The Tune-book in American Culture, 1800-1820 PDF Download
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Author: James William Hall
Publisher:
ISBN:
Category : School music
Languages : en
Pages : 866
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Book Description
Author: James William Hall
Publisher:
ISBN:
Category : School music
Languages : en
Pages : 866
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Book Description
Author: Richard Crawford
Publisher: A-R Editions, Inc.
ISBN: 0895791986
Category : Music
Languages : en
Pages : 258
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Book Description
Author: Donald William Krummel
Publisher: University of Illinois Press
ISBN: 9780252014505
Category : Music
Languages : en
Pages : 288
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Book Description
Author: N. Lee Orr
Publisher: Scarecrow Press
ISBN: 9780810836648
Category : History
Languages : en
Pages : 156
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Book Description
Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
Author: Monique Ingalls
Publisher: Routledge
ISBN: 1317166787
Category : Music
Languages : en
Pages : 243
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Book Description
Christian Congregational Music explores the role of congregational music in Christian religious experience, examining how musicians and worshippers perform, identify with and experience belief through musical praxis. Contributors from a broad range of fields, including music studies, theology, literature, and cultural anthropology, present interdisciplinary perspectives on a variety of congregational musical styles - from African American gospel music, to evangelical praise and worship music, to Mennonite hymnody - within contemporary Europe and North America. In addressing the themes of performance, identity and experience, the volume explores several topics of interest to a broader humanities and social sciences readership, including the influence of globalization and mass mediation on congregational music style and performance; the use of congregational music to shape multifaceted identities; the role of mass mediated congregational music in shaping transnational communities; and the function of music in embodying and imparting religious belief and knowledge. In demonstrating the complex relationship between ’traditional’ and ’contemporary’ sounds and local and global identifications within the practice of congregational music, the plurality of approaches represented in this book, as well as the range of musical repertoires explored, aims to serve as a model for future congregational music scholarship.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1566
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Book Description
Author: Clark D. Halker
Publisher: University of Illinois Press
ISBN: 9780252017476
Category : American poetry
Languages : en
Pages : 270
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Book Description
Author: Ronald J. Zboray
Publisher: Library of Congress
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
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Book Description
Author: James R. Heintze
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 536
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Book Description
Author: Allison McCracken
Publisher: Duke University Press
ISBN: 082237532X
Category : Music
Languages : en
Pages : 477
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Book Description
The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners’ rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture.
