The Unfinished Chamber Music PDF Download
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Author: Edvard Grieg
Publisher: A-R Editions, Inc.
ISBN: 0895795108
Category : Music
Languages : en
Pages : 114
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Book Description
xi + 94 pp.Parts available: Item N34P $20.00 per set
Author: Edvard Grieg
Publisher: A-R Editions, Inc.
ISBN: 0895795108
Category : Music
Languages : en
Pages : 114
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Book Description
xi + 94 pp.Parts available: Item N34P $20.00 per set
Author: Charles-Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895796201
Category : Organ music
Languages : en
Pages : 80
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Book Description
Author: Mara Parker
Publisher: Routledge
ISBN: 1135848351
Category : Music
Languages : en
Pages : 513
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Book Description
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
Author: Ebenezer Prout
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author:
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 484
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Book Description
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1640
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Book Description
Author: Alf Gabrielsson
Publisher: Oxford University Press
ISBN: 0199695229
Category : Music
Languages : en
Pages : 511
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Book Description
Nowadays we can be with music whenever and wherever we like. Never before has the scope of what is available been so great and varied. The mass media and the Internet have given us unlimited paths into the world of music. Just like music is varied and endless, so are our reactions to music. The very same piece of music can generate totally different reactions in different people, and a person can react quite differently to the same piece of music on different occasions. Individual factors - how you are feeling, how accustomed are you to listening to music, what your tastes are in music, what type of personality you are, and lots more besides - can play a major, sometimes completely decisive, role for how the reaction turns out. Similarly, the experience can be affected by the specific situation, for example where and when you hear the music (at home, in your car, at a concert, in the daytime, at night etc.), whether or not the acoustics are good, and if you are on your own or together with others. The experience is thus determined by an interplay of factors in the music, in the individual, and in the situation. Developments in the brain sciences have been invaluable in helping researchers to understand just how the human brain deals with music. However, there is a major gap between what we can uncover using state of the art technology, and understanding just what music really means to us personally. While measuring brain or heart activity can reveal much about our physiological reactions, there is of course much more to music than this. Strong Experiences in Music is a groundbreaking new book, developed from a long-running study into the effects of music. It draws on over two decades of research, and almost 1000 participants, who describe, in their own words, their own unique, powerful, and personal experiences of music. The book will be a valuable resource for those in the fields of music psychology, music education, and musicology.
Author: Malcolm MacDonald
Publisher: Oxford University Press
ISBN: 0198038402
Category : Music
Languages : en
Pages : 401
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Book Description
In this completely rewritten and updated edition of his long-indispensable study, Malcolm MacDonald takes advantage of 30 years of recent scholarship, new biographical information, and deeper understanding of Schoenberg's aims and significance to produce a superb guide to Schoenberg's life and work. MacDonald demonstrates the indissoluble links among Schoenberg's musical language (particularly the enigmatic and influential twelve-tone method), his personal character, and his creative ideas, as well as the deep connection between his genius as a teacher and as a revolutionary composer. Exploring newly considered influences on the composer's early life, MacDonald offers a fresh perspective on Schoenberg's creative process and the emotional content of his music. For example, as a previously unsuspected source of childhood trauma, the author points to the Vienna Ringtheater disaster of 1881, in which hundreds of people were burned to death, including Schoenberg's uncle and aunt-whose orphaned children were then adopted by Schoenberg's parents. MacDonald brings such experiences to bear on the music itself, examining virtually every work in the oeuvre to demonstrate its vitality and many-sidedness. A chronology of Schoenberg's life, a work-list, an updated bibliography, and a greatly expanded list of personal allusions and references round out the study, and enhance this new edition.
Author: Allan W. Atlas
Publisher: A-R Editions, Inc.
ISBN: 089579652X
Category : Music
Languages : en
Pages : 208
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Book Description
Developed by the physicist Charles Wheatstone around 1830, the English concertina was extremely popular in art-music circles of Victorian England until late in the nineteenth century. This edition includes fifteen works that present a cross section of the instrument¿s concert and salon repertories, and includes music by the "mainstream" composers George Alexander Macfarren, Julius Benedict, and Bernhard Molique, as well as original compositions by such concertina virtuosos as Giulio Regondi and Richard Blagrove. There are also pieces by two little-known women composers/arrangers, Hannah Rampton Binfield and Rosina King (the instrument was particularly popular with women), and an arrangement by George Case of a well-known hymn tune, which shows how the baritone concertina was used in small parish churches. Finally, there are two works for concertina ensembles, a duo for treble and baritone concertina by Blagrove and a transcription by Regondi for concertina quartet of the final movement of Mozart¿s Symphony No. 38 "Prague."
Author: Duncan Clark
Publisher: Rough Guides
ISBN: 9781858287218
Category : Music
Languages : en
Pages : 630
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Book Description
Sketches of classical composers and CD reviews.
