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Author: Charlotte Ashby
Publisher: Berghahn Books
ISBN: 0857457659
Category : History
Languages : en
Pages : 256
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Book Description
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Author: Charlotte Ashby
Publisher: Berghahn Books
ISBN: 0857457659
Category : History
Languages : en
Pages : 256
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Book Description
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Author: Erwin Dekker
Publisher: Cambridge University Press
ISBN: 1107126401
Category : Business & Economics
Languages : en
Pages : 235
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Book Description
A fresh look at Austrian economists and the dynamic intellectual and political context in which they lived and worked.
Author: Erica Buurman
Publisher: Cambridge University Press
ISBN: 1108495850
Category : Music
Languages : en
Pages : 209
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Book Description
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
Author: Monica Meehan
Publisher:
ISBN: 9781504800709
Category :
Languages : en
Pages : 224
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Book Description
Viennese Kitchen is the perfect gift for cookbook enthusiasts and anyone interested in classic Viennese cooking traditions. Based on the original notebook and recipe journal of a 1900s baroness, this beautiful book takes readers on a journey through fin de siècle Viennese high society. With over 100 original recipes, all of which have been tested and brought up to date for the modern cook, it is not only a wonderful collection of recipes but also a fascinating look at the life of a Viennese family. Filled with anecdotes and personal stories to bring the recipes to life, this book is a charming insight into a bygone era. The classic recipes cover a variety of dishes both savoury and sweet, with a strong emphasis on the desserts and pastries for which Vienna is famed. Enchanting photographs of Vienna grace the book, capturing the architecture, cafe culture and beauty of this elegant city.
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1783103949
Category : Art
Languages : en
Pages : 200
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Book Description
A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire. Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.
Author: R. John Rath
Publisher: University of Texas Press
ISBN: 0292787022
Category : History
Languages : en
Pages : 441
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Book Description
Liberalism, in the nineteenth-century sense of the term, came to Austria much later than it came to western Europe, for it was not until the 1840s that the industrial revolution reached the Hapsburg Empire, bringing in its train miserable working conditions and economic upheaval, which created bitter resentment among the working classes and a longing for a Utopia that would cure the ills of mankind. This new-found liberalism, largely self-contained and uninfluenced by liberal movements outside the empire, centered mainly in the idea of individual freedom and constitutional monarchism. In the end, the revolution failed because the moderates proved too weak to control the radical excesses, and the radicals in growing desperation tried to turn the rebel idea into a democratic and, at the extreme, a republican one. Fear of this extremism finally drove the moderates into the counterrevolutionary camp. Since the Viennese rebels fought to achieve many of the goals fundamental to democracy, historians have generally tended to idealize the revolutionaries and forget their shortcomings. R. John Rath has sought to evaluate the revolution from the point of view of the political ideologies of 1848 rather than those of the mid-twentieth century. Moreover, he has clearly and objectively stated the case for both the left and the right, pointing out the failures and shortcomings of each. At its publication, this was the first detailed English-language book on the Viennese Revolution of 1848 in more than a hundred years. The author has not confined himself to the bare bones of history. In his descriptions of the times and lively portrayals of the chief actors of the revolution, he has vividly restaged a drama of an ideal that failed.
Author: Klaus H. Carl
Publisher: Parkstone International
ISBN:
Category : Art
Languages : en
Pages : 102
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Book Description
Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.
Author: Nathan Timpano
Publisher: Taylor & Francis
ISBN: 131541368X
Category : Art
Languages : en
Pages : 222
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Book Description
This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.
Author: Emil Francis Saverio
Publisher:
ISBN:
Category : Folk drama
Languages : en
Pages : 100
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Book Description
"Music and Song form an essential part in the daily life of the Viennese. Italian music, which was introduced in Vienna as early as the sixteenth century by the Austrian Court, by wandering minstrels, or by theatrical troupes, was welcomed everywhere and by everyone for its strong emotional force and beauty of melody. While at the Vienna Hofoper Italian operatic music prevailed by preference, the Italian songs of the commedia dell'arte were received enthusiastically by the populace of the gay capital. Such was the popularity of the songs of the commedia dell'arte that they became an important factor in the development of the Viennese Volksstück. At first one finds the musical element used sparingly in the course of this development, but, internal evidence in the texts of later plays shows a rapid increase in the use of music in the Volksstück. The present study necessarily involves a discussion of the questions, what are the functions of the musical element in the dramatic works of Viennese playwrights, and wherein lies the artistic worth of music to the play? ... The present abridged translation of the author's fuller study endeavors, therefore, to give, in a brief introductory form, the underlying factors which in a certain measure account for the particularly favorable conditions, which existed in Vienna, to encourage musical tradition, and, at the same time, to cause its application to the drama. Further, it endeavors to show that the musical element was not regarded by the playwrights of the Viennese Volksstück after Stranitzky) as an occasional and altogether unmotivated filler of their plays, but as an element with a specific dramatic purpose, e. g. to characterize, to interpret a certain action, to take the place of "asides," and the like. It concludes by attempting to estimate in what respect Grillparzer follows the general custom of his contemporary Viennese playrights in his use of the musical element, and wherein consists his contribution to artistic progress in the technique of the drama"--Introduction
Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844
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Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
