The Vampire as a Metaphor for Social Desires, Anxieties and Problems in Fin-de-Siècle and the 21st Century. Comparing Bram Stoker’s "Dracula" and Alan Ball’s "True Blood" PDF Download
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Author: Jan Hurta
Publisher: GRIN Verlag
ISBN: 3668818002
Category : Foreign Language Study
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, University of Bamberg (Institut für Anglistik), language: English, abstract: With Dracula, Bram Stoker has created one of the biggest icons of modern literature. The ground-breaking novel has never been out of print since its release in 1897, and it introduced the figure of the vampire into the literary canon and also to millions of readers. From the beginning, the evil Count was read — by scholars as well as the ordinary audience — not only as a frightening monster but as a metaphor for the deeply conservative, moralistic and patriarchal Western and Victorian society of nineteenth century Britain. After a while of tranquility in terms of the vampire being a social phenomenon, it has regained its relevance since the end of the twentieth century by reaching a new peak of popularity, that lasts until today: books such as The Historian and The Twilight saga, movies such as the different film adaptations of Dracula and Interview with a Vampire and TV-shows such as The Vampire Diaries and the more mature True Blood show that the notion of the villain with the fangs enjoys much resonance amongst almost all age groups. This brings up the question whether the vampire and its central characteristics still are a suitable metaphor and embodiment for repressed desires, passions and issues of today’s globalized and secular Western society, as it was the case with the original Count Dracula from 1897. This essay aims at giving an answer to the question whether the traditional role, idea and utilization of the vampire character established as an expression of the latent social problems, fears and developments are still applicable today, and how the depiction of the vampire and especially the issues which it indicates have changed in today’s world. This will be done by by comparing Bram Stoker’s Dracula with Alan Ball’s show True Blood. Due to the limited extent of this essay, the focus will be concentrated on two aspects that are, nevertheless, significant and ostensive: one the one hand, the origin of the vampire and the particular setting of the plot; on the other hand, the vampire’s depiction, its powers and the crucial role of the blood. By that, this essays hopes to show — with a focus on Dracula — that the vampire is still an important metaphor, valve and symbol for contemporary ambitions, disputes and affairs just as it was over a hundred years ago for Victorian society.
Author: Jan Hurta
Publisher: GRIN Verlag
ISBN: 3668818002
Category : Foreign Language Study
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, University of Bamberg (Institut für Anglistik), language: English, abstract: With Dracula, Bram Stoker has created one of the biggest icons of modern literature. The ground-breaking novel has never been out of print since its release in 1897, and it introduced the figure of the vampire into the literary canon and also to millions of readers. From the beginning, the evil Count was read — by scholars as well as the ordinary audience — not only as a frightening monster but as a metaphor for the deeply conservative, moralistic and patriarchal Western and Victorian society of nineteenth century Britain. After a while of tranquility in terms of the vampire being a social phenomenon, it has regained its relevance since the end of the twentieth century by reaching a new peak of popularity, that lasts until today: books such as The Historian and The Twilight saga, movies such as the different film adaptations of Dracula and Interview with a Vampire and TV-shows such as The Vampire Diaries and the more mature True Blood show that the notion of the villain with the fangs enjoys much resonance amongst almost all age groups. This brings up the question whether the vampire and its central characteristics still are a suitable metaphor and embodiment for repressed desires, passions and issues of today’s globalized and secular Western society, as it was the case with the original Count Dracula from 1897. This essay aims at giving an answer to the question whether the traditional role, idea and utilization of the vampire character established as an expression of the latent social problems, fears and developments are still applicable today, and how the depiction of the vampire and especially the issues which it indicates have changed in today’s world. This will be done by by comparing Bram Stoker’s Dracula with Alan Ball’s show True Blood. Due to the limited extent of this essay, the focus will be concentrated on two aspects that are, nevertheless, significant and ostensive: one the one hand, the origin of the vampire and the particular setting of the plot; on the other hand, the vampire’s depiction, its powers and the crucial role of the blood. By that, this essays hopes to show — with a focus on Dracula — that the vampire is still an important metaphor, valve and symbol for contemporary ambitions, disputes and affairs just as it was over a hundred years ago for Victorian society.
Author: Thomas Peckett Prest
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 1014
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Book Description
Varney the Vampire Or the Feast of Blood is a horror story by Thomas Peckett Prest. Structured in different episodes, these are classic tales of blood sucking horrors at midnights, for fans of the genre.
Author: William Patrick Day
Publisher: University Press of Kentucky
ISBN: 081314812X
Category : Social Science
Languages : en
Pages : 204
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Book Description
While vampire stories have been part of popular culture since the beginning of the nineteenth century, it has been in recent decades that they have become a central part of American culture. Vampire Legends in Contemporary American Culture looks at how vampire stories -- from Bram Stoker's Dracula to Blacula, from Bela Lugosi's films to Love at First Bite -- have become part of our ongoing debate about what it means to be human. William Patrick Day looks at how writers and filmmakers as diverse as Anne Rice and Andy Warhol present the vampire as an archetype of human identity, as well as how many post-modern vampire stories reflect our fear and attraction to stories of addiction and violence. He argues that contemporary stories use the character of Dracula to explore modern values, and that stories of vampire slayers, such as the popular television series Buffy the Vampire Slayer, integrate current feminist ideas and the image of the Vietnam veteran into a new heroic version of the vampire story.
Author: MARIE. MULVEY-ROBERTS
Publisher:
ISBN: 9781526127181
Category :
Languages : en
Pages : 240
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Book Description
Through an investigation of the body and its oppression by the church, the medical profession and the state, Dangerous bodies reveals the actual horrors lying beneath fictional horror in settings as diverse as the monastic community, slave plantation, operating theatre, Jewish ghetto and battlefield trench. It provides original readings of canonical Gothic literary and film texts including The Castle of Otranto, The Monk, Frankenstein, Dracula and Nosferatu. This collection of dangerous bodies is traced back to the effects of the English Reformation, Spanish Inquisition, French Revolution, Caribbean slavery, Victorian medical malpractice, European anti-Semitism and finally warfare. The endangered or dangerous body lies at the centre of the clash between victim and persecutor and has generated tales of terror and narratives of horror, which function to either salve, purge or dangerously perpetuate such oppositions.
Author: Aspasia Stephanou
Publisher: Springer
ISBN: 1137349239
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Reading Vampire Gothic Through Blood examines the manifestations of blood and vampires in various texts and contexts. It seeks to connect, through blood, fictional to real-life vampires to trace similarities, differences and discontinuities. These movements will be seen to parallel changing notions about embodiment and identity in culture.
Author: Barbara Creed
Publisher: Routledge
ISBN: 1136750754
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T
Author: Claire de Duras
Publisher: Modern Language Association
ISBN: 1603292292
Category : Fiction
Languages : en
Pages : 86
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Book Description
John Fowles presents a remarkable translation of a nineteenth-century work that provided the seed for his acclaimed novel The French Lieutenant's Woman and that will astonish and haunt modern readers. Based on a true story, Claire de Duras's Ourika relates the experiences of a Senegalese girl who is rescued from slavery and raised by an aristocratic French family during the time of the French Revolution. Brought up in a household of learning and privilege, she is unaware of her difference until she overhears a conversation that suddenly makes her conscious of her race--and of the prejudice it arouses. From this point on, Ourika lives her life not as a French woman but as a black woman who feels "cut off from the entire human race." As the Reign of Terror threatens her and her adoptive family, Ourika struggles with her unusual position as an educated African woman in eighteenth-century Europe. A best-seller in the 1820s, Ourika captured the attention of Duras's peers, including Stendhal, and became the subject of four contemporary plays. The work represents a number of firsts: the first novel set in Europe to have a black heroine; the first French literary work narrated by a black female protagonist; and, as Fowles points out in the foreword to his translation, "the first serious attempt by a white novelist to enter a black mind."
Author: Anne Rice
Publisher: Ballantine Books
ISBN: 0345464532
Category : Fiction
Languages : en
Pages : 401
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Book Description
See the difference, read #1 bestselling author Anne Rice in Large Print * About Large Print All Random House Large Print editions are published in a 16-point typeface In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms. Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood. As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
Author: C. Davison
Publisher: Springer
ISBN: 0230006035
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Anti-Semitism and British Gothic Literature examines the Gothic's engagement with the Jewish Question and British national identity over the course of a century. Beginning with an exploration of Jewish demonology from the Middle Ages to the Enlightenment, Davison interprets the changing significance of the trans-national Wandering Jew in classic Gothic fiction who later migrates into Victorian realism. What emerges is the elucidation of an anti-Semitic 'spectropoetics' that convey how the spectres of Jewish difference and Jewish assimilation haunt British literature.
Author: M. Gibson
Publisher: Springer
ISBN: 0230627684
Category : Fiction
Languages : en
Pages : 240
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Book Description
This book sets the writings of Merimee, Le Fanu, Stoker and Verne in the context in which they were written - namely the response to Balkan, Ottoman and Austro-Hungarian politics. Gibson analyzes their works to reveal that the vampire acts as an allegory of the Near East through which constitutes a challenge to the 'orientalism' argument of today.
