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Author: Elinor Glyn
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 324
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Book Description
Author: Elinor Glyn
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 324
Get Book Here
Book Description
Author: Elinor Glyn
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 332
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Book Description
Author: Elinor Glyn
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
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Book Description
Author: Elinor Glyn
Publisher:
ISBN:
Category :
Languages : en
Pages : 321
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Book Description
Author: Elinor Glyn
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 296
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Book Description
We waved a kind of grateful goodbye and went our different ways and beyond its raining most of the time we had a quick journey; but at last we felt in the dusk we were off the right road. Like all chauffeurs ours had whizzed past every notice of the direction-so carefully printed up as they are in France too.
Author: Elinor Glyn
Publisher: ReadHowYouWant.com
ISBN: 1442907274
Category :
Languages : en
Pages : 270
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Book Description
Author: Bodleian Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 136
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Book Description
Queen Elizabeth's Book of Oxford was made in 1566 as a gift for Elizabeth I on the occasion of her first royal visit to Oxford. It was made, however, not just out of reverence for the Queen, but with the aim of getting her to endow the foundation of a new college. This sophisticated tour guide is presented as a dialogue between the Queen and her guide, in which the monarch asks questions which allow the guide to extol the generosity of the founders of each college they visit.The book failed. Queen Elizabeth founded no new institutions, but the exercise has left us with a fascinating insight into ideas of patronage and endowment in Elizabeth's day.This unique manuscript contains a Latin verse account of the famous buildings of the University illustrated by a series of beautiful pen drawings, and conceived by its scholarly producers as an imaginary progress through these locations. The complete manuscript is now made available for the first time in actual-size facsimile with full-text translation, a commentary on the images, and an analytical essay which places the manuscript in its historical context.
Author: Elinor Glyn
Publisher:
ISBN: 9781332812257
Category :
Languages : en
Pages : 342
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Book Description
Excerpt from The Visits of Elizabeth Lady Cecilia pecked my Cheek, and gave me two fingers; and asked me, in a voice right up at the top, how were you. I said you were better, and - you know what you told me to say. She murmured something while she was listening to what a woman with a sweet frock and green eyes was saying at the other end of the table. There was heaps of tea. She waved vaguely for me to sit down, which I did; but there was a foot stool near, and it was half dark, so I fell over that, but not very badly, and got safely to my seat. Lady Cecilia - continuing her conversa tion across the room all the time poured out a cup of tea, with lumps and lump: of sugar in it, and lots of cream, just What you would give to a child for a treat! And she handed it to me, but I said, Oh! Please. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
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Book Description
Author: Glyn Elinor
Publisher: Hardpress Publishing
ISBN: 9781318720613
Category :
Languages : en
Pages : 176
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
