan
Publisher: Sumach-Red Books
ISBN: 9781937753030
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
Jim Morrison and the Doors wield an unquestionable influence on popular music and the mainstream, but behind the rock'n'roll myths and the monstrous creation the band called Jimbo, there were four young men in search of something mightier. Led by Jim Morrison's intellectual capacity and thirst for discovery, the band explored its dark themes from a distinctly prophetic and Western perspective: spirituality, drugs, political, environmental and social concerns all played a role - it was the '60s after all. But while Beat poetry, William Blake and Arthur Rimbaud swirled in Morrison's mind, and the band laid down tracks that followed jazz, classical and Far East patterns, they more often than not landed at the center of the blues. Lured by its nighttime rhythm, its cinematic storytelling abilities and inescapable American history, the band resisted, but Jim's connections to its rhyme schemes and emotional depths won out in the end: The blues is at once The Doors' known and secret influence - among others explored here - and Morrison was haunted by them. Chased by the stealthy demon alcohol until the end, and horrified by a past and future all too real to him, this telling of the Doors often-told story makes new connections with the subconscious tidal wave that carried Morrison from Gulf Coast Florida to California gold.
Publisher: Sumach-Red Books
ISBN: 9781937753030
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
Jim Morrison and the Doors wield an unquestionable influence on popular music and the mainstream, but behind the rock'n'roll myths and the monstrous creation the band called Jimbo, there were four young men in search of something mightier. Led by Jim Morrison's intellectual capacity and thirst for discovery, the band explored its dark themes from a distinctly prophetic and Western perspective: spirituality, drugs, political, environmental and social concerns all played a role - it was the '60s after all. But while Beat poetry, William Blake and Arthur Rimbaud swirled in Morrison's mind, and the band laid down tracks that followed jazz, classical and Far East patterns, they more often than not landed at the center of the blues. Lured by its nighttime rhythm, its cinematic storytelling abilities and inescapable American history, the band resisted, but Jim's connections to its rhyme schemes and emotional depths won out in the end: The blues is at once The Doors' known and secret influence - among others explored here - and Morrison was haunted by them. Chased by the stealthy demon alcohol until the end, and horrified by a past and future all too real to him, this telling of the Doors often-told story makes new connections with the subconscious tidal wave that carried Morrison from Gulf Coast Florida to California gold.
The Ghost Painter
Author: Marilu Norden
Publisher: Abbott Press
ISBN: 1458201406
Category : Fiction
Languages : en
Pages : 208
Book Description
Eccentric, world-famous Santa Fe artist Adelaide Moran, recently arrived in heaven, is obsessed with not having finished painting the masterpiece that she feels will be so different from all others that it will forever ensure her legacy in the history of art. Invading the dreams of her earthly assistant, Ramon Herrera, she elicits his helpand that of aTaos shaman and a psychicto steal the soul of talented young New York painter Angelina Bonelli. Whisked to New Mexico and held prisoner as she is guided by Morans ghostly hand painting on the masterpiece, Angelina struggles against dark, seemingly immovable forces to find her way back to the reclamation of her soul as an artist and woman. Her best friend, jazz singer Gabriella Burke, and a handsome Santa Fe photographer, Troy Lundberg, join forces in a race against time to rescue Angelina. Bonelli counts Moran as one of her favorite artists, but aches to honor her own artistic expression. Meanwhile, even in death, the spirit of Moran will stop at nothing to become as famous as Georgia OKeeffe. Two painters, but only one set of hands and an art world that may be forever changed.
Publisher: Abbott Press
ISBN: 1458201406
Category : Fiction
Languages : en
Pages : 208
Book Description
Eccentric, world-famous Santa Fe artist Adelaide Moran, recently arrived in heaven, is obsessed with not having finished painting the masterpiece that she feels will be so different from all others that it will forever ensure her legacy in the history of art. Invading the dreams of her earthly assistant, Ramon Herrera, she elicits his helpand that of aTaos shaman and a psychicto steal the soul of talented young New York painter Angelina Bonelli. Whisked to New Mexico and held prisoner as she is guided by Morans ghostly hand painting on the masterpiece, Angelina struggles against dark, seemingly immovable forces to find her way back to the reclamation of her soul as an artist and woman. Her best friend, jazz singer Gabriella Burke, and a handsome Santa Fe photographer, Troy Lundberg, join forces in a race against time to rescue Angelina. Bonelli counts Moran as one of her favorite artists, but aches to honor her own artistic expression. Meanwhile, even in death, the spirit of Moran will stop at nothing to become as famous as Georgia OKeeffe. Two painters, but only one set of hands and an art world that may be forever changed.
Emu Dreaming
Author: Ray Norris
Publisher:
ISBN: 9780980657005
Category : Science
Languages : en
Pages : 30
Book Description
The art and traditions of Aboriginal Australia draw on 40,000 years experience of gazing into the richness of unpolluted skies from pristine lands. They include the "emu in the sky" constellation of dark clouds, and stories about the Sun, Moon, and the Seven Sisters. Several Aboriginal groups use the rising and setting of particular stars to show when to harvest a food source. Some explain how the tides are caused by the Moon, and even explain eclipses as a conjunction of the Sun and Moon. This book explores the mystical Aboriginal astronomical stories and traditions, and the way in which they are used for practical applications such as navigation and harvesting. It describes the journey of exploration that's currently opening Western eyes to this treasury of ancient Aboriginal knowledge, and is written by two active researchers in the field: Prof. Ray Norris (an astrophysicist with CSIRO, and an Adjunct Professor at the Dept. of Indigenous Studies, Macquarie University), and his wife Cilla. In this book, Ray and Cilla bring you the results of their 6-year quest to research Aboriginal Astronomy, including: * uncovering little-known manuscripts, * visiting Aboriginal sites throughout Australia, * writing down stories from ancient communities. Few outsiders understand the depth and complexity of Aboriginal cultures. This book will give you a glimpse that will change your ideas about Aboriginal society.
Publisher:
ISBN: 9780980657005
Category : Science
Languages : en
Pages : 30
Book Description
The art and traditions of Aboriginal Australia draw on 40,000 years experience of gazing into the richness of unpolluted skies from pristine lands. They include the "emu in the sky" constellation of dark clouds, and stories about the Sun, Moon, and the Seven Sisters. Several Aboriginal groups use the rising and setting of particular stars to show when to harvest a food source. Some explain how the tides are caused by the Moon, and even explain eclipses as a conjunction of the Sun and Moon. This book explores the mystical Aboriginal astronomical stories and traditions, and the way in which they are used for practical applications such as navigation and harvesting. It describes the journey of exploration that's currently opening Western eyes to this treasury of ancient Aboriginal knowledge, and is written by two active researchers in the field: Prof. Ray Norris (an astrophysicist with CSIRO, and an Adjunct Professor at the Dept. of Indigenous Studies, Macquarie University), and his wife Cilla. In this book, Ray and Cilla bring you the results of their 6-year quest to research Aboriginal Astronomy, including: * uncovering little-known manuscripts, * visiting Aboriginal sites throughout Australia, * writing down stories from ancient communities. Few outsiders understand the depth and complexity of Aboriginal cultures. This book will give you a glimpse that will change your ideas about Aboriginal society.