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Author: Fraenkel Gallery
Publisher:
ISBN: 9781881337331
Category : Photography, Abstract
Languages : en
Pages : 0
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Book Description
Since the invention of photography almost 175 years ago, the medium has proven itself understandably adept at capturing what is there to be photographed: the solid, the concrete, that which can be seen. Another tradition exists, however; a parallel tradition in which photographers and artists have attempted to depict via photographic means that which is not so easily photographed: dreams, ghosts, god, thought, time. The Unphotographable explores this parallel tradition, and is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
Author: Fraenkel Gallery
Publisher:
ISBN: 9781881337331
Category : Photography, Abstract
Languages : en
Pages : 0
Get Book Here
Book Description
Since the invention of photography almost 175 years ago, the medium has proven itself understandably adept at capturing what is there to be photographed: the solid, the concrete, that which can be seen. Another tradition exists, however; a parallel tradition in which photographers and artists have attempted to depict via photographic means that which is not so easily photographed: dreams, ghosts, god, thought, time. The Unphotographable explores this parallel tradition, and is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
Author: Leonard Downie, Jr.
Publisher: Vintage
ISBN: 0307429067
Category : Social Science
Languages : en
Pages : 318
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Book Description
Freedom of the press is a primary American value. Good journalism builds communities, arms citizens with important information, and serves as a public watchdog for civic, national, and global issues. But what happens when the news turns its back on its public role? Leonard Downie Jr., executive editor of The Washington Post, and Robert G. Kaiser, associate editor and senior correspondent, report on a growing crisis in American journalism. From the corporatization that leads media moguls to slash content for profit, to newsrooms that ignore global crises to report on personal entertainment, these veteran journalists chronicle an erosion of independent, relevant journalism. In the process, they make clear why incorruptible reporting is crucial to American society. Rooted in interviews and first-hand accounts, the authors take us inside the politically charged world of one of America’s powerful institutions, the media.
Author: Tom Spector
Publisher: Anthem Press
ISBN: 1785277367
Category : Architecture
Languages : en
Pages : 238
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Book Description
Why has explaining the value of the architecture profession proven so difficult? The architecture profession can be well-defended by demonstrating the public good which results from its protected practice. Although the book believes in this approach, this approach immediately raises the thorny questions of just who is the public, and what is its good? To answer these questions, to explain why the profession has done a poor job explaining itself, and to propose a fresh perspective are the challenges set out in this book. The book dissects the internal weaknesses and external forces which have prevented architects from asserting their value to the public, explains how the concept of the public is itself widely misunderstood, investigates the shifting boundaries of the public and private realms, and proposes a series of measures by which we can assess and improve an architectural work’s publicness. Through a renewed focus on the public good that everyday architects are capable of as a profession, the book charts an ultimately optimistic program for the architecture profession’s renewal.
Author: Patricia Meyer Spacks
Publisher: Knopf
ISBN: 0307806669
Category : Social Science
Languages : en
Pages : 427
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Book Description
Explores the nature, morality, and aesthetics of gossip; examines gossip in history and the psychology of gossip; and analyzes gossip--as subject and literary technique--in plays, letters, biographies, and novels.
Author: Kate Sweeney
Publisher: Penguin
ISBN: 0593350235
Category : Young Adult Fiction
Languages : en
Pages : 353
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Book Description
A love story perfect for fans of Nina LaCour and Jandy Nelson about a girl who moves cross country and finds herself falling for someone new who throws her whole life out of order. "Beautifully captured, like a photograph of a stolen moment. I ached for Marigold in her journey to move forward while not forgetting her past. Kate Sweeney's Catch the Light overflows with grief, love, and growing up."--Amy Spalding, bestselling author of We Used to Be Friends Nine months after the death of her father, Marigold is forced to pick up and move from sunny Los Angeles all the way across the country to rural upstate New York. According to her mom, living with her aunt in a big old house in the woods is the fresh start Marigold and her little sister need. But Mary aches for the things she’s leaving behind—her best friend, her older sister, her now-long-distance boyfriend, and the senior year that felt like her only chance at making things feel normal again. On top of everything, Mary has a troubling secret: she’s starting to forget her dad. The void he’s left in her memory is quickly getting filled with bonfires, house parties, and hours in the darkroom with Jesse, a fellow photographer and kindred spirit whom she can’t stop thinking about. As the beauty of Mary’s new world begins to sink in and her connection with Jesse grows stronger, she feels caught between her old life and her new one. Mary might just be losing her grip on the pieces of her life that she's tried so hard to hold together. When the two finally come crashing together, Mary will have to decide what she really wants and come to terms with the ways that the loss of her dad has changed who she is. Even if she can't hold on to her past forever, maybe she can choose what to keep.
Author: Gore Vidal
Publisher: Vintage
ISBN: 0307816613
Category : Fiction
Languages : en
Pages : 482
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Book Description
The Golden Age is the concluding volume in Gore Vidal's celebrated and bestselling Narratives of Empire series-a unique pageant of the national experience from the United States' entry into World War Two to the end of the Korean War. The historical novel is once again in vogue, and Gore Vidal stands as its undisputed American master. In his six previous narratives of the American empire-Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.-he has created a fictional portrait of our nation from its founding that is unmatched in our literature for its scope, intimacy, political intelligence, and eloquence. Each has been a major bestseller, and some have stirred controversy for their decidedly ironic and unillusioned view of the realities of American power and of the men and women who have exercised that power. The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War Two and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Washington, D.C., newspaper publisher turned Hollywood pioneer producer-star, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into World War Two, and later, the actions of Harry Truman that commit the nation to a decades-long twilight struggle against Communism-developments they regard with a marked skepticism, even though they end in an American global empire. The locus of these events is Washington, D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell-and Gore Vidal himself. The Golden Age offers up United States history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that will also change readers' understanding of American history and power.
Author: Dore Kiesselbach
Publisher: University of Pittsburgh Press
ISBN: 0822983176
Category : Poetry
Languages : en
Pages : 99
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Book Description
Dore Kiesselbach’s second collection Albatross views the events of September 11th as a physicist might examine high-energy particles in a supercollider. In the book’s central section, Kiesselbach, who worked three blocks from the World Trade Center and was an eyewitness, deconstructs the cultural hyperbole of that extraordinary day in a series of intimate portraits that dovetail elsewhere with a wider examination of violence in the everyday lives of individuals, families, and nations. While neither blaming victims, nor succumbing to despair, the book urges reflection on the roles we each play in our own harm. Like its namesake, the human-powered aircraft flown across the English Channel in 1979, Albatross invites readers to push forward into headwinds—public and private—and make for the far shore.
Author: Ardon Van Buren Powell
Publisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 336
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Book Description
Author: Uva Be Dolezal
Publisher: Uva Be Dolezal
ISBN:
Category : Fiction
Languages : en
Pages : 182
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Book Description
Thousands of years into the post oil age world scientists compete to bridge the gap between biology and computers to improve the human animal with woolier and keener traits from the animal kingdom. The fate of humanity's free will hangs in the balance when a potential mind-control weapon is implanted in the brain of a young man named Code-E. To curb the potential world dominating power of a few greedy multinationals, the Fates create a new hero from a mild mannered beer brewer, launching an adventure of vampire battles, banking revolutions and water right wars. The interpretations of a young seer girl bring them all together to prepare for an epic battle to prevent a mind-controlled army and premature Armageddon. Code of the Fates is Book 1 of the 2 book 'Ode to Impossible' series. Word count 129,200.
Author: Geoff Dyer
Publisher: Vintage
ISBN: 0307743233
Category : History
Languages : en
Pages : 178
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Book Description
The Missing of the Somme is part travelogue, part meditation on remembrance—and completely, unabashedly, unlike any other book about the First World War. Through visits to battlefields and memorials, Geoff Dyer examines the way that photographs and film, poetry and prose determined—sometimes in advance of the events described—the way we would think about and remember the war. With his characteristic originality and insight, Dyer untangles and reconstructs the network of myth and memory that illuminates our understanding of, and relationship to, the Great War.
