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Author: Michael Jung
Publisher: Nardini Editore
ISBN: 8840404341
Category : Art
Languages : en
Pages : 138
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Book Description
Even more important is the question of the pre-Seljuq work in the Masjid-i-Jami’ of Isfahan. It is the most interesting, and, in the loveliness of some parts, the most beautiful of Persian buildings. No one can stand in its great dilapidated court, or under the Seljuq domes, where the loud flight of agitated pigeons leaves a profound silence that seems to roar in the ears, without a sense of awe. It is the work of many periods. But in the succession of these it contains hardly anything that is not of the best…” (Eric Schroeder, Standing Monuments of the First Period, 1967). The text publishes a thorough research of one element of the pre-Seljuq work of this monument, its wall painting. The few fragments discovered during the excavation of the Italian archaeological mission of the 1970s are here analysed with the help of various scholars from different fields of research. Their contribution reveals a fascinating glimpse of a little known artistic genre of the early Islamic art. The Author: Michael Jung is Curator of the Department of Islamic Archaeology and Ancient Southern Arabia of the Museo Nazionale d’Arte Orientale/Rome. He has participated in numerous archaeological missions in Spain, Syria, Yemen and Iran. Currently he is scientific director of CONTENTS A short outline of the main building phases of the Great Mosque Michael Jung The wall paintings of the pre-Seljuq mosque Michael Jung Introduction to the research of the excavated fragments The refined typology of the wall paintings Chronological attribution and search for comparisons The wall paintings of the post-Seljuq mosque Michael Jung The excavated mural paintings of sector 112 Two paintings of mosques and hand-prints The wall paintings of the gav-chah Materials and painting technique of the wall paintings of the pre-Seljuq Isfahani Mosque Paolo Cornale, Fabio Frezzato, Michael Jung, Claudio Seccaroni Digital microscope observations Plaster Final coating of the mud plaster Polychromy and colored decorations Blue Red Gilding Discussion and additional observations Botanical characterization of some iconographic painted elements Antonella Altieri Summary Michael Jung, Claudio Seccaroni Bibliography
Author: Michael Jung
Publisher: Nardini Editore
ISBN: 8840404341
Category : Art
Languages : en
Pages : 138
Get Book Here
Book Description
Even more important is the question of the pre-Seljuq work in the Masjid-i-Jami’ of Isfahan. It is the most interesting, and, in the loveliness of some parts, the most beautiful of Persian buildings. No one can stand in its great dilapidated court, or under the Seljuq domes, where the loud flight of agitated pigeons leaves a profound silence that seems to roar in the ears, without a sense of awe. It is the work of many periods. But in the succession of these it contains hardly anything that is not of the best…” (Eric Schroeder, Standing Monuments of the First Period, 1967). The text publishes a thorough research of one element of the pre-Seljuq work of this monument, its wall painting. The few fragments discovered during the excavation of the Italian archaeological mission of the 1970s are here analysed with the help of various scholars from different fields of research. Their contribution reveals a fascinating glimpse of a little known artistic genre of the early Islamic art. The Author: Michael Jung is Curator of the Department of Islamic Archaeology and Ancient Southern Arabia of the Museo Nazionale d’Arte Orientale/Rome. He has participated in numerous archaeological missions in Spain, Syria, Yemen and Iran. Currently he is scientific director of CONTENTS A short outline of the main building phases of the Great Mosque Michael Jung The wall paintings of the pre-Seljuq mosque Michael Jung Introduction to the research of the excavated fragments The refined typology of the wall paintings Chronological attribution and search for comparisons The wall paintings of the post-Seljuq mosque Michael Jung The excavated mural paintings of sector 112 Two paintings of mosques and hand-prints The wall paintings of the gav-chah Materials and painting technique of the wall paintings of the pre-Seljuq Isfahani Mosque Paolo Cornale, Fabio Frezzato, Michael Jung, Claudio Seccaroni Digital microscope observations Plaster Final coating of the mud plaster Polychromy and colored decorations Blue Red Gilding Discussion and additional observations Botanical characterization of some iconographic painted elements Antonella Altieri Summary Michael Jung, Claudio Seccaroni Bibliography
Author: Anthony Welch
Publisher: New York Graphic Society Books
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
Author: Michael Jung
Publisher:
ISBN: 9788840404356
Category : Islamic mural painting and decoration
Languages : en
Pages : 131
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Book Description
Author: Sussan Babaie
Publisher: Edinburgh University Press
ISBN: 0748633766
Category : Architecture
Languages : en
Pages : 320
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Book Description
Winner of the Houshang Pourshariati Iranian Studies Book Award 2009This beautifully illustrated history of Safavid Isfahan (1501-1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early-modern and Perso-Shi'i practice of kingship.An immense building campaign, initiated in 1590-91 at the millennial threshold of the Islamic calendar (1000 A.H.), transformed Isfahan from a provincial, medieval, and largely Sunni city into an urban-centered representation of the first Imami Shi'i empire in the history of Islam. The historical process of Shi'ification of Safavid Iran and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household informs Sussan Babaie's study of palatial architecture and urban environments of Isfahan and the earlier capitals of Tabriz and Qazvin.Babaie argues that since the Safavid claim presumed the inheritance both of the charisma of the Shi'i Imams and of the aura of royal splendor integral to ancient Persian notions of kingship, a ceremonial regime was gradually devised in which access and proximity to the shah assumed the contours of an institutionalized form of feasting. Talar-palaces, a new typology in Islamic palatial designs, and the urban-spatial articulation of access and proximity are the architectural anchors of this argument. Cast in the comparative light of urban spaces and palace complexes elsewhere and earlier-in the Timurid, Ottoman, and Mughal realms as well as in the early modern European capitals-Safavid Isfahan emerges as the epitome of a new architectural-urban paradigm in the early modern age.
Author: Licia Romano
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447062176
Category : History
Languages : en
Pages : 572
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Book Description
"... 6th International Congress of the Archaeology of the Ancient Near East held in Rome on May 5th-10th, 2008 (www.6icaane.it)"--Foreword.
Author: Richard Ettinghausen
Publisher: Yale University Press
ISBN: 9780300088694
Category : Art
Languages : en
Pages : 364
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Book Description
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
Author: John B. Nici
Publisher: Simon and Schuster
ISBN: 1506288197
Category : Study Aids
Languages : en
Pages : 1080
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Book Description
Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP Art History Premium, Sixth Edition includes in‑depth content review and practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s‑‑all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day‑‑it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test‑taking skills with 5 full‑length practice tests‑‑3 in the book, including a diagnostic test to target your studying, and 2 more online–plus detailed answer explanations for all questions Strengthen your knowledge with in‑depth review covering all units on the AP Art History exam Reinforce your learning with practice questions at the end of each chapter Learn to think like an art historian by reviewing hundreds of clear figures and key details about how they were made, their significance in history, and how to interpret and compare them to other famous works of art Robust Online Practice Continue your practice with 2 full‑length practice tests on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with scoring to check your learning progress
Author: St John Simpson
Publisher: Archaeopress Publishing Ltd
ISBN: 1803274190
Category : History
Languages : en
Pages : 538
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Book Description
This collection of essays offers an examination of the Sasanian empire based almost entirely on archaeological and scientific research, much presented here for the first time. The book is divided into three parts examining Sasanian sites, settlements and landscapes; their complex agricultural resources; and their crafts and industries.
Author: Keelan Overton
Publisher: Indiana University Press
ISBN: 025304894X
Category : Art
Languages : en
Pages : 466
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Book Description
In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad. Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
Author: Jonathan Bloom
Publisher: Oxford University Press
ISBN: 019530991X
Category : Architecture
Languages : en
Pages : 1697
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Book Description
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
