The Use of Masks in Igbo Theatre in Nigeria PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Use of Masks in Igbo Theatre in Nigeria PDF full book. Access full book title The Use of Masks in Igbo Theatre in Nigeria by Victor Ukaegbu. Download full books in PDF and EPUB format.
Author: Victor Ukaegbu
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 438
Get Book Here
Book Description
This study extends the study and knowledge of Igbo masking beyond its social functions. It contextualises the many displays as the product of one consciousness and establishes the aesthetics of Igbo mask theatre. Providing a more inclusive performative landscape that covers the whole of Igboland, it draws on its many and diverse masking styles and forms.
Author: Victor Ukaegbu
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 438
Get Book Here
Book Description
This study extends the study and knowledge of Igbo masking beyond its social functions. It contextualises the many displays as the product of one consciousness and establishes the aesthetics of Igbo mask theatre. Providing a more inclusive performative landscape that covers the whole of Igboland, it draws on its many and diverse masking styles and forms.
Author: Ossie Onuora Enekwe
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 252
Get Book Here
Book Description
Author: Runette Kruger
Publisher: Cambridge Scholars Publishing
ISBN: 1527523624
Category : Social Science
Languages : en
Pages : 370
Get Book Here
Book Description
This collection derives from a conference held in Pretoria, South Africa, and discusses issues of indigenous knowledge systems (IKS) and the arts. It presents ideas about how to promote a deeper understanding of IKS within the arts, the development of IKS-arts research methodologies, and the protection and promotion of IKS in the arts. Knowledge, embedded in song, dance, folklore, design, architecture, theatre, and attire, and the visual arts can promote innovation and entrepreneurship, and it can improve communication. IKS, however, exists in a post-millennium, modernizing Africa. It is then the concept of post-Africanism that would induce one to think along the lines of a globalized, cosmopolitan and essentially modernized Africa. The book captures leading trends and ideas that could help to protect, promote, develop and affirm indigenous knowledge and systems, whilst also making room for ideas that do not necessarily oppose IKS, but encourage the modernization (not Westernization) of Africa.
Author: Ernest Toochi Aniche
Publisher: Routledge
ISBN: 1000258114
Category : Political Science
Languages : en
Pages : 283
Get Book Here
Book Description
This book examines how modern Nigerian political institutions have grappled with the resurgence of traditional institutions of political leadership in the post-colonial era. The contributors examine the role and nature of traditional governance institutions in West Africa from pre-colonial times to the post-colonial era. Part I considers a range of traditional institutions including monarchies, Islamic institutions and the role of culture and arts such as masking and music in traditional leadership. Part II focuses on modern governance institutions, elites, political action, arts, and democracy in post-colonial Nigeria. Part III examines democratic institutions and processes in Nigeria’s Fourth Republic, covering issues such as electoral reforms, women’s political participation, and democratic citizenship. This book will be of interest to students and scholars of African politics, governance, and democratization.
Author: Nnabuenyi Ugonna
Publisher:
ISBN:
Category : Folk literature, Igbo
Languages : en
Pages : 244
Get Book Here
Book Description
Author: Kene Igweonu
Publisher: Cambridge Scholars Publishing
ISBN: 1443855103
Category : Performing Arts
Languages : en
Pages : 190
Get Book Here
Book Description
This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 3: Making Space, Rethinking Drama and Theatre in Africa offers essays that seek to re-conceptualise notions of drama and theatre in Africa, and therefore redefine our understanding of the practice, role, and place they occupy in a constantly evolving African socio-cultural contexts. Contributions in Making Space, Rethinking Drama and Theatre in Africa range from essays that explore notions of space in performance, to those that challenge the perceived orthodoxy of conventional forms and approaches to theatre.
Author: Adolphus Chikezie Anuka
Publisher: LIT Verlag Münster
ISBN: 3643910630
Category : Religion
Languages : en
Pages : 346
Get Book Here
Book Description
The joy over the growth of Christianity in Africa is also a challenge to all concerned to help Christianity take roots, ennoble and become one with the cultural life of the numerous tribes of Africa. This missionary expectation is not yet fully realized in many local churches in Africa. From these perspectives, Adolphus Chikezie Anuka inaugurates a new brand of concrete, target-oriented emphasis on dialogical inculturation. In this book, the Mmanwu cultural institution of the Igbo people of south eastern Nigeria stands in central focus, opening itself to the influences of Christian values as well as speaking to the religious assumptions of Christianity. The theoretical results of this research work and its practical pastoral suggestions are both enlightening and appealing.
Author: Kene Igweonu
Publisher: Rodopi
ISBN: 9401200823
Category : Business & Economics
Languages : en
Pages : 458
Get Book Here
Book Description
Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume provides a broad exploration of the current state of African theatre and performance and considers the directions they are taking in the 21st Century. It contains sections on current trends in theatre and performance studies, on applied/community theatre and on playwrights. The chapters have evolved out of a working group process, in which papers were submitted to peer-group scrutiny over a period of four years, at four international conferences. The book will be particularly useful as a key text for undergraduate and postgraduate courses in non-western theatre and performance (where this includes African theatre and performance), and would be a very useful resource for theatre scholars and anyone interested in African performance forms and cultures.
Author: Apollos O. Nwauwa
Publisher: Rowman & Littlefield
ISBN: 1498589693
Category : Political Science
Languages : en
Pages : 287
Get Book Here
Book Description
This book provides a unique insight into understanding the Igbo social, economic, and political world through comprehensive analyses of indigenous and foreign religious practices, issues surrounding women, literature, language, sexism in musical lyrics, films, and community development and government. It also explores thought-provoking cultural practices relating to marriage and divorce, reincarnation, naming, and masquerade dance. The themes covered in the book help readers appreciate the often-neglected multifaceted local and external forces that continue to shape the Igbo experience in southeastern Nigeria.
Author: Nadia Anwar
Publisher: Columbia University Press
ISBN: 3838268423
Category : Literary Criticism
Languages : en
Pages : 398
Get Book Here
Book Description
Nadia Anwar analyzes selected post-independence Nigerian dramas using the conceptual framework of metatheatre, a theatrical strategy that foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance. Anwar's book is the first in-depth study to apply the concept of metatheatre to Nigerian drama. She brings the perspectives of Bertolt Brecht, Thomas J. Scheff, and other theoreticians of dramatic distancing to the analysis of plays by authors such as Wole Soyinka, Ola Rotimi, Femi Osofisan, Esiaba Irobi, and Stella ‘Dia Oyedepo.
