Author:
Publisher: Penn State Press
ISBN: 9780271043708
Category : Christian art and symbolism
Languages : en
Pages : 346
Book Description
The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century Germany
The Uta Codex
Author: Adam S. Cohen
Publisher: Penn State University Press
ISBN: 9780271019598
Category : Art
Languages : en
Pages : 276
Book Description
The collection of liturgical readings is preceded by four full-page frontispieces illustrating the Hand of God, Uta dedicating the codex to the Virgin and Child, a symbolic Crucifixion, and Saint Erhard (the convent's patron saint) celebrating Mass. Four evangelist portraits accompany the readings from each Gospel. In this study, Adam Cohen provides comprehensive explications of the codex's renowned illuminations as well as the first thorough investigation of its historical context."
Publisher: Penn State University Press
ISBN: 9780271019598
Category : Art
Languages : en
Pages : 276
Book Description
The collection of liturgical readings is preceded by four full-page frontispieces illustrating the Hand of God, Uta dedicating the codex to the Virgin and Child, a symbolic Crucifixion, and Saint Erhard (the convent's patron saint) celebrating Mass. Four evangelist portraits accompany the readings from each Gospel. In this study, Adam Cohen provides comprehensive explications of the codex's renowned illuminations as well as the first thorough investigation of its historical context."
Illuminating a Legacy
Author: Lynley Anne Herbert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111435954
Category : Art
Languages : en
Pages : 370
Book Description
This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111435954
Category : Art
Languages : en
Pages : 370
Book Description
This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.
Illuminating Metalwork
Author: Joseph Salvatore Ackley
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637081
Category : Literary Criticism
Languages : en
Pages : 740
Book Description
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637081
Category : Literary Criticism
Languages : en
Pages : 740
Book Description
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
Ottonian Imperial Art and Portraiture
Author: Eliza Garrison
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754669685
Category : Art
Languages : en
Pages : 248
Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for Otto III and Henry II with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754669685
Category : Art
Languages : en
Pages : 248
Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for Otto III and Henry II with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits.
'You Shall Surely Not Die'
Author: Jill Bradley
Publisher: BRILL
ISBN: 9004169105
Category : Art
Languages : en
Pages : 747
Book Description
Using medieval miniatures to complement written sources, this book gives a new insight into how ideas of death, sin and salvation altered and developed in order to meet the needs of a changing society in the Middle Ages.
Publisher: BRILL
ISBN: 9004169105
Category : Art
Languages : en
Pages : 747
Book Description
Using medieval miniatures to complement written sources, this book gives a new insight into how ideas of death, sin and salvation altered and developed in order to meet the needs of a changing society in the Middle Ages.
A Companion to the Eucharist in the Middle Ages
Author: Ian Levy
Publisher: BRILL
ISBN: 9004221727
Category : History
Languages : en
Pages : 660
Book Description
The Eucharist in the European Middle Ages was a multimedia event. First and foremost it was a drama, a pageant, a liturgy. The setting itself was impressive. Stunning artwork adorned massive buildings. Underlying and supporting the liturgy, the art and the architecture was a carefully constructed theological world of thought and belief. Popular beliefs, spilling over into the magical, celebrated that presence in several tumultuous forms. Church law regulated how far such practice might go as well as who was allowed to perform the liturgy and how and when it might be performed. This volume presents the medieval Eucharist in all its glory combining introductory essays on the liturgy, art, theology, architecture, devotion and theology. Contributors include: Celia Chazelle, Michael Driscoll, Edward Foley, Stephen Edmund Lahey, Lizette Larson-Miller, Ian Christopher Levy, Gerhard Lutz, Gary Macy, Miri Rubin, Elizabeth Saxon, Kristen Van Ausdall and Joseph Wawrykow.
Publisher: BRILL
ISBN: 9004221727
Category : History
Languages : en
Pages : 660
Book Description
The Eucharist in the European Middle Ages was a multimedia event. First and foremost it was a drama, a pageant, a liturgy. The setting itself was impressive. Stunning artwork adorned massive buildings. Underlying and supporting the liturgy, the art and the architecture was a carefully constructed theological world of thought and belief. Popular beliefs, spilling over into the magical, celebrated that presence in several tumultuous forms. Church law regulated how far such practice might go as well as who was allowed to perform the liturgy and how and when it might be performed. This volume presents the medieval Eucharist in all its glory combining introductory essays on the liturgy, art, theology, architecture, devotion and theology. Contributors include: Celia Chazelle, Michael Driscoll, Edward Foley, Stephen Edmund Lahey, Lizette Larson-Miller, Ian Christopher Levy, Gerhard Lutz, Gary Macy, Miri Rubin, Elizabeth Saxon, Kristen Van Ausdall and Joseph Wawrykow.
Ottonian Imperial Art and Portraiture
Author: Eliza Garrison
Publisher: Routledge
ISBN: 1351555405
Category : Art
Languages : en
Pages : 237
Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits. Since these objects and images had the capacity to stand in for the ruler in his physical absence, she argues, they also performed political functions that were bound to their ritualized use in the liturgy not only during the ruler's lifetime, but even after his death. Garrison investigates how treasury objects could relay officially sanctioned information in a manner that texts alone could not, offering the first full length exploration of this central phenomenon of the Ottonian era.
Publisher: Routledge
ISBN: 1351555405
Category : Art
Languages : en
Pages : 237
Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits. Since these objects and images had the capacity to stand in for the ruler in his physical absence, she argues, they also performed political functions that were bound to their ritualized use in the liturgy not only during the ruler's lifetime, but even after his death. Garrison investigates how treasury objects could relay officially sanctioned information in a manner that texts alone could not, offering the first full length exploration of this central phenomenon of the Ottonian era.
The Cambridge Companion to Hildegard of Bingen
Author: Jennifer Bain
Publisher: Cambridge University Press
ISBN: 1108471358
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.
Publisher: Cambridge University Press
ISBN: 1108471358
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.
The Bernward Gospels
Author: Jennifer P. Kingsley
Publisher: Penn State Press
ISBN: 0271064250
Category : Art
Languages : en
Pages : 229
Book Description
Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.
Publisher: Penn State Press
ISBN: 0271064250
Category : Art
Languages : en
Pages : 229
Book Description
Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.