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Author: Jennifer Wagner-Lawlor
Publisher: Routledge
ISBN: 1351790528
Category : Business & Economics
Languages : en
Pages : 395
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Book Description
This title was first published in 2000: "Comedy" and "humour" are not words most associate with the Victorian period, yet their culture was rife with laughter and irony. The 12 essays in this volume reanimate this "comic spirit" by exploring the humour in its social context. While previous studies of humour in the period focus on the age's own ongoing interest in the old distinction in comic theory between wit and humour, this volume aims to show how inadequate this distinction is in accounting for the many types of Victorian comic representation. The essays turn from linguistic or psychological analyses of humour towards the social production of humour and the cultural dynamics which underlie it.
Author: Jennifer Wagner-Lawlor
Publisher: Routledge
ISBN: 1351790528
Category : Business & Economics
Languages : en
Pages : 395
Get Book Here
Book Description
This title was first published in 2000: "Comedy" and "humour" are not words most associate with the Victorian period, yet their culture was rife with laughter and irony. The 12 essays in this volume reanimate this "comic spirit" by exploring the humour in its social context. While previous studies of humour in the period focus on the age's own ongoing interest in the old distinction in comic theory between wit and humour, this volume aims to show how inadequate this distinction is in accounting for the many types of Victorian comic representation. The essays turn from linguistic or psychological analyses of humour towards the social production of humour and the cultural dynamics which underlie it.
Author: George Meredith
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 348
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Book Description
Author: Robert Bernard Martin
Publisher: Oxford : Clarendon Press
ISBN:
Category : Humor
Languages : en
Pages : 128
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Book Description
Author: George Meredith
Publisher: Createspace Independent Publishing Platform
ISBN: 9781541376946
Category :
Languages : en
Pages : 52
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Book Description
George Meredith was an English novelist and poet during the Victorian era. Meredith was a prolific writer and he stood out as one of the great authors of comedy of his time. With classics such as The Egoist, Diana of the Crossways, and The Ordeal of Richard Feverel, Meredith remains a popular author today. An Essay on Comedy and the Uses of the Comic Spirit, published in 1877, is an influential work on comic theory.
Author: George Meredith
Publisher: Createspace Independent Publishing Platform
ISBN: 9781721912476
Category :
Languages : en
Pages : 136
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Book Description
An Essay on comedyand the uses of the comic spirit by George Meredith George Meredith was an English novelist and poet during the Victorian era. Meredith was a prolific writer and he stood out as one of the great authors of comedy of his time. With classics such as The Egoist, Diana of the Crossways, and The Ordeal of Richard Feverel, Meredith remains a popular author today. An Essay on Comedy and the Uses of the Comic Spirit, published in 1877, is an influential work on comic theory. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Author: Denis Gifford
Publisher: Taylor & Francis
ISBN: 100062997X
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
The Victorians are usually painted as prim, proper and repressed. Yet it was in Victoria’s Britain that the comic paper was born and her subjects eagerly devoured their ‘Penny Dreadfuls’ and ‘Comic Cuts’. Originally published in 1976, this first ever compilation of Victorian comics is culled from England’s largest collection by its curator Denis Gifford. In these pages many forgotten figures of fun (such as Ally Sloper, Chokee Bill, Airy Alf and Bouncing Billy) live again, not to mention such notorious episodes as the assault on the Albert Memorial by the Ball’s Pond Banditti and the capture of Pretoria by Weary Willie and Tired Tim. This book is a re-issue originally published in 1976 and contains comics from the Victorian era. The language used is therefore a reflection of its time and no offence is meant by the Publishers to any reader by this re-publication.
Author: Matthew Kaiser
Publisher: Bloomsbury Publishing
ISBN: 1350187798
Category : History
Languages : en
Pages : 272
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Book Description
Drawing together contributions from scholars in a range of fields within 19th- and 20th-century cultural, literary, and theater studies, this volume provides a thorough and varied overview of the many forms comedy took in the 19th century. Given the earth-shattering cultural changes and political events that mark the decades between 1800 and 1920-shifting borders, socioeconomic upheaval, scientific and technological innovation, the rise of consumerism and mass culture, unprecedented overseas expansion by European and American imperial powers-it is no wonder that people in the Age of Empire turned to comedy in order to make sense of the contradictions that structure modern identity and navigate the sociocultural fault lines within modern life. Comical, humorous, and satirical cultural artifacts from the period capture the anxieties and aspirations, the petty resentments and lofty ideals, of a world buffeted by change. This volume explores the aesthetic, political, and ethical dimensions of comedy in the context of blackface minstrelsy, nonsense poetry, music hall and pantomime, comic almanacs and joke books, journalism, silent film, popular novels, and hygiene magazines, among other phenomena. It also provides a detailed account of contentious debates among social Darwinists, psychoanalysts, and political philosophers about the meaning and significance of comedy and laughter to human life. Each chapter takes a different theme as its focus: form, theory, praxis, identity, the body, politics and power, laughter, and ethics. These eight divergent approaches to comedy in the Age of Empire add up to an extensive, synoptic coverage of the subject.
Author: Albert D. Pionke
Publisher: Ohio State University Press
ISBN: 0814209483
Category : History
Languages : en
Pages : 220
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Book Description
After surveying England's evolving theories of representative politics and individual and collective secretive practices, Pionke traces the intersection of democracy and secrecy through a series of case histories. Using works by Thomas Carlyle, Wilkie Colins, Charles Dickens, Benjamin Disraeli, John Henry Newman, and others, along with periodicals, histoires, and parliamentary documents of the period, he shows the rhetorical prominence of groups such as the Freemasons, the Thugs, the Carbonari, the Fenians, and the Jesuits in Victorian democratic discourse. --book cover.
Author: Magda Romanska
Publisher: Bloomsbury Publishing
ISBN: 1474247903
Category : Performing Arts
Languages : en
Pages : 388
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Book Description
This unique anthology presents a selection of over seventy of the most important historical essays on comedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span it traces the development of comic theory, highlighting the relationships between comedy, politics, economics, philosophy, religion, and other arts and genres. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to the twenty-first century, in which special attention has been paid to writings since the start of the twentieth century. Reader in Comedy is arranged in five sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts from the period: * Antiquity and the Middle Ages * The Renaissance * Restoration to Romanticism * The Industrial Age * The Twentieth and Early Twenty-First Centuries Among the many authors included are: Plato, Aristotle, Horace, Donatus, Dante Alighieri, Erasmus, Trissino, Sir Thomas Elyot, Thomas Wilson, Sir Philip Sidney, Ben Jonson, Battista Guarini, Molière, William Congreve, John Dryden, Henry Fielding, Samuel Johnson, Oliver Goldsmith, Jean Paul Richter, William Hazlitt, Charles Lamb, Søren Kierkegaard, Charles Baudelaire, Bernard Shaw, Mark Twain, Henri Bergson, Constance Rourke, Northrop Frye, Jacques Derrida, Mikhail Bakhtin, Georges Bataille, Simon Critchley and Michael North. As the selection demonstrates, from Plato and Aristotle to Henri Bergson and Sigmund Freud, comedy has attracted the attention of serious thinkers. Bringing together diverse theories of comedy from across the ages, the Reader reveals that, far from being peripheral, comedy speaks to the most pragmatic aspects of human life.
Author: Edith Hall
Publisher: OUP Oxford
ISBN: 0191541419
Category : Literary Criticism
Languages : en
Pages : 768
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Book Description
This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.
