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Author: Michael Talbot
Publisher: Boydell Press
ISBN: 184383670X
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
Author: Michael Talbot
Publisher: Boydell Press
ISBN: 184383670X
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
Author: Michael Talbot
Publisher:
ISBN: 9781843838197
Category : Music
Languages : en
Pages : 270
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Book Description
The Vivaldi Compendium will serve as the most reliable and up-to-date source of quick reference on the composer Antonio Vivaldi and his music. This takes the form of a dictionary listing persons, places, musical works and many other topics connected with Vivaldi; its alphabetically arranged entries are copiously cross-referenced to guide the reader towards related topics. The Vivaldi Compendium also provides a gateway to further reading via an extensive bibliography, to which reference is made in most of the dictionary entries. These two sections are complemented by a biography of the composer and a carefully organized list of his works. Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool and a Fellow of the British Academy. He is known internationally for his studies of late-baroque Italian music, which include recent books on Vivaldi's chamber cantatas (2003) and the same composer's fugal writing (2007).
Author: Walter Kolneder
Publisher: Univ of California Press
ISBN: 9780520016293
Category : Music
Languages : en
Pages : 326
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Book Description
Author: Nancy Price
Publisher: Lulu.com
ISBN: 131230149X
Category : Reference
Languages : en
Pages : 37
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Book Description
Review of Antonio Vivaldi music for cello or violoncello--25 complete concertos and 9 sonatas. Also other Vivaldi music for strings.
Author: Steven David Zohn
Publisher:
ISBN: 9781783274468
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This book is the first guide to research on the Baroque composer Georg Philipp Telemann (1681-1767) in any language. Although the scholarly 'Telemann Renaissance' is now a half-century old, there has never been a book intended to serve as a gateway for further study. Apart from a handful of biographies, dictionary entries, and annotated bibliographies (many of which are now severely out of date), students of Telemann's life and music have been left to dive into the secondary literature in order to get their bearings. Considering that this now burgeoning literature has mainly taken the form of German dissertations and conference proceedings, it is small wonder that the field of Telemann studies has been relatively slow to develop in the English-speaking world. And yet the veritable explosion of performances, both live and recorded, of the composer's music in recent decades has won him an ever-increasing following among musicians and concert-goers worldwide. As with other books in the Composer Compendia series, the book includes a brief biography, dictionary, works-list, and selective bibliography. STEVEN ZOHN is Laura Carnell Professor of Music History at Temple University.
Author: Jane Ellsworth
Publisher: Boydell & Brewer
ISBN: 1648250173
Category : History
Languages : en
Pages : 309
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Book Description
Introduction / Jane Ellsworth -- Clarinet Iconography / Eric Hoeprich -- The Chalumeau and Clarinet Before Mozart / Albert R. Rice -- From "Little Trumpet" to Unique Voice : The Clarinet in the Concert Orchestra / Jane Ellsworth -- The Clarinet in Opera Before 1830 : Instrument and Genre Come of Age / Ingrid Pearson -- The Clarinet in Nineteenth-Century Opera / Julian Rushton -- Innovation and Convention in the "Golden Age" of the Clarinet Concerto, ca. 1800-1830 / David Schneider -- Joining the Conversation : The Clarinet Quintet in Classical and Romantic Chamber Music / Marie Sumner Lott -- Important Clarinetists Since 1900 : A Concise Introduction / Jane Ellsworth -- Recreating History? The Early Clarinet in Theory and Practice / Colin Lawson -- The Clarinet in Vernacular Music / S. Frederick Starr.
Author: Graham Sadler
Publisher:
ISBN: 9781843839057
Category : Biography & Autobiography
Languages : en
Pages : 269
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Book Description
This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular, the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau's theoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information. GRAHAM SADLER is Professor Emeritus at the University of Hull, Research Professor at Birmingham Conservatoire and Research Fellow at the University of Oxford. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
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Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Author: Antonio Vivaldi
Publisher:
ISBN:
Category : Sonatas (Violin)
Languages : en
Pages : 0
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Book Description
Author: Tim Rayborn
Publisher: Skyhorse
ISBN: 1510712720
Category : Music
Languages : en
Pages : 357
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Book Description
Beethoven’s Skull is an unusual and often humorous survey of the many strange happenings in the history of Western classical music. Proving that good music and shocking tabloid-style stories make excellent bedfellows, it presents tales of revenge, murder, curious accidents, and strange fates that span more than two thousand years. Highlights include: A cursed song that kills those who hear it A composer who lovingly cradles the head of Beethoven’s corpse when his remains are exhumed half a century after his death A fifteenth-century German poet who sings of the real-life Dracula A dream of the devil that inspires a virtuoso violin piece Unlike many music books that begin their histories with the seventeenth or eighteenth centuries, Beethoven’s Skull takes the reader back to the world of ancient Greece and Rome, progressing through the Middle Ages and all the way into the twentieth century. It also looks at myths and legends, superstitions, and musical mysteries, detailing the ways that musicians and their peers have been rather horrible to one another over the centuries.
