The Turk in Italy PDF Download
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Author: Gioacchino Rossini
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 60
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Book Description
Author: Gioacchino Rossini
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 60
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Book Description
Author: Mustafa Soykut
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3112401700
Category : History
Languages : en
Pages : 232
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Book Description
The series Islamkundliche Untersuchungen was founded in 1969 by the Klaus Schwarz Verlag. Since then, it has become one of the most important venues for publications in Islamic and Middle Eastern Studies. Its more than 350 volumes cover a wide range of topics from the history, culture and societies of the Middle East and North Africa as well as neighboring regions in central, south and southeast Asia.
![Il Turco in Italia; The Turk in Italy; opera buffa. In two acts. [By Felice Romani.] Ital. and Eng PDF](https://books.google.com/books/content/images/frontcover/eKtfAAAAcAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
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Book Description
Author: Mustafa Soykut
Publisher: ISSN
ISBN:
Category : History
Languages : en
Pages : 240
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Book Description
Die Reihe Islamkundliche Untersuchungen wurde 1969 im Klaus Schwarz Verlag begründet und hat sich zu einem der wichtigsten Publikationsorgane der Islamwissenschaft in Deutschland entwickelt. Die über 350 Bände widmen sich der Geschichte, Kultur und den Gesellschaften Nordafrikas, des Nahen und Mittleren Ostens sowie Zentral-, Süd- und Südost-Asiens.
Author: Giovanni Ricci
Publisher:
ISBN: 9788867289912
Category : History
Languages : en
Pages : 0
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Book Description
This book sheds some light on something unmentionable, that public powers and individuals in the Christian world had been doing for a long time: to solve their diverse personal and political issues, they appealed to the Turks. This especially happened in Renaissance Italy, particularly exposed both to the Turkish peril and seduction; and even some popes, in quarrel with other Christian princes, engaged in this practice. It seems clear that the prevailing historical memory, often hinged on conflict, is the result of a formal and morally charged selection of facts. If the Italian capitals germinated the plans, the actions were then spread quite widely along the coasts of the Mediterranean or into the interior of the Balkans or in Istanbul. In this, the Italian states were in the avant-garde, at least half a century before France established the so-called impious alliance with the Ottoman Empire.
Author: Esin Akalin
Publisher: Columbia University Press
ISBN: 3838269195
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
In the wake of the fear that gripped Europe after the fall of Constantinople in 1453, English dramatists, like their continental counterparts, began representing the Ottoman Turks in plays inspired by historical events. The Ottoman milieu as a dramatic setting provided English audiences with a common experience of fascination and fear of the Other. The stereotyping of the Turks in these plays—revolving around complex themes such as tyranny, captivity, war, and conquests—arose from their perception of Islam. The Ottomans' failure in the second siege of Vienna in 1683 led to the reversal of trends in the representation of the Turks on stage. As the ascending strength of a web of European alliances began to check Ottoman expansion, what then began to dazzle the aesthetic imagination of eighteenth century England was the sultan's seraglio with images of extravaganza and decadence. In this book, Esin Akalin draws upon a selective range of seventeenth and eighteenth century plays to reach an understanding, both from a non-European perspective and Western standpoint, how one culture represents the other through discourse, historiography, and drama. The book explores a cluster of issues revolving around identity and difference in terms of history, ideology, and the politics of representation. In contextualizing political, cultural, and intellectual roots in the ideology of representing the Ottoman/Muslim as the West’s Other, the author tackles with the questions of how history serves literature and to what extent literature creates history.
Author: Evan Turk
Publisher: Simon and Schuster
ISBN: 153441035X
Category : Juvenile Nonfiction
Languages : en
Pages : 48
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Book Description
This gorgeous and empowering picture book from award-winning author-illustrator Evan Turk paints the portrait of Marietta Barovier, the groundbreaking Renaissance artisan who helped shape the future of Venetian glassmaking. Marietta and her family lived on the island of Murano, near Venice, as all glassmakers did in the early Renaissance. Her father, Angelo Barovier, was a true maestro, a master of glass. Marietta longed to create gorgeous glass too, but glass was men’s work. One day her father showed her how to shape the scalding-hot material into a work of art, and Marietta was mesmerized. Her skills grew and grew. Marietta worked until she created her own unique glass bead: the rosetta. Small but precious, the beautiful beads grew popular around the world and became as valuable as gold. The young girl who was once told she could not create art was now the woman who would leave her mark on glasswork for centuries to come.
Author: Palmira Brummett
Publisher: Cambridge University Press
ISBN: 1107090776
Category : History
Languages : en
Pages : 385
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Book Description
This book examines how Ottomans were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms.
Author: Henry James
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 656
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Book Description
Author: Larry Wolff
Publisher: Stanford University Press
ISBN: 0804799652
Category : History
Languages : en
Pages : 505
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Book Description
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
