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Author: Carlo Goldoni
Publisher: Sparkling Books
ISBN: 1907230017
Category : Drama
Languages : en
Pages : 160
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Book Description
True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns which only unravel in the very final lines with a surprise ending. Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his best friend's fiancée. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo. The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed time and again by his hosts, leading to one complication after another. From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail? The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage. The Italian text is taken from: Carlo Goldoni, Tutte le opere, a cura di Giuseppe Ortolani, Mondadori, Milano, 1935. In Memoirs (Carlo Goldoni's autobiography), Goldoni states: "This play [Il vero amico] is one of my favourites and I have had the greatest pleasure in seeing that the audience is of my opinion". Chap. X
Author: Carlo Goldoni
Publisher: Sparkling Books
ISBN: 1907230017
Category : Drama
Languages : en
Pages : 160
Get Book Here
Book Description
True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns which only unravel in the very final lines with a surprise ending. Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his best friend's fiancée. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo. The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed time and again by his hosts, leading to one complication after another. From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail? The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage. The Italian text is taken from: Carlo Goldoni, Tutte le opere, a cura di Giuseppe Ortolani, Mondadori, Milano, 1935. In Memoirs (Carlo Goldoni's autobiography), Goldoni states: "This play [Il vero amico] is one of my favourites and I have had the greatest pleasure in seeing that the audience is of my opinion". Chap. X
Author: Carlo Goldoni
Publisher: Sparkling Books
ISBN: 1907230009
Category : Drama
Languages : en
Pages : 160
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Book Description
Carlo Goldoni's classic comedy 'Il vero amico', translated as 'The True Friend', is presented here in English and Italian.
Author: Hobart Chatfield Chatfield-Taylor
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 762
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Book Description
Author: Alexandra Coller
Publisher: Taylor & Francis
ISBN: 1134780109
Category : Art
Languages : en
Pages : 295
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Book Description
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- PART I: Women as Protagonists in Male-Authored Drama: Comedy and tragedy -- 1 Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy"--2 Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siècle Italian Tragedies -- PART II: Women as Authors/Women as Protagonists: Pastoral Tragicomedy -- 3 Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4 Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5 Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm -- Appendix -- Bibliography -- Index
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
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Book Description
Author: Rocco Rubini
Publisher: University of Chicago Press
ISBN: 022680772X
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Reading a range of Italian works, Rubini considers the active transmittal of traditions through generations of writers and thinkers. Rocco Rubini studies the motives and literary forms in the making of a “tradition,” not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but instead as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at prominent humanists in between—including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce—Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an expanse of writings to uncover deeper transhistorical continuities that span six hundred years. Whether reading work from the fourteenth century, or from the 1930s, Rubini elucidates the interplay of creation and the reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions that connect thinkers across time. Building on his award-winning book, The Other Renaissance, this will prove a valuable contribution for intellectual historians, literary scholars, and those invested in the continuing humanist legacy.
Author: Thomas Jefferson
Publisher: Princeton University Press
ISBN: 1400838657
Category : History
Languages : en
Pages : 841
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Book Description
The 526 documents printed in this volume run from 28 November 1813 to 30 September 1814. During this period Jefferson reviews the extant sources on the 1765 Stamp Act crisis to aid William Wirt, a Patrick Henry scholar; records his largely positive impressions of George Washington; and updates a reading list for law students that he had initially drawn up forty years earlier. In the spring of 1814 Jefferson becomes a trustee of the Albemarle Academy, the earliest direct ancestor of the University of Virginia. He is soon actively involved in planning for its establishment, helping to draft rules for governance of the academy's trustees and propose funding options, and he lays out an expansive vision for its future as an institution of higher learning. Jefferson also exchanges ideas on collegiate education with such respected scholars as Thomas Cooper and José Corrêa da Serra. Jefferson's wide-ranging correspondence includes a temperate response to a lengthy letter from Miles King urging the retired president to reflect on his personal religion, and a diplomatic but noncommittal reply to a proposal by Edward Coles that the author of the Declaration of Independence employ his prestige to help abolish slavery. Having learned of the British destruction late in August 1814 of the public buildings in Washington, Jefferson offers his massive book collection as a replacement for the Library of Congress. The nucleus for one of the world's great public libraries is formed early in 1815 when the nation purchases Jefferson's 6,707 volumes. Some images inside the book are unavailable due to digital copyright restrictions.
Author: Giuseppe Baretti
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 610
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Book Description
Author: Reginald Hyatte
Publisher: BRILL
ISBN: 9004247017
Category : History
Languages : en
Pages : 254
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Book Description
The Arts of Friendship focusses on literary representations of three categories of ideal friendship — Christian, chivalric, and humanistic — and the writers' strategies of establishing the ethical authority of their contemporary friends and codes on a par with antiquity's amicitia perfecta. The study identifies the extent to which writers acknowledged women as perfect friends. The selected texts under examination include, among others, hagiographies, works of Bernard of Clairvaux and Aelred of Rievaulx, The Quest of the Holy Grail, Thomas' Tristan, the Prose Lancelot, Ami and Amile, the Decameron, and L.B. Alberti's Dell'amicizia. Literary comparatists and historians, ethical historians, and students of rhetoric will find of interest the comparative study of the rhetorical topos of perfect friendship, the varied ethical criteria inherent there, and the writers' strategies for representing and authorizing an idea.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1108
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Book Description
