Author: David M. Rathke
Publisher: Minnesota Exten of Natural Reso
ISBN:
Category : Nature
Languages : en
Pages : 102
Book Description
Introduces more than 100 trees found in Minnesota forests and backyards.
Minnesota Trees
Author: David M. Rathke
Publisher: Minnesota Exten of Natural Reso
ISBN:
Category : Nature
Languages : en
Pages : 102
Book Description
Introduces more than 100 trees found in Minnesota forests and backyards.
Publisher: Minnesota Exten of Natural Reso
ISBN:
Category : Nature
Languages : en
Pages : 102
Book Description
Introduces more than 100 trees found in Minnesota forests and backyards.
The Bulletin of the University of Minnesota [Announcements].
Author: University of Minnesota
Publisher:
ISBN:
Category :
Languages : en
Pages : 1264
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1264
Book Description
The Bulletin of the University of Minnesota
Author: Minnesota. University
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
A Beginner's Guide to Minnesota Trees
Author: David M. Rathke
Publisher: University of Minnesota Extension Service
ISBN:
Category : Nature
Languages : en
Pages : 22
Book Description
A logic chart form of tree identification.
Publisher: University of Minnesota Extension Service
ISBN:
Category : Nature
Languages : en
Pages : 22
Book Description
A logic chart form of tree identification.
Bulletin
Author: University of Minnesota
Publisher:
ISBN:
Category :
Languages : en
Pages : 1122
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1122
Book Description
Machine Art, 1934
Author: Jennifer Jane Marshall
Publisher: University of Chicago Press
ISBN: 0226507173
Category : Art
Languages : en
Pages : 237
Book Description
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this extraordinarily popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Publisher: University of Chicago Press
ISBN: 0226507173
Category : Art
Languages : en
Pages : 237
Book Description
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this extraordinarily popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Bulletin
Author: University of Illinois (Urbana-Champaign campus). College of Education
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 764
Book Description
Bulletin
Author: United States. Office of Education
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 894
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 894
Book Description
Color in the Age of Impressionism
Author: Laura Anne Kalba
Publisher: Penn State Press
ISBN: 0271079789
Category : Art
Languages : en
Pages : 713
Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Publisher: Penn State Press
ISBN: 0271079789
Category : Art
Languages : en
Pages : 713
Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Bulletin
Author: United States. Office of Experiment Stations
Publisher:
ISBN:
Category : Agricultural experiment stations
Languages : en
Pages : 576
Book Description
Publisher:
ISBN:
Category : Agricultural experiment stations
Languages : en
Pages : 576
Book Description