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Author: Owen Wister
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 352
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Book Description
The Virginian: A Horseman of the Plains is a novel by Owen Wister. A wild cowboy western tale where Indian attacks an explosive card game, deadly shoot outs and a story of love intertwine.
Author: Owen Wister
Publisher: ReadHowYouWant.com
ISBN:
Category : Cattle stealing
Languages : en
Pages : 562
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Book Description
Author: Owen Wister
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 352
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Book Description
The Virginian: A Horseman of the Plains is a novel by Owen Wister. A wild cowboy western tale where Indian attacks an explosive card game, deadly shoot outs and a story of love intertwine.
Author: Andr Aciman
Publisher: Mariner Books
ISBN: 0358359910
Category : Literary Collections
Languages : en
Pages : 333
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Book Description
Compiles the best literary essays of the year 2019 which were originally published in American periodicals.
Author: Owen Wister
Publisher:
ISBN:
Category : Cattle stealing
Languages : en
Pages : 560
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Book Description
Author: James A. Butler
Publisher: Penn State Press
ISBN: 0271030909
Category : Literary Collections
Languages : en
Pages : 317
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Book Description
Owen Wister is known to most Americans as the creator of the heroic cowboy in The Virginian (1902). Despite his success as a Western novelist, Wister's failure to write about his native city of Philadelphia has been lamented by many for the loss of a literary "might-have-been." If only, sighed Wister's contemporary Elizabeth Robins Pennell in 1914, the novelist could understand that Philadelphia was as good a subject as the Wild West. Hence the surprise when James Butler uncovered a substantial fragment of a Philadelphia novel, which Wister intended to call Romney. Here, published for the first time, is the complete fragment of Romney together with two of his other unpublished Philadelphia works. Even in its incomplete state—nearly fifty thousand words—Romney is Wister's longest piece of fiction after The Virginian and Lady Baltimore. Writing at the express command of his friend Theodore Roosevelt, Wister set Romney in Philadelphia (called Monopolis in the novel) during the 1880s, when, as he saw it, the city was passing from the old to a new order. The hero of the story, Romney, is a man of "no social position" who nonetheless rises to the top because he has superior ability. It is thus a novel about the possibilities for meaningful social change in a democracy. Although, alas, the story breaks off before the birth of Romney, Wister gives us much to savor in the existing thirteen chapters. We are treated to delightful scenes at the Bryn Mawr train station, the Bellevue Hotel, and Independence Square, which yield brilliant insights into life on the Main Line, the power of the Pennsylvania Railroad, and the insidious effects of political corruption. Wister's acute analysis in Romney of what differentiates Philadelphia and Boston upper classes is remarkably similar to, but anticipates by more than half a century, the classic study by E. Digby Baltzell in Puritan Boston and Quaker Philadelphia (1979). Like Baltzell, Wister analyzes the urban aristocracy of Boston and Philadelphia, finding in Boston a Puritan drive for achievement and civic service but in Philadelphia a Quaker preference for toleration and moderation, all too often leading to acquiescence and stagnation. Romney is undoubtedly the best fictional portrayal of "Gilded Age" Philadelphia, brilliantly capturing Wister's vision of old-money, aristocratic society gasping its last before the onrushing vulgarity of the nouveaux riches. It is a novel of manners that does for Philadelphia what Edith Wharton and John Marquand have done for New York and Boston.
Author: Owen Wister
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
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Book Description
In the untamed West, pioneers came to test their fortunes -- and their wills. The Wyoming territory was a harsh, unforgiving land, with its own unwritten code of honor by which men lived and died. Into this rough landscape rides the Virginian, a solitary man whose unbending will is his only guide through life. The Virginian's unwavering beliefs in right and wrong are soon tested as he tries to prove his love for a woman who cannot accept his sense of justice; at the same time, a betrayal by his most trusted friend forces him to fight against the corruption that rules the land. Still as exciting and meaningful as it was when first published one hundred years ago, Owen Wister's epic tale of a man caught between his love for a woman and his quest for justice exemplifies one of the most significant and enduring themes in all of American literature. With remarkable character depth and vivid passages, The Virginian stands not only as the first great novel of American Western literature, but as a testament to the eternal struggle between good and evil in humanity. With an engaging new introduction by Gary Scharnhorst, professor of English at the University of New Mexico, this volume is an indispensable addition to the library of American Western literature.
Author: Owen Wister
Publisher: New York, Macmillan
ISBN:
Category : France
Languages : en
Pages : 462
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Book Description
Author: Owen Wister
Publisher: Createspace Independent Pub
ISBN: 9781503230286
Category : Fiction
Languages : en
Pages : 202
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Book Description
Certain of the newspapers, when this book was first announced, made a mistake most natural upon seeing the sub-title as it then stood, A TALE OF SUNDRY ADVENTURES. "This sounds like a historical novel," said one of them, meaning (I take it) a colonial romance. As it now stands, the title will scarce lead to such interpretation; yet none the less is this book historical—quite as much so as any colonial romance. Indeed, when you look at the root of the matter, it is a colonial romance. For Wyoming between 1874 and 1890 was a colony as wild as was Virginia one hundred years earlier. As wild, with a scantier population, and the same primitive joys and dangers. There were, to be sure, not so many Chippendale settees. We know quite well the common understanding of the term "historical novel." HUGH WYNNE exactly fits it. But SILAS LAPHAM is a novel as perfectly historical as is Hugh Wynne, for it pictures an era and personifies a type. It matters not that in the one we find George Washington and in the other none save imaginary figures; else THE SCARLET LETTER were not historical. Nor does it matter that Dr. Mitchell did not live in the time of which he wrote, while Mr. Howells saw many Silas Laphams with his own eyes; else UNCLE TOM'S CABIN were not historical. Any narrative which presents faithfully a day and a generation is of necessity historical; and this one presents Wyoming between 1874 and 1890. Had you left New York or San Francisco at ten o'clock this morning, by noon the day after to-morrow you could step out at Cheyenne. There you would stand at the heart of the world that is the subject of my picture, yet you would look around you in vain for the reality. It is a vanished world. No journeys, save those which memory can take, will bring you to it now. The mountains are there, far and shining, and the sunlight, and the infinite earth, and the air that seems forever the true fountain of youth, but where is the buffalo, and the wild antelope, and where the horseman with his pasturing thousands? So like its old self does the sage-brush seem when revisited, that you wait for the horseman to appear. But he will never come again. He rides in his historic yesterday. You will no more see him gallop out of the unchanging silence than you will see Columbus on the unchanging sea come sailing from Palos with his caravels. And yet the horseman is still so near our day that in some chapters of this book, which were published separate at the close of the nineteenth century, the present tense was used. It is true no longer. In those chapters it has been changed, and verbs like "is" and "have" now read "was" and "had." Time has flowed faster than my ink. What is become of the horseman, the cow-puncher, the last romantic figure upon our soil? For he was romantic. Whatever he did, he did with his might. The bread that he earned was earned hard, the wages that he squandered were squandered hard,—half a year's pay sometimes gone in a night,—"blown in," as he expressed it, or "blowed in," to be perfectly accurate. Well, he will be here among us always, invisible, waiting his chance to live and play as he would like. His wild kind has been among us always, since the beginning: a young man with his temptations, a hero without wings. The cow-puncher's ungoverned hours did not unman him. If he gave his word, he kept it; Wall Street would have found him behind the times. CHARLESTON, S.C., March 31st, 1902
Author: Malcolm Brooks
Publisher: Open Road + Grove/Atlantic
ISBN: 0802192602
Category : Fiction
Languages : en
Pages : 358
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Book Description
The national bestseller that “reads like a cross between Charles Frazier’s Cold Mountain and Ernest Hemingway’s A Farewell to Arms” (The Dallas Morning News). In this ambitious, incandescent debut, Malcolm Brooks animates the untamed landscape of the West in the 1950s. Catherine Lemay is a young archaeologist on her way to Montana, with a huge task before her. Working ahead of a major dam project, she has one summer to prove nothing of historical value will be lost in the flood. From the moment she arrives, nothing is familiar—the vastness of the canyon itself mocks the contained, artifact-rich digs in post-Blitz London where she cut her teeth. And then there’s John H, a former mustanger and veteran of the U.S. Army’s last mounted cavalry campaign, living a fugitive life in the canyon. John H inspires Catherine to see beauty in the stark landscape, and her heart opens to more than just the vanished past. Painted Horses sends a dauntless young woman on a heroic quest, sings a love song to the horseman’s vanishing way of life, and reminds us that love and ambition, tradition and the future, often make strange bedfellows. “Engrossing . . . The best novels are not just written but built—scene by scene, character by character—until a world emerges for readers to fall into. Painted Horses creates several worlds.” —USA Today (4 out of 4 stars) “Extraordinary . . . both intimate and sweeping in a way that may remind readers of Michael Ondaatje’s The English Patient . . . Painted Horses is, after all, one of those big, old-fashioned novels where the mundane and the unlikely coexist.” —The Boston Globe
Author: Owen Wister
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 340
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Book Description
Owen Wister's 'The Virginian - A Horseman of the Plains' is a quintessential Western classic that captures the essence of the American frontier with its vivid portrayal of cowboys, outlaws, and lawmen. Wister's prose style is marked by its rich descriptions and realistic dialogue, giving readers a sense of the rugged landscape and the tough characters who populate it. The novel's themes of honor, loyalty, and justice resonate throughout, making it a timeless tale of the Wild West. Set in the late 19th century, 'The Virginian' reflects the societal changes and challenges of the time, offering a glimpse into the cultural values and conflicts of the era. Wister's attention to detail and his deep understanding of Western folklore make this book a must-read for anyone interested in the genre. Owen Wister, a Harvard-educated writer and historian, drew inspiration for 'The Virginian' from his own experiences in the American West. His keen observations and personal connections to the region bring an authenticity to the story that is unmatched in Western literature. Wister's passion for the West shines through in his writing, making him a pioneer in the genre. I highly recommend 'The Virginian - A Horseman of the Plains' to readers who enjoy classic Westerns, as well as those interested in American history and literature. Wister's masterful storytelling and vivid characters will transport you to a bygone era of cowboys and shootouts, leaving you eager to explore more of his work.
