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Author: Frederic Remington
Publisher: e-artnow
ISBN: 8027220483
Category : Fiction
Languages : en
Pages : 62
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Book Description
"The Way of an Indian" is one of the few books that look at the colonial expansion of American wild west through the eyes of a Native Indian. The book faithfully captures their spiritual beliefs, agency and speech to show what it was like to be the original inhabitants of a land that was taken away from them. A must read western classic! Excerpt: "White Otter's heart was bad. He sat alone on the rim-rocks of the bluffs overlooking the sunlit valley. To an unaccustomed eye from below he might have been a part of nature's freaks among the sand rocks. The yellow grass sloped away from his feet mile after mile to the timber, and beyond that to the prismatic mountains...." Frederic Remington was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th-century American West and images of cowboys, American Indians, and the U. S. Cavalry. Remington's fame made him a favorite of the Western Army officers fighting the last Indian battles.
Author: Frederic Remington
Publisher: e-artnow
ISBN: 8027220483
Category : Fiction
Languages : en
Pages : 62
Get Book Here
Book Description
"The Way of an Indian" is one of the few books that look at the colonial expansion of American wild west through the eyes of a Native Indian. The book faithfully captures their spiritual beliefs, agency and speech to show what it was like to be the original inhabitants of a land that was taken away from them. A must read western classic! Excerpt: "White Otter's heart was bad. He sat alone on the rim-rocks of the bluffs overlooking the sunlit valley. To an unaccustomed eye from below he might have been a part of nature's freaks among the sand rocks. The yellow grass sloped away from his feet mile after mile to the timber, and beyond that to the prismatic mountains...." Frederic Remington was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th-century American West and images of cowboys, American Indians, and the U. S. Cavalry. Remington's fame made him a favorite of the Western Army officers fighting the last Indian battles.
Author: Malcolm Margolin
Publisher: Heyday.ORIM
ISBN: 1597142174
Category : History
Languages : en
Pages : 324
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Book Description
A look at what Native American life was like in the Bay Area before the arrival of Europeans. Two hundred years ago, herds of elk and antelope dotted the hills of the San Francisco–Monterey Bay area. Grizzly bears lumbered down to the creeks to fish for silver salmon and steelhead trout. From vast marshlands geese, ducks, and other birds rose in thick clouds “with a sound like that of a hurricane.” This land of “inexpressible fertility,” as one early explorer described it, supported one of the densest Indian populations in all of North America. One of the most ground-breaking and highly-acclaimed titles that Heyday has published, The Ohlone Way describes the culture of the Indian people who inhabited Bay Area prior to the arrival of Europeans. Recently included in the San Francisco Chronicle’s Top 100 Western Non-Fiction list, The Ohlone Way has been described by critic Pat Holt as a “mini-classic.” Praise for The Ohlone Way “[Margolin] has written thoroughly and sensitively of the Pre-Mission Indians in a North American land of plenty. Excellent, well-written.” —American Anthropologist “One of three books that brought me the most joy over the past year.” —Alice Walker “Margolin conveys the texture of daily life, birth, marriage, death, war, the arts, and rituals, and he also discusses the brief history of the Ohlones under the Spanish, Mexican, and American regimes . . . Margolin does not give way to romanticism or political harangues, and the illustrations have a gritty quality that is preferable to the dreamy, pretty pictures that too often accompany texts like this.” —Choice “Remarkable insight in to the lives of the Ohlone Indians.” —San Francisco Chronicle “A beautiful book, written and illustrated with a genuine sympathy . . . A serious and compelling re-creation.” —The Pacific Sun
Author: Frederic Remington
Publisher: e-artnow
ISBN: 8026876806
Category : Fiction
Languages : en
Pages : 62
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Book Description
“The Way of an Indian” is one of the few books that look at the colonial expansion of American wild west through the eyes of a Native Indian. The book faithfully captures their spiritual beliefs, agency and speech to show what it was like to be the original inhabitants of a land that was taken away from them. A must read western classic! Excerpt: "White Otter's heart was bad. He sat alone on the rim-rocks of the bluffs overlooking the sunlit valley. To an unaccustomed eye from below he might have been a part of nature's freaks among the sand rocks. The yellow grass sloped away from his feet mile after mile to the timber, and beyond that to the prismatic mountains...." Frederic Remington was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th-century American West and images of cowboys, American Indians, and the U. S. Cavalry. Remington's fame made him a favorite of the Western Army officers fighting the last Indian battles.
Author: Amit Chaudhuri
Publisher: New York Review of Books
ISBN: 168137479X
Category : Music
Languages : en
Pages : 273
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Book Description
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.
Author: Phiroze Vasunia
Publisher: OUP Oxford
ISBN: 0199203237
Category : History
Languages : en
Pages : 413
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Book Description
Offering a unique cross-cultural study, this book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. Vasunia shows how classical culture pervaded the minds of the British colonizers, and highlights the many Indian receptions of Greco-Roman antiquity.
Author: Amanda J. Weidman
Publisher: Duke University Press
ISBN: 0822388057
Category : Music
Languages : en
Pages : 367
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Book Description
While Karnatic music, a form of Indian music based on the melodic principle of raga and time cycles called tala, is known today as South India’s classical music, its status as “classical” is an early-twentieth-century construct, one that emerged in the crucible of colonial modernity, nationalist ideology, and South Indian regional politics. As Amanda J. Weidman demonstrates, in order for Karnatic music to be considered classical music, it needed to be modeled on Western classical music, with its system of notation, composers, compositions, conservatories, and concerts. At the same time, it needed to remain distinctively Indian. Weidman argues that these contradictory imperatives led to the emergence of a particular “politics of voice,” in which the voice came to stand for authenticity and Indianness. Combining ethnographic observation derived from her experience as a student and performer of South Indian music with close readings of archival materials, Weidman traces the emergence of this politics of voice through compelling analyses of the relationship between vocal sound and instrumental imitation, conventions of performance and staging, the status of women as performers, debates about language and music, and the relationship between oral tradition and technologies of printing and sound reproduction. Through her sustained exploration of the way “voice” is elaborated as a trope of modern subjectivity, national identity, and cultural authenticity, Weidman provides a model for thinking about the voice in anthropological and historical terms. In so doing, she shows that modernity is characterized as much by particular ideas about orality, aurality, and the voice as it is by regimes of visuality.
Author: A. J. Prats
Publisher: Cornell University Press
ISBN: 9780801487545
Category : Indians in motion pictures
Languages : en
Pages : 348
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Book Description
This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences--as well as the historical sources and cultural origins--of the Western's strategies for evading the actual portrayal of Native Americans.
Author: Richard Wolf
Publisher: Oxford University Press
ISBN: 0190450231
Category : Music
Languages : en
Pages : 344
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Book Description
Over the past four decades, the "globalized" aspects of cultural circulation have received the majority of scholarly-and consumer-attention, particularly in the study of South Asian music. As a result, a broad range of community-based and other locally focused performance traditions in the regions of South Asia have remained relatively unexplored. Theorizing the Local provides a challenging and compelling counterperspective to the "globalized," arguing for the value of comparative microstudies that are not concerned primarily with the flow of capital and neoliberal politics. What does it mean for musical activities to be local in an increasingly interconnected world? To what extent can theoretical activity be localized to the very acts of making music, interacting, and composing? Theorizing the Local offers glimpses into rich musical worlds of south and west Asia, worlds which have never before been presented in a single volume. The authors cross the traditional borders of scholarship and region, exploring in unmatched detail a vast array of musical practices and significant ethnographic discoveries-from Nepal to India, India to Sri Lanka, Pakistan to Iran. Enriched by audio and video tracks on an extensive companion Web site, Theorizing the Local is an important study of South Asian musical traditions that offers a broader understanding of 21st-century music of the world.
Author: Shiv Dayal Batish
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages :
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Book Description
Author: Bhavana Pradyumna
Publisher: Carnatic Conservatory of Paris
ISBN:
Category : Juvenile Fiction
Languages : en
Pages :
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Book Description
"Approach to Music : the Indian way" is a book published by Carnatic Conservatory of Paris - “Is this book any different from other introductory books about Carnatic Music?" It’s the approach outlined in this book that makes it different. This book provides valuable information about some of the very important aspects of Carnatic music which can be used as a basic guide to Carnatic music learners. The book also gives the reader an insight into Indian musician’s perception of Western music while providing an Indian view of Music to the western audience. This book is attractive and easy to follow for learners who will find both exercises for rhythm (konnakkol) & melody (swaras) with high quality notations. This book also covers the beauty and details about Veena, one of the oldest traditional instruments. The reference to human body parts, Yoga chakras & Veena, is a good example to show that music and holistic living were a part of ancient India Other publications of CCParis include ‘Children’s Carnatic’ a book series that uses simple story telling with beautiful illustrations, to open a curious window to Indian Music and Dance forms, which are one of the most ancient in the world. This is curated in a fun way to engage you and your child with every read. This series comes in handy for teachers to engage young minds as well.
