Author: Gregory Jackson
Publisher: Inner3
ISBN: 1463507526
Category : Music
Languages : en
Pages : 114
Book Description
The Well-Tempered Marimbist is a set of compositions for the two mallet percussionist. The collection consists of 24 etudes, each in a different key, similar to the pivotal Well-Tempered Clavier by J.S. Bach. Most of the new music available is for 4-mallets, leaving those learning keyboard percussion without much of a selection for music that is current. This book contains music that fits many genres from traditional melodic development to music that would be classified as modern or 21st Century. WTM includes a wide range of solos for the beginning mallet player to the advanced level percussionist. The easier pieces are great for sight-reading practice as well. These solos are excellent pieces for recitals and solo performances as audiences will love the outstanding melodies. The percussionist will enjoy how well each piece lays on the instrument. This book is sure to become a classic for many generations and is an excellent source to have in the library of every percussionist.
The Well-Tempered Marimbist Op. 46
Author: Gregory Jackson
Publisher: Inner3
ISBN: 1463507526
Category : Music
Languages : en
Pages : 114
Book Description
The Well-Tempered Marimbist is a set of compositions for the two mallet percussionist. The collection consists of 24 etudes, each in a different key, similar to the pivotal Well-Tempered Clavier by J.S. Bach. Most of the new music available is for 4-mallets, leaving those learning keyboard percussion without much of a selection for music that is current. This book contains music that fits many genres from traditional melodic development to music that would be classified as modern or 21st Century. WTM includes a wide range of solos for the beginning mallet player to the advanced level percussionist. The easier pieces are great for sight-reading practice as well. These solos are excellent pieces for recitals and solo performances as audiences will love the outstanding melodies. The percussionist will enjoy how well each piece lays on the instrument. This book is sure to become a classic for many generations and is an excellent source to have in the library of every percussionist.
Publisher: Inner3
ISBN: 1463507526
Category : Music
Languages : en
Pages : 114
Book Description
The Well-Tempered Marimbist is a set of compositions for the two mallet percussionist. The collection consists of 24 etudes, each in a different key, similar to the pivotal Well-Tempered Clavier by J.S. Bach. Most of the new music available is for 4-mallets, leaving those learning keyboard percussion without much of a selection for music that is current. This book contains music that fits many genres from traditional melodic development to music that would be classified as modern or 21st Century. WTM includes a wide range of solos for the beginning mallet player to the advanced level percussionist. The easier pieces are great for sight-reading practice as well. These solos are excellent pieces for recitals and solo performances as audiences will love the outstanding melodies. The percussionist will enjoy how well each piece lays on the instrument. This book is sure to become a classic for many generations and is an excellent source to have in the library of every percussionist.
The New Music Connoisseur
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 76
Book Description
Répertitres
Author: François Verschaeve
Publisher: Lulu.com
ISBN: 0973845414
Category : Music
Languages : en
Pages : 550
Book Description
Publisher: Lulu.com
ISBN: 0973845414
Category : Music
Languages : en
Pages : 550
Book Description
Bach's Well-tempered Clavier
Author: David Ledbetter
Publisher: Yale University Press
ISBN: 0300128983
Category : Music
Languages : en
Pages : 430
Book Description
Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.
Publisher: Yale University Press
ISBN: 0300128983
Category : Music
Languages : en
Pages : 430
Book Description
Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.
Schwann Opus
Author:
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1142
Book Description
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1142
Book Description
Musical Heritage Review
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 356
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 938
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 938
Book Description
Shostakovich and His World
Author: Laurel E. Fay
Publisher: Princeton University Press
ISBN: 0691232199
Category : Music
Languages : en
Pages : 428
Book Description
Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.
Publisher: Princeton University Press
ISBN: 0691232199
Category : Music
Languages : en
Pages : 428
Book Description
Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.
The Well-Tempered Clavier
Author: Johann Sebastian Bach
Publisher: Courier Corporation
ISBN: 0486311848
Category : Music
Languages : en
Pages : 210
Book Description
All 48 preludes and fugues in all major and minor keys. Authoritative Bach-Gesellschaft edition. Explanation of ornaments in English, tempo indications, music corrections.
Publisher: Courier Corporation
ISBN: 0486311848
Category : Music
Languages : en
Pages : 210
Book Description
All 48 preludes and fugues in all major and minor keys. Authoritative Bach-Gesellschaft edition. Explanation of ornaments in English, tempo indications, music corrections.
Eighteen Little Preludes
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 1457469111
Category : Music
Languages : en
Pages : 34
Book Description
This collection, edited by Dr. Hans Bischoff, consists of the "Six Little Preludes," BWV 933-938, along with twelve preludes taken from "The Little Piano Book" (Clavierbuchlein) of Wilhelm Friedemann Bach. Titles: * Prelude No. 1 in C Major (BWV 933) * Prelude No. 2 in C Minor (BWV 934) * Prelude No. 3 in D Minor (BWV 935) * Prelude No.4 in D Major (BWV 936) * Prelude No. 5 in E Major (BWV 937) * Prelude No. 6 in E Minor (BWV 938) * Prelude No. 7 in C Major * Prelude No. 8 in C Major * Prelude No. 9 in C Minor * Prelude No. 10 in D Major * Prelude No. 11 in D Minor * Prelude No. 12 in D Minor * Prelude No. 13 in E Minor * Prelude No. 14 in F Major * Prelude No. 15 in F Major * Prelude No. 16 in G Minor * Prelude No. 17 in G Minor * Prelude No. 18 in A Minor
Publisher: Alfred Music
ISBN: 1457469111
Category : Music
Languages : en
Pages : 34
Book Description
This collection, edited by Dr. Hans Bischoff, consists of the "Six Little Preludes," BWV 933-938, along with twelve preludes taken from "The Little Piano Book" (Clavierbuchlein) of Wilhelm Friedemann Bach. Titles: * Prelude No. 1 in C Major (BWV 933) * Prelude No. 2 in C Minor (BWV 934) * Prelude No. 3 in D Minor (BWV 935) * Prelude No.4 in D Major (BWV 936) * Prelude No. 5 in E Major (BWV 937) * Prelude No. 6 in E Minor (BWV 938) * Prelude No. 7 in C Major * Prelude No. 8 in C Major * Prelude No. 9 in C Minor * Prelude No. 10 in D Major * Prelude No. 11 in D Minor * Prelude No. 12 in D Minor * Prelude No. 13 in E Minor * Prelude No. 14 in F Major * Prelude No. 15 in F Major * Prelude No. 16 in G Minor * Prelude No. 17 in G Minor * Prelude No. 18 in A Minor