Author: Corinna Rossi
Publisher: White Star Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 214
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Book Description
Dating back to 324 AD, when a community of monks requested a chapel to be built on the spot where they believed the Burning Bush had stood, the monastery of St. Catherine has remained an oasis of peace for centuries. Today, it is a place of international pilgrimage, housing the most extensive collection of Greek Orthodox icons in the world. Granted unprecedented access to this holy site, photographer Araldo De Luca and author Corinna Rossi take readers inside the walls of this sacred place, revealing its peerless artistic, historical, and religious legacy through superb photographs and an authoritative text that incorporates the most recent research and discoveries. Presented in a handsome slipcase and featuring a preface by Archbishop Damianos of Sinai, the archbishop of the Greek Orthodox Church, this is a book to be cherished by art lovers and anyone interested in our historical and religious heritage.
Author: Kōnstantinos A. Manaphēs
Publisher: Ekdotiki Athinon
ISBN: 9789602131589
Category : History
Languages : en
Pages : 399
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Book Description
The Holy Monastery of St. Catherine on Mount Sinai has been characterized by scholars as the most celebrated of the world's monasteries, while in the conscience of the Orthodox peoples it was and remains the most revered and longed-for focus of pilgrimage after the Holy Places. In the course of the Monastery's fifteen centuries of uninterrupted life, and despite the great difficulties faced in the midst of alien peoples, not only has St. Catherine's managed to maintain the Orthodox faith intact and provide the Church and the Ecumenical Patriarchate with pre-eminent figures of Asceticism, but it also secured special privileges from the Prophet Mohammed and, at a later date, from popes of Rome and leaders of both the East and West. The Monastery thus proved itself a great spiritual hearth of Hellenism, rendering the most distinguished service to monasticism, Orthodoxy, the Church and the Greek people. At the same time, the Monastery acquired international fame as a unique centre of Byzantine icon painting. Here the specialist may study the uninterrupted development of this art from the 6th century up till the present day. Furthermore, the Monastery also developed its own Sinaitic school of icon painting with its own stylistic techniques and 'Sinaitic' subject matter. Examples of this school's work are encountered not only in icons but also in illuminated manuscripts of the calligraphic and chrysographic workshop of the Monastery's world-famous Library. The Monastery of Sinai, moreover, surrounded as it is by the fortification walls built by its founder, the Emperor Justinian, and isolated in the inhospitable desert, was through the centuries a secure haven for invaluable works of art sent from all corners of the Earth as devout offerings of the faithful. Byzantine, Post-Byzantine and Modern Greek works representing all types of ecclesiastical art make up the artistic treasures of the Monastery.
Author: Helen C. Evans
Publisher: Metropolitan Museum of Art
ISBN: 1588391094
Category : Icons, Byzantine
Languages : en
Pages : 102
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Book Description
"In this book the Monastery and its buildings are presented in many newly commissioned color photographs: included are views of the richly decorated sanctuary of the sixth-century church as well as images of the world's most outstanding collection of icons. The Introduction by His Eminence Archbishop Damianos of Sinai and the essay on the Holy Monastery by Helen C. Evans augment the powerful and dramatic photographs of the site, some of them from the Monastery's archives"--Jacket.
Author: Αθανάσιος Δ Κομίνης
Publisher:
ISBN:
Category : History
Languages : en
Pages : 390
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Book Description
Two major historical events have led to Patmos being called 'the holy island of the Aegean'. The first is the arrival there in A.D. 95 of the Evangelist, Saint John the Theologian, who wrote the Book of Revelation on the island; and the second is the foundation in 1088, at the beginning of the second millenium of the Christian era, of the Monastery of Saint John the Theologian by the monk Christodoulos, armed with three chrysobulls from the Byzantine emperor, Alexios I Comnenos. During the nine centuries of its life, the Monastery on Patmos has assembled and preserved many precious treasures of art and culture, and, along with the Patmian School, it has supplied the Orthodox Church with patriarchs and other enlightened prelates, and the State and the intellectual world with distinguished personalities. Patmos, Treasures of the Monastery contains chapters on the various kinds of works of art housed in the Monastery from the Byzantine and modern Greek popular traditions, and also on the rare manuscripts and valuable editions in the Library, the richest in the Aegean. These chapters, each lavishly illustrated, deal with the architecture of the fortress-like complex of the Monastery, the outstanding wall paintings and icons, the masterpieces of gold-embroidery and church silver, the exquisite miniatures in the manuscripts, and the other treasures in the Library and the archive.
Author: Robert S. Nelson
Publisher: Getty Trust Publications: J. P
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at large. The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.
Author: Ю. А Пятницкий
Publisher:
ISBN:
Category : Art, Byzantine
Languages : ru
Pages : 496
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Book Description
"Published to accompany an exhibition at The State Hermitage Museum, St. Petersburg, June-Sept. 2000, and at the Courtauld Gallery, Somerset House, London, Oct.2000-Feb. 2001"--Verso t.p.
Author: Merav Mack
Publisher: Yale University Press
ISBN: 0300245211
Category : History
Languages : en
Pages : 281
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Book Description
A captivating journey through the hidden libraries of Jerusalem, where some of the world’s most enduring ideas were put into words In this enthralling book, Merav Mack and Benjamin Balint explore Jerusalem’s libraries to tell the story of this city as a place where some of the world’s most enduring ideas were put into words. The writers of Jerusalem, although renowned the world over, are not usually thought of as a distinct school; their stories as Jerusalemites have never before been woven into a single narrative. Nor have the stories of the custodians, past and present, who safeguard Jerusalem’s literary legacies. By showing how Jerusalem has been imagined by its writers and shelved by its librarians, Mack and Balint tell the untold history of how the peoples of the book have populated the city with texts. In their hands, Jerusalem itself—perched between East and West, antiquity and modernity, violence and piety—comes alive as a kind of labyrinthine library.
Author: Saint John (Climacus)
Publisher: Paulist Press
ISBN: 9780809123308
Category : Religion
Languages : en
Pages : 340
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Book Description
John Climacus (c. 579-649) was abbot of the monastery of Catherine on Mount Sinai. His Ladder was the most widely used handbook of the ascetical life in the ancient Greek Church.
Author: E. a. Budge Budge
Publisher: Cosimo, Inc.
ISBN: 1596053356
Category : Religion
Languages : en
Pages : 369
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Book Description
And in the days of Nimrod, the mighty man (or giant), a fire appeared which ascended from the earth, and Nimrod went down, and looked at it, and worshipped it, and he established priests to minister there, and to cast incense from it. From that day the Persians began to worship fire...-from "The Fourth Thousand Years"One of the most prolific and respected Egyptologists of the Victorian era, Budge here offers his translation of the 4th-century A.D. Syrian text commonly known as "the Cave of Treasures," a history of the world from the Creation to the crucifixion of Christ and considered by some to be an apocryphal book of the Bible. Budge's extensive notes, linking the work to other ancient writings, as well as the numerous illustrations, make this unusual work, first published in 1927, an excellent resource for students of ancient civilizations and comparative mythology.SIR E. A. WALLIS BUDGE (1857-1934) was curator of Egyptian and Assyrian antiquities at the British Museum from 1894 to 1924. Among his many works of translation and studies of ancient Egyptian religion and ritual is his best-known project, The Egyptian Book of the Dead.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588391132
Category : Art, Byzantine
Languages : en
Pages : 682
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Book Description
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.
