Author: James Longenbach
Publisher: Graywolf Press
ISBN: 1555970672
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
An illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe) "This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's preface The Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
Author: James Longenbach
Publisher: University of Chicago Press
ISBN: 0226492516
Category : Literary Criticism
Languages : en
Pages : 139
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Book Description
Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning—metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them. But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Glück, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it. An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means—on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it. A graceful and skilled study, The Resistance to Poetry honors poetry by allowing it to be what it is. This book arrives at a critical moment—at a time when many people are trying to mold and market poetry into something it is not.
Author: Berton Braley
Publisher:
ISBN: 9780962685439
Category : Poetry
Languages : en
Pages : 161
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Book Description
From the author of FIRST PRIZE, a thriller about an indomitable American businessman whose integrity is pitted against the machinations of three governments. Merritt Fury, an American entrepreneur, savors his return to glamorous Hong Kong to meet with his itinerant business partners, until the irrational behavior of some of them sours his interest in the firm. Harry Briscoe, a senior partner whose business acumen Fury admires, offers his colleagues an ultimatum: agree to pay for the expansion of the firm's tungsten mine, or dissolve the partnership. Fury argues against the scheme, but Briscoe & others seem impervious to reason. And Fury soon realizes that he is the least welcome of all among Briscoe's partners. When Fury decides to stay in the partnership, he learns just how unwelcome he is. He is attacked in his hotel room, almost assassinated by a British secret agent, & courted by Amber Lee, a beautiful government economist who packs an automatic pistol. And when he is kidnapped, he grasps that he is the pivotal factor in a double conspiracy, & that the deadly conflict between his own integrity & the pragmatism of his colleagues could change the future of Hong Kong.
Author: Ben Lerner
Publisher: Macmillan
ISBN: 0865478201
Category : Literary Criticism
Languages : en
Pages : 97
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Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Author: Paul Lake
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 88
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Book Description
An original collection of poetry by Paul Lake.
Author: Phillis Wheatley
Publisher: Courier Corporation
ISBN: 0486115291
Category : Poetry
Languages : en
Pages : 98
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Book Description
At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative.
Author: Lynn Levin
Publisher:
ISBN: 9781933974354
Category : Poetry
Languages : en
Pages : 90
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Book Description
The Minor Virtues, Lynn Levin's fifth collection of poems, begins with celebrations of small everyday practices--among them, fixing broken things and buying produce from the marked-down cart--which, when fancifully contemplated, branch into deeper appreciations of life. Levin's outlook is eclectic and occasionally very funny. Her moments are not without griefs and worries, yet, in these lyrics and narratives, she addresses them with good humor, respect, and abiding affection. As Willard Spiegelman observers, Lynn Levin's "many virtues, variously presented and contained here, are more than minor. Maturity, wisdom, and wit are among them."
Author: James Longenbach
Publisher: Oxford University Press
ISBN: 0195362012
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
Although readers of modern literature have always known about the collaboration of W.B. Yeats and Ezra Pound, the crucial winters these poets spent living together in Stone Cottage in Sussex (1913-1916) have remained a mystery. Working from a large base of previously unpublished material, James Longenbach presents for the first time the untold story of these three winters. Inside the secret world of Stone Cottage, Pound's Imagist poems were inextricably linked to Yeats's studies in spiritualism and magic, and early drafts of The Cantos reveal that the poem began in response to the same esoteric texts that shaped Yeats's visionary system. At the same time, Yeats's autobiographies and Noh-style plays took shape with Pound's assistance. Having retreated to Sussex to escape the flurry of wartime London, both poets tracked the progress of the Great War and in response wrote poems--some unpublished until now--that directly address the poet's political function. More than the story of a literary friendship, Stone Cottage explores the Pound-Yeats connection within the larger context of modern literature and culture, illuminating work that ranks with the greatest achievements of modernism.
Author: Charles Peguy
Publisher: A&C Black
ISBN: 0826479359
Category : Philosophy
Languages : en
Pages : 188
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Book Description
Translated by David L. Schindler, JrIn what is one of the greatest Catholic poetic works of our century, Péguy offers a comprehensive theology ordered around the often-neglected second virtue which is incarnated inhis celebrated image of the ‘little girl Hope'.
Author: James Longenbach
Publisher: University of Chicago Press
ISBN: 022671618X
Category : Literary Criticism
Languages : en
Pages : 127
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Book Description
A poet and scholar explores how lyric poetry works by examining the lives and works of thirteen twentieth- and twenty-first–century American poets and musicians. For more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics. Praise for The Lyric Now “Longenbach is a lyric poet, practical critic, and literary scholar. These are distinct roles, and there are vanishingly few people good, let alone so distinguished, in all three. In The Lyric Now, he brings a career’s worth of wisdom to bear while writing with élan and urgency for both the specialist and nonspecialist reader. No one is better at explaining how poems work, how literary history happens, and why we should care about both.” —Langdon Hammer, author of James Merrill: Life and Art “[Longenbach] does prove—with stylistic wit and epigrammatic verve—that close reading can be a literary art in its own right. . . . Taken together, these essays . . . make an implicit case for the importance of syntax to lyric poetry. This is particularly evident in Longenbach’s reading of Moore’s “The Octopus,” and in masterful readings of poems by Jorie Graham and Carl Philips. When he contrasts Patti Smith’s prose and John Ashbery’s poetry with the songs of Bob Dylan, his skill as an expert close reader proves his point about the power of syntax. This volume proves a simple yet fundamental truth: “a lyric works particularly, sentence by sentence, line by line”. . . . Summing Up: Highly recommended.” —Choice
