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Author: Stephen Budiansky
Publisher: Penguin
ISBN: 9780670018406
Category : History
Languages : en
Pages : 356
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Book Description
A narrative account of Reconstruction-era violence documents vigilante attacks on African Americans and their white allies, in a fast-paced analysis that traces the period as reflected by the careers of two Union officers, a Confederate general, a northern entrepreneur, and a former slave.
Author: Stephen Budiansky
Publisher: Penguin
ISBN: 9780670018406
Category : History
Languages : en
Pages : 356
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Book Description
A narrative account of Reconstruction-era violence documents vigilante attacks on African Americans and their white allies, in a fast-paced analysis that traces the period as reflected by the careers of two Union officers, a Confederate general, a northern entrepreneur, and a former slave.
Author: Bently Spang
Publisher: Rigby
ISBN: 9780763556976
Category : Cheyenne Indians
Languages : en
Pages : 24
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Book Description
Author: John Ware
Publisher: Page d'Or
ISBN: 9781913825041
Category :
Languages : en
Pages : 512
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Book Description
When unassuming American tourist Daniel Wyndham arrived in Tralee, he was searching for whatever strain of Irish mysticism inspired W.B. Yeats and Lady Gregory. But instead of a Celtic Twilight he found the hard-drinking redcoats of the Royal Munster Fusiliers - the Dirty Shirts. Ireland was on the brink of civil war, Europe was on the brink of world war, and Wyndham was about to find out what the heroes and fighting men of Irish legend looked like in the twentieth century.
Author: Laura Peers
Publisher: Athabasca University Press
ISBN: 1771990376
Category : Art
Languages : en
Pages : 232
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Book Description
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.
Author: Wayne Klinckhardt
Publisher: Xlibris Corporation
ISBN: 1453535063
Category : History
Languages : en
Pages : 195
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Book Description
A conversational look at the Civil War as it occurred in Missouri. After years of border warfare with Kansas, all Missouri wanted was to be left alone. While the states in the east were choosing sides for a fight that would become more than they bargained for, Missouri wanted to remain neutral. When the call came from Washington for Missouri to provide 10,000 volunteers to man Mr. Lincoln’s war against the south, due to her southern roots Missouri refused. When the U.S. invaded Missouri she no longer had a choice, she had to defend herself.
Author: Helen Walters
Publisher:
ISBN: 9780823033553
Category : Advertising t-shirts
Languages : en
Pages : 0
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Book Description
100 % COTTON is pure inspiration. It showcases some of the most innovative work from the inernational T-shirt design scene - a unique place where graphics meet fashion.
Author: George B. Boynton
Publisher:
ISBN:
Category : Filibusters
Languages : en
Pages : 426
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Book Description
Author: Jason Hook
Publisher: Routledge
ISBN: 1135977909
Category : History
Languages : en
Pages : 165
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Book Description
The apocalyptic clashes of culture between the land-hungry whites and the American Indians, which reached their climax in the latter half of the nineteenth century, were among the most tragic of all wars ever fought. These conflicts pitted one civilization against another, neither able to comprehend or accommodate the other. To the victor went domination of the continent, to the vanquished the destruction of their way of life. This volume describes those who took part in these wars, focusing on the Plains Indians such as the Sioux and the Cheyenne, the Apache peoples of the south-west, and their implacable foe, the US Cavalry.
Author: Elizabeth B. Greene
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 435
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Book Description
This book presents both nationally significant objects and ordinary items from everyday life to provide insight into 19th century American society, showing readers how the production, design, function, and use of these objects can inform our understanding of the period. Artifacts from 19th Century America examines a broad array of objects representing various aspects of 19th century American society. The objects have been chosen to illuminate daily life in a number of categories including cooking, entertainment, grooming, clothing and accessories, health, household items, religious life, work, and education. The book's 53 entries include a brief introduction to the background of the object, when and why it was made, and who used it, followed by a detailed description of the object itself. Finally, each entry provides a deep dive into the object's significance and how the object reveals clues about the social, political, economic, and intellectual life of the society in which it was produced and utilized. Students and general readers alike will not only learn about the time period but also learn to use the skills of material culture theory and method, including how to draw meaningful conclusions from each object about their historical context and significance.
Author: Arni Brownstone
Publisher: University of Oklahoma Press
ISBN: 0806194286
Category : Art
Languages : en
Pages : 299
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Book Description
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.
