The Vogue of Medieval Chivalric Romance During the English Renaissance PDF Download
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Author: Ronald Salmon Crane
Publisher:
ISBN:
Category : History
Languages : en
Pages : 74
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Book Description
Author: Ronald Salmon Crane
Publisher:
ISBN:
Category : History
Languages : en
Pages : 74
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Book Description
Author: Ronald Salmon Crane
Publisher:
ISBN:
Category : Chivalry in literature
Languages : en
Pages : 70
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Book Description
Author: Allan Loraine Carter
Publisher:
ISBN:
Category : Chicago (Ill.)
Languages : en
Pages : 480
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Book Description
Author: Alex Davis
Publisher: DS Brewer
ISBN: 9780859917773
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
A reinterpretation of the place and significance of chivalric culture in the sixteenth and seventeenth centuries, and what it says about contemporary attitudes to the medieval.
Author: Ronald S. Crane
Publisher:
ISBN:
Category : Renaissance
Languages : en
Pages : 53
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Book Description
Author: Ronald Salmon Crane
Publisher:
ISBN:
Category : Renaissance
Languages : en
Pages : 53
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Book Description
Author: Ronald Salmon Crane
Publisher:
ISBN:
Category : Chivalry in literature
Languages : en
Pages : 70
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Book Description
Author: Helen Cooper
Publisher: OUP Oxford
ISBN: 0191530271
Category : Literary Criticism
Languages : en
Pages : 560
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Book Description
The English Romance in Time is a study of English romance across the Middle Ages and the Renaissance. It explores romance motifs - quests and fairy mistresses, passionate heroines and rudderless boats and missing heirs - from the first emergence of the genre in French and Anglo-Norman in the twelfth century down to the early seventeenth. This is a continuous story, since the same romances that constituted the largest and most sophisticated body of secular fiction in the Middle Ages went on to enjoy a new and vibrant popularity at all social levels in black-letter prints as the pulp fiction of the Tudor age. This embedded culture was reworked for political and Reformation propaganda and for the 'writing of England', as well as providing a generous reservoir of good stories and dramatic plots. The different ways in which the same texts were read over several centuries, or the same motifs shifted meaning as understanding and usage altered, provide a revealing and sensitive measure of historical and cultural change. The book accordingly looks at those processes of change as well as at how the motifs themselves work, to offer a historical semantics of the language of romance conventions. It also looks at how politics and romance intersect - the point where romance comes true. The historicizing of the study of literature is belatedly leading to a wider recognition that the early modern world is built on medieval foundations. This book explores both the foundations and the building. Similarly, generic theory, which previously tended to operate on transhistorical assumptions, is now acknowledging that genre interacts crucially with cultural context - with changing audiences and ideologies and means of dissemination. The generation into which Spenser and Shakespeare were born was the last to be brought up on a wide range of medieval romances in their original forms, and they could therefore exploit their generic codings in new texts aimed at both elite and popular audiences. Romance may since then have lost much of its cultural centrality, but the universal appeal of these same stories has continued to fuel later works from Bunyan's Pilgrim's Progress to C.S. Lewis and Tolkien.
Author: Dr Nandini Das
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478866
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Romance was criticized for its perceived immorality throughout the Renaissance, and even enthusiasts were often forced to acknowledge the shortcomings of its dated narrative conventions. Yet despite that general condemnation, the striking growth in English fiction in the late sixteenth and early seventeenth centuries is marked by writers who persisted in using this much-maligned narrative form. In Renaissance Romance, Nandini Das examines why the fears and expectations surrounding the old genre of romance resonated with successive new generations at this particular historical juncture. Across a range of texts in which romance was adopted by the court, by popular print and by women, Das shows how the process of realignment and transformation through which the new prose fiction took shape was driven by a generational consciousness that was always inherent in romance. In the fiction produced by writers such as Sir Philip Sidney, Robert Greene and Lady Mary Wroth, the transformative interaction of romance with other emergent forms, from the court masque to cartography, was determined by specific configurations of social groups, drawn along the lines of generational difference. What emerged as a result of that interaction radically changed the possibilities of fiction in the period.
Author: Neil Rhodes
Publisher: Bloomsbury Publishing
ISBN: 1408143631
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
While much has been written on Shakespeare's debt to the classical tradition, less has been said about his roots in the popular culture of his own time. This is the first book to explore the full range of his debts to Elizabethan popular culture. Topics covered include the mystery plays, festive custom, clowns, romance and popular fiction, folklore and superstition, everyday sayings, and popular songs. These essays show how Shakespeare, throughout his dramatic work, used popular culture. A final chapter, which considers ballads with Shakespearean connections in the seventeenth century, shows how popular culture immediately after his time used Shakespeare.
