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Author: Paula Faye Steele
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Paula Faye Steele
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Allen Douglas Latané
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Author: Axel Munthe
Publisher:
ISBN:
Category :
Languages : fr
Pages : 257
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: James Edward Young
Publisher: Yale University Press
ISBN: 9780300094138
Category : History
Languages : en
Pages : 266
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Book Description
How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe--including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread--all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.
Author: Luisa Passerini
Publisher: Transaction Publishers
ISBN: 1412828422
Category : Psychology
Languages : en
Pages : 200
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Book Description
Understanding Europe's past became an urgent matter with the events of August 1991 in Moscow, in the former Soviet Union. The invasion of Moscow's streets by Russian people rejecting an attempted coup d'etat was the culmination of a process that had been initiated years before and raised crucial questions: To what extent can these events be considered the end of an era stretching from World War I to the 1980s, when Europe experienced many forms of dictatorship? To what extent can the various forms of dictatorship Europe experienced in the twentieth century be grouped together? Can any sort of affinity be established between them? The new introduction to the paperback edition of this volume in the Memory and Narrative series, Leydesdorff and Crownshaw underline the fundamental importance of the struggle for memory and its meaning. Memory and Totalitarianism explores the remembered experiences of individuals living under different totalitarian regimes, and examines the construction of memory in the aftermath of those regimes' collapse. It attempts to situate the findings of oral history in the context of contemporary memory. It wrestles with the most painful memories that Europeans have of this century at the end of the Cold War. These memories compare with oral history's research into such experiences as racist attitudes against blacks in the South, or the cultural and psychological effects of apartheid in South Africa, or the Aborigines' claim to their own history and to a new idea of history in Australia. Totalitarianisms are products of the twentieth century that go far beyond earlier manifestations of absolutism and autocracy in their effort to completely control political, social, and intellectual life. They were made possible by modern industrialism and technology. Therefore the theme of the book expands to include many other experiences that relate to totalitarian mentalities. Luisa Passerini is professor of cultural history at the University of Torino and external professor at the European University Institute, Florence. Her present trends of research are: European identity; the historical relationships between the discourse on Europe and the discourse on love; gender and generation as historical categories; memory and subjectivity. Among her recent publications are Europe in Love, Love in Europe: Imagination and Politics Between the Wars Il mito d'Europa. Radici antiche per nuovi simboli. Selma Leydesdorff is professor of oral history at the University of Amsterdam. Her publications include We Lived with Dignity and (with Kim Lacy Rogers) Trauma: Life Stories of Survivors. Richard Crownshaw is a lecturer in the Department of English at Manchester Metropolitan University (UK), where his teaching includes 19th- and 20th-century American literature and representations of the Holocaust. He is also an Associate Fellow of the Institute of Germanic and Romance Studies, University of London.
Author: Patrick Modiano
Publisher: Yale University Press
ISBN: 0300240473
Category : Fiction
Languages : en
Pages : 133
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Book Description
The newest best-seller by Patrick Modiano is a beautiful tapestry that brings together memory, esoteric encounters, and fragmented sensations Patrick Modiano’s first book since his 2014 Nobel Prize revisits moments of the author’s past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women—Geneviève, Martine, Madeleine, a certain Madame Huberson—in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become. This is classic Modiano, utilizing his signature mix of autobiography and invention to create his most intriguing and intimate book yet.
Author: Henry H. Fuller
Publisher:
ISBN:
Category : Memory
Languages : en
Pages : 552
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Author: Jonathan K. Foster
Publisher: Oxford University Press
ISBN: 0192806750
Category : Philosophy
Languages : en
Pages : 153
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Book Description
"Why can we sometimes remember events from our childhood as if they happened yesterday, but not what we did last week? How are memories stored in the brain, and how does our memory change as we age? What happens when our memory goes wrong, and how easy is it for others to manipulate our memories?" "This fascinating Very Short Introduction brings together the latest research in psychology and neuroscience to address these and many other important questions about the science of memory - revealing how our memory works, why we couldn't live without it, and even how we may learn to remember more."--BOOK JACKET.
Author: Richard Ofshe
Publisher: Univ of California Press
ISBN: 9780520205833
Category : Social Science
Languages : en
Pages : 382
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Book Description
In the last decade, reports of incest have exploded into the national consciousness. Magazines, talk shows, and mass market paperbacks have taken on the subject as many Americans, primarily women, have come forward with graphic memories of childhood abuse. Making Monsters examines the methods of therapists who treat patients for depression by working to draw out memories or, with the use of hypnosis, to encourage fantasies of childhood abuse the patients are told they have repressed. Since this therapy may leave the patient more depressed and alienated than before, questions are appropriately raised here about the ethics and efficacy of such treatment. In the last decade, reports of incest have exploded into the national consciousness. Magazines, talk shows, and mass market paperbacks have taken on the subject as many Americans, primarily women, have come forward with graphic memories of childhood abuse. Making Monsters examines the methods of therapists who treat patients for depression by working to draw out memories or, with the use of hypnosis, to encourage fantasies of childhood abuse the patients are told they have repressed. Since this therapy may leave the patient more depressed and alienated than before, questions are appropriately raised here about the ethics and efficacy of such treatment.
