The Vampire in Literature: A Comparison of Bram Stoker's Dracula and Anne Rice's Interview with the Vampire PDF Download
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Author: Janina Nußbaumer
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954896370
Category : Literary Criticism
Languages : en
Pages : 42
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Book Description
The figure of the vampire has been around for centuries, and has lost none of its fascination. Although, the portrayal of the vampire in literature today has not much in common with its historical origins, the vampire belief is based on true events. Bram Stoker's novel ‘Dracula’ laid the foundation for the success story of the vampire. He created something sinister, a monster in the shape of a gentleman. The evil of the Victorian society was personified in the form of the revenant. Boundaries between good and evil, human and non-human, death and life are blurred and unrecognizable in his book. In contrast, Anne Rice creates a world where humans and vampires live next to each other. Her vampires resemble human beings not only in terms of their bodies, but also in terms of their minds. There is no horror detectable, but amazement and identification with the revenants by the reader. In this context, the differentiation of the constructed images of the vampires in the two novels, ‘Dracula’ by Bram Stoker and ‘Interview with the Vampire’ by Anne Rice, is analyzed. Thereby, the study investigates those elements that have been adopted, those ones that have developed over the time, and the consequences that go along with the manner of construction.
Author: Janina Nußbaumer
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954896370
Category : Literary Criticism
Languages : en
Pages : 42
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Book Description
The figure of the vampire has been around for centuries, and has lost none of its fascination. Although, the portrayal of the vampire in literature today has not much in common with its historical origins, the vampire belief is based on true events. Bram Stoker's novel ‘Dracula’ laid the foundation for the success story of the vampire. He created something sinister, a monster in the shape of a gentleman. The evil of the Victorian society was personified in the form of the revenant. Boundaries between good and evil, human and non-human, death and life are blurred and unrecognizable in his book. In contrast, Anne Rice creates a world where humans and vampires live next to each other. Her vampires resemble human beings not only in terms of their bodies, but also in terms of their minds. There is no horror detectable, but amazement and identification with the revenants by the reader. In this context, the differentiation of the constructed images of the vampires in the two novels, ‘Dracula’ by Bram Stoker and ‘Interview with the Vampire’ by Anne Rice, is analyzed. Thereby, the study investigates those elements that have been adopted, those ones that have developed over the time, and the consequences that go along with the manner of construction.
Author: Laura Commer
Publisher: GRIN Verlag
ISBN: 3668278105
Category : Literary Criticism
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, , language: English, abstract: To understand what makes vampires attractive to people nowadays, at first one has to look at the vampire myth and where it comes from. Next this paper will look into the supernatural abilities the vampires in Bram Stoker's "Dracula" and Anne Rice's "Interview with the Vampire" have. After that it will focuse on the characters and their relationships to each other. In the end, the results will be summarized and brought into relation with today’s society. The vampires in media nowadays own seductive attributes and superpowers. These are attributes the first vampire in literature, Count Dracula, did not have. Nevertheless, Bram Stoker ́s Gothic novel "Dracula", written in 1897, laid the foundations for all vampire genres afterwards. Count Dracula was the first vampire in history who became so famous that everybody still knows him today. He has some superpowers but no romantic or sexual interests and no human soul, whereas, Anne Rice’s vampires from the novel "Interview with the Vampire", written in 1973, have these attributes. Rice’s vampires were the first ones who had a soul and feelings. Hence they were the example for the modern vampires of the 20th and 21th century.
Author:
Publisher: GRIN Verlag
ISBN: 3346668584
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Essay from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,3, Justus-Liebig-University Giessen, course: Victorian Vampires, language: English, abstract: The paper shows the differences between the different portraits of vampires in Bram Stoker’s novel “Dracula” and Anne Rice’s “Interview with the Vampire”. The vampires today own seductive features since they are mainly very good-looking and irresistible. These are characteristics the ancient vampire in literature do not have. Bram Stoker’s Dracula laid the foundation for the vampire cult in 1897. In 1976 Anne Rice published her novel Interview with the Vampire. Her novels turned the image of vampire’s upside down because her vampires become good-looking and live with us, since her protagonists were not only monstrous creatures. They have feelings and thoughts and also human problems.
Author: Laura Commer
Publisher:
ISBN: 9783668278110
Category :
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, language: English, abstract: To understand what makes vampires attractive to people nowadays, at first one has to look at the vampire myth and where it comes from. Next this paper will look into the supernatural abilities the vampires in Bram Stoker's "Dracula" and Anne Rice's "Interview with the Vampire" have. After that it will focuse on the characters and their relationships to each other. In the end, the results will be summarized and brought into relation with today's society. The vampires in media nowadays own seductive attributes and superpowers. These are attributes the first vampire in literature, Count Dracula, did not have. Nevertheless, Bram Stokers Gothic novel "Dracula," written in 1897, laid the foundations for all vampire genres afterwards. Count Dracula was the first vampire in history who became so famous that everybody still knows him today. He has some superpowers but no romantic or sexual interests and no human soul, whereas, Anne Rice's vampires from the novel "Interview with the Vampire," written in 1973, have these attributes. Rice's vampires were the first ones who had a soul and feelings. Hence they were the example for the modern vampires of the 20th and 21th century."
Author:
Publisher: McFarland
ISBN: 0786499362
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.
Author: Joan Gordon
Publisher: University of Pennsylvania Press
ISBN: 9780812216288
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
The vampire is one of the nineteenth century's most powerful surviving archetypes, owing largely to Bela Lugosi's portrayal of Dracula, the Bram Stoker creation. Yet the figure of the vampire has undergone many transformations in recent years, thanks to Anne Rice's Vampire Chronicles and other works, and many young people now identify with vampires in complex ways. Blood Read explores these transformations and shows how they reflect and illuminate ongoing changes in postmodern culture. It focuses on the metaphorical roles played by vampires in contemporary fiction and film, revealing what they can tell us about sexuality and power, power and alienation, attitudes toward illness, and the definition of evil in a secular age. Scholars and writers from the United States, Canada, England, and Japan examine how today's vampire has evolved from that of the last century, consider the vampire as a metaphor for consumption within the context of social concerns, and discuss the vampire figure in terms of contemporary literary theory. In addition, three writers of vampire fiction—Suzy McKee Charnas (author of the now-classic Vampire Tapestry), Brian Stableford (writer of the lively and erudite novels Empire of Fear and Young Blood), and Jewelle Gomez (creator of the dazzling Gilda stories)—discuss their own uses of the vampire, focusing on race and gender politics, eroticism, and the nature of evil. The first book to examine a wide range of vampire narratives from the perspective of both writers and scholars, Blood Read offers a variety of styles that will keep readers thoroughly engaged, inviting them to participate in a dialogue between fiction and analysis that shows the vampire to be a cultural necessity of our age. For, contrary to legends in which Dracula has no reflection, we can see reflections of ourselves in the vampire as it stands before us cloaked not in black but in metaphor.
Author: Leonard G. Heldreth
Publisher: Popular Press
ISBN: 9780879728038
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
The essays in this volume use a humanistic viewpoint to explore the evolution and significance of the vampire in literature from the Romantic era to the millennium."--BOOK JACKET.
Author: Jan Hurta
Publisher: GRIN Verlag
ISBN: 3668818002
Category : Foreign Language Study
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, University of Bamberg (Institut für Anglistik), language: English, abstract: With Dracula, Bram Stoker has created one of the biggest icons of modern literature. The ground-breaking novel has never been out of print since its release in 1897, and it introduced the figure of the vampire into the literary canon and also to millions of readers. From the beginning, the evil Count was read — by scholars as well as the ordinary audience — not only as a frightening monster but as a metaphor for the deeply conservative, moralistic and patriarchal Western and Victorian society of nineteenth century Britain. After a while of tranquility in terms of the vampire being a social phenomenon, it has regained its relevance since the end of the twentieth century by reaching a new peak of popularity, that lasts until today: books such as The Historian and The Twilight saga, movies such as the different film adaptations of Dracula and Interview with a Vampire and TV-shows such as The Vampire Diaries and the more mature True Blood show that the notion of the villain with the fangs enjoys much resonance amongst almost all age groups. This brings up the question whether the vampire and its central characteristics still are a suitable metaphor and embodiment for repressed desires, passions and issues of today’s globalized and secular Western society, as it was the case with the original Count Dracula from 1897. This essay aims at giving an answer to the question whether the traditional role, idea and utilization of the vampire character established as an expression of the latent social problems, fears and developments are still applicable today, and how the depiction of the vampire and especially the issues which it indicates have changed in today’s world. This will be done by by comparing Bram Stoker’s Dracula with Alan Ball’s show True Blood. Due to the limited extent of this essay, the focus will be concentrated on two aspects that are, nevertheless, significant and ostensive: one the one hand, the origin of the vampire and the particular setting of the plot; on the other hand, the vampire’s depiction, its powers and the crucial role of the blood. By that, this essays hopes to show — with a focus on Dracula — that the vampire is still an important metaphor, valve and symbol for contemporary ambitions, disputes and affairs just as it was over a hundred years ago for Victorian society.
Author: Cait Coker
Publisher: McFarland
ISBN: 1476637334
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.
Author: Ken Gelder
Publisher: Routledge
ISBN: 113489533X
Category : Art
Languages : en
Pages : 175
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Book Description
Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the `other': the legend of the vampire continues to haunt popular imagination. Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's `lesbian vampire' tale Carmilla and Bram Stoker's Dracula, the most famous vampire narrative of all, to contemporary American vampire blockbusters by Stephen King and others, the vampire chronicles of Anne Rice, `post-Ceausescu' vampire narratives, and films such as FW Murnau's Nosferatu and Bram Stoker's Dracula. Reading the Vampire embeds vampires in their cultural contexts, showing vampire narratives feeding off the anxieties and fascinations of their times: from the nineteenth century perils of tourism, issues of colonialism and national identity, and obsessions with sex and death, to the `queer' identity of the vampire or current vampiric metaphors for dangerous exchanges of bodily fluids and AIDS.
