Author: Sylvia Brockstieger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111243001
Category : History
Languages : en
Pages : 307
Book Description
A cross-cultural, comparative view on the transition from a predominant ‘culture of handwriting’ to a predominant ‘culture of print’ in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor. While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
Books Before Print
Author: Erik Kwakkel
Publisher:
ISBN: 9781942401612
Category : Books
Languages : en
Pages : 0
Book Description
This beautifully illustrated book provides an accessible introduction to the medieval manuscript and explores how its materiality can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information.
Publisher:
ISBN: 9781942401612
Category : Books
Languages : en
Pages : 0
Book Description
This beautifully illustrated book provides an accessible introduction to the medieval manuscript and explores how its materiality can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information.
Authentic Witnesses
Author: Mary A. Rouse
Publisher: University of Notre Dame Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 544
Book Description
The central theme in any history of texts and books must be that of change and renewal: Parchment that is written on, in one set of circumstances in late antiquity, may in the Early Middle Ages be scraped clean and written on again, leaving evidence of a civilization in which blank parchment is more valuable than ancient literature. A manuscript can be regarded as an archeological artifact, but unlike pieces of pottery or chips of flint, a manuscript has a voice. The 12 essays gathered here vary in subject from the transmission of ancient authors to the invention of the subject index and range in time from the Gregorian reform of the eleventh century to the Protestant reformation of the early sixteenth century. Diverse in subject and period, these essays are unified by the questions they pose and the methodology they employ in seeking answers. A common thread is the desire to discover what information the manuscripts can yield about the society that created them: how the great concordance to the Bible was compiled, how book production at the medieval university was organized, how a vernacular poet carried his songs. Each surviving manuscript exists not only by the decision of the original maker but as a result of subsequent owners, who made notes, entered corrections, added an index composed a continuation. Changing times brought new uses for old texts changes that are reflected, like personal and cultural fingerprints, in glosses, marginalia, even the chain marks showing how the book was kept in the medieval library.
Publisher: University of Notre Dame Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 544
Book Description
The central theme in any history of texts and books must be that of change and renewal: Parchment that is written on, in one set of circumstances in late antiquity, may in the Early Middle Ages be scraped clean and written on again, leaving evidence of a civilization in which blank parchment is more valuable than ancient literature. A manuscript can be regarded as an archeological artifact, but unlike pieces of pottery or chips of flint, a manuscript has a voice. The 12 essays gathered here vary in subject from the transmission of ancient authors to the invention of the subject index and range in time from the Gregorian reform of the eleventh century to the Protestant reformation of the early sixteenth century. Diverse in subject and period, these essays are unified by the questions they pose and the methodology they employ in seeking answers. A common thread is the desire to discover what information the manuscripts can yield about the society that created them: how the great concordance to the Bible was compiled, how book production at the medieval university was organized, how a vernacular poet carried his songs. Each surviving manuscript exists not only by the decision of the original maker but as a result of subsequent owners, who made notes, entered corrections, added an index composed a continuation. Changing times brought new uses for old texts changes that are reflected, like personal and cultural fingerprints, in glosses, marginalia, even the chain marks showing how the book was kept in the medieval library.
Programming in D
Author: Ali Cehreli
Publisher: CreateSpace
ISBN: 9781515074601
Category :
Languages : en
Pages : 798
Book Description
The main aim of this book is to teach D to readers who are new to computer programming. Although having experience in other programming languages is certainly helpful, this book starts from the basics. D is a multi-paradigm system programming language that combines a wide range of powerful programming concepts from the lowest to the highest levels. It has C-like syntax and static typing. It pragmatically combines efficiency, control, and modeling power, with safety and programmer productivity in mind. Each chapter is based on the contents of the previous ones, introducing as few new concepts as possible. It is recommended that the book is read in linear fashion, without skipping chapters if possible. Although this book was written with beginners in mind, it covers almost all features of D. More experienced programmers can use the book as a D language reference by starting from the index section. Blurbs from the back cover: "D is pristine, clean, immensely powerful, and arguably the actual state-of-the-art programming language. Ali's book is a gem. Clear, concise, and complete." - Olivier Henley "I have been using Ali's online D book to teach D at the university level. It is up-to-date, complete, and most importantly, extremely readable. Having a print version is even better! This is now the 'go-to' book for learning D programming." - Chuck Allison, Professor and Chair, Computer Science Department, Utah Valley University "Ali's explanations are succinct and on target. I like that he provides rationale for why D was designed in a particular way and how I can use it most effectively. This is the best computer language book I've read." - Robbin Carlson, Luthier and Enterprise Architect "I taught a CS2 Data Structures class in D with more success and student appreciation than when using either C++ or Java as it's an ideal language to express the relevant concepts at all scales, from detailed to big picture, without needless complexity. Ali Çehreli's tutorial played a central role supporting students especially during the first half of the course - without it the course simply would not have worked, so "many thanks Ali" - and an important part of that is its linearity - it can be read with only backward dependencies. This meant that with hard work even students of little experience and only moderate current abilities could get up to speed, and we saw just that. It is hard to overstate this factor. I unreservedly recommend this book to all." - Dr. Carl Sturtivant, University of Minnesota Department of Computer Science & Engineering "This book is one of the best guides through the language that I've seen." - Andrew Wray, D Enthusiast "I encourage anyone considering D to read this book. Not exactly 'D for Dummies' but it's easy to follow even if you don't have much experience with compiled languages." - bachmeier, Reddit user "Having worked through the book, I have to say this is one of the easiest to follow and distraction free read there is and the fact that it made learning a new language a total breeze really impressed me." - Imran Khan, Student
Publisher: CreateSpace
ISBN: 9781515074601
Category :
Languages : en
Pages : 798
Book Description
The main aim of this book is to teach D to readers who are new to computer programming. Although having experience in other programming languages is certainly helpful, this book starts from the basics. D is a multi-paradigm system programming language that combines a wide range of powerful programming concepts from the lowest to the highest levels. It has C-like syntax and static typing. It pragmatically combines efficiency, control, and modeling power, with safety and programmer productivity in mind. Each chapter is based on the contents of the previous ones, introducing as few new concepts as possible. It is recommended that the book is read in linear fashion, without skipping chapters if possible. Although this book was written with beginners in mind, it covers almost all features of D. More experienced programmers can use the book as a D language reference by starting from the index section. Blurbs from the back cover: "D is pristine, clean, immensely powerful, and arguably the actual state-of-the-art programming language. Ali's book is a gem. Clear, concise, and complete." - Olivier Henley "I have been using Ali's online D book to teach D at the university level. It is up-to-date, complete, and most importantly, extremely readable. Having a print version is even better! This is now the 'go-to' book for learning D programming." - Chuck Allison, Professor and Chair, Computer Science Department, Utah Valley University "Ali's explanations are succinct and on target. I like that he provides rationale for why D was designed in a particular way and how I can use it most effectively. This is the best computer language book I've read." - Robbin Carlson, Luthier and Enterprise Architect "I taught a CS2 Data Structures class in D with more success and student appreciation than when using either C++ or Java as it's an ideal language to express the relevant concepts at all scales, from detailed to big picture, without needless complexity. Ali Çehreli's tutorial played a central role supporting students especially during the first half of the course - without it the course simply would not have worked, so "many thanks Ali" - and an important part of that is its linearity - it can be read with only backward dependencies. This meant that with hard work even students of little experience and only moderate current abilities could get up to speed, and we saw just that. It is hard to overstate this factor. I unreservedly recommend this book to all." - Dr. Carl Sturtivant, University of Minnesota Department of Computer Science & Engineering "This book is one of the best guides through the language that I've seen." - Andrew Wray, D Enthusiast "I encourage anyone considering D to read this book. Not exactly 'D for Dummies' but it's easy to follow even if you don't have much experience with compiled languages." - bachmeier, Reddit user "Having worked through the book, I have to say this is one of the easiest to follow and distraction free read there is and the fact that it made learning a new language a total breeze really impressed me." - Imran Khan, Student
Print, Manuscript and the Search for Order, 1450-1830
Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 340
Book Description
See:
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 340
Book Description
See:
Pure Sacrifice
Author: Jami Gold
Publisher: Blue Phoenix Press
ISBN: 1942928033
Category : Fiction
Languages : en
Pages : 324
Book Description
To save his race, he must keep the chosen virgin pure. But she has other plans… A shapeshifting unicorn desperate to save his race... The last guardian of his kind, Markos Ambrostead must keep the chosen Virgin hidden and untainted. But when an attacker breaches his protective magic, he’s forced to reveal himself to defend her life. A tenacious woman who refuses to be ignored... Celia Hawkins wishes the world would get a clue and stop treating her like she’s invisible. Only one man notices her, or is that her imagination? After narrowly escaping an attempted rape, she demands answers from her mysterious rescuer—starting with why he’s been following her. Rules were made to be broken... Markos can’t risk being tempted by the Virgin, yet emboldened by his attention, Celia’s determined to become his friend. Maybe more. Maybe much more. Now he must hold onto his crumbling willpower to maintain her purity—or his tribe will become extinct. ***** Note: For adult readers--contains hot sex scenes and edgy situations. For an introduction to the Mythos Legacy world, check out the free short story Unintended Guardian! Tags: shapeshifter romance books, contemporary fantasy romance, unicorn shifter romance, virgin hero romance, strong female character lead, non-human paranormal fantasy romance, virgin, unicorn, myth, legend, ritual, spell, magic
Publisher: Blue Phoenix Press
ISBN: 1942928033
Category : Fiction
Languages : en
Pages : 324
Book Description
To save his race, he must keep the chosen virgin pure. But she has other plans… A shapeshifting unicorn desperate to save his race... The last guardian of his kind, Markos Ambrostead must keep the chosen Virgin hidden and untainted. But when an attacker breaches his protective magic, he’s forced to reveal himself to defend her life. A tenacious woman who refuses to be ignored... Celia Hawkins wishes the world would get a clue and stop treating her like she’s invisible. Only one man notices her, or is that her imagination? After narrowly escaping an attempted rape, she demands answers from her mysterious rescuer—starting with why he’s been following her. Rules were made to be broken... Markos can’t risk being tempted by the Virgin, yet emboldened by his attention, Celia’s determined to become his friend. Maybe more. Maybe much more. Now he must hold onto his crumbling willpower to maintain her purity—or his tribe will become extinct. ***** Note: For adult readers--contains hot sex scenes and edgy situations. For an introduction to the Mythos Legacy world, check out the free short story Unintended Guardian! Tags: shapeshifter romance books, contemporary fantasy romance, unicorn shifter romance, virgin hero romance, strong female character lead, non-human paranormal fantasy romance, virgin, unicorn, myth, legend, ritual, spell, magic
Texts in Transit
Author: Lotte Hellinga
Publisher: BRILL
ISBN: 9004279008
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Publisher: BRILL
ISBN: 9004279008
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Print, Manuscript & Performance
Author: Arthur F. Marotti
Publisher: Ohio State University Press
ISBN: 9780814208458
Category : History
Languages : en
Pages : 338
Book Description
The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of various communications technologies. Although canonical literary writers such as Shakespeare, Jonson, and Rochester are discussed, the field of writing examined is a broad one, embracing political speeches, coterie manuscript poetry, popular pamphlets, parochially targeted martyrdom accounts, and news reports. Setting writers, audiences, and texts in their specific historical context, the contributors focus on a period in early modern England, from the late sixteenth through the late seventeenth century, when the shift from orality and manuscript communication to print was part of large-scale cultural change. Arthur F. Marotti's and Michael D. Bristol's introduction analyzes some of the sociocultural issues implicit in the collection and relates the essays to contemporary work in textual studies, bibliography, and publication history.
Publisher: Ohio State University Press
ISBN: 9780814208458
Category : History
Languages : en
Pages : 338
Book Description
The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of various communications technologies. Although canonical literary writers such as Shakespeare, Jonson, and Rochester are discussed, the field of writing examined is a broad one, embracing political speeches, coterie manuscript poetry, popular pamphlets, parochially targeted martyrdom accounts, and news reports. Setting writers, audiences, and texts in their specific historical context, the contributors focus on a period in early modern England, from the late sixteenth through the late seventeenth century, when the shift from orality and manuscript communication to print was part of large-scale cultural change. Arthur F. Marotti's and Michael D. Bristol's introduction analyzes some of the sociocultural issues implicit in the collection and relates the essays to contemporary work in textual studies, bibliography, and publication history.
The Cambridge Handbook of Literary Authorship
Author: Ingo Berensmeyer
Publisher: Cambridge University Press
ISBN: 9781316617946
Category : Language Arts & Disciplines
Languages : en
Pages : 503
Book Description
This Handbook surveys the state of the art in literary authorship studies. Its 27 original contributions by eminent scholars offer a multi-layered account of authorship as a defining element of literature and culture. Covering a vast chronological range, Part I considers the history of authorship from cuneiform writing to contemporary digital publishing; it discusses authorship in ancient Egypt, Greece, Rome, early Jewish cultures, medieval, Renaissance, modern, postmodern and Chinese literature. The second part focuses on the place of authorship in literary theory, and on challenges to theorizing literary authorship, such as gender and sexuality, postcolonial and indigenous contexts for writing. Finally, Part III investigates practical perspectives on the topic, with a focus on attribution, anonymity and pseudonymity, plagiarism and forgery, copyright and literary property, censorship, publishing and marketing and institutional contexts.
Publisher: Cambridge University Press
ISBN: 9781316617946
Category : Language Arts & Disciplines
Languages : en
Pages : 503
Book Description
This Handbook surveys the state of the art in literary authorship studies. Its 27 original contributions by eminent scholars offer a multi-layered account of authorship as a defining element of literature and culture. Covering a vast chronological range, Part I considers the history of authorship from cuneiform writing to contemporary digital publishing; it discusses authorship in ancient Egypt, Greece, Rome, early Jewish cultures, medieval, Renaissance, modern, postmodern and Chinese literature. The second part focuses on the place of authorship in literary theory, and on challenges to theorizing literary authorship, such as gender and sexuality, postcolonial and indigenous contexts for writing. Finally, Part III investigates practical perspectives on the topic, with a focus on attribution, anonymity and pseudonymity, plagiarism and forgery, copyright and literary property, censorship, publishing and marketing and institutional contexts.
Sex quam elegantissimæ epistolæ
Author: Catholic Church. Pope (1471-1484 : Sixtus IV)
Publisher:
ISBN:
Category : Ferrara (Italy)
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Ferrara (Italy)
Languages : en
Pages : 116
Book Description
Song of the Dryad
Author: Natalia Leigh
Publisher: Enchanted Ink Publishing, LLC
ISBN: 9781732678217
Category :
Languages : en
Pages : 396
Book Description
Seventeen-year-old Charlotte Barclay has to face her fears in order to save her mom from the fairies that kidnapped her.
Publisher: Enchanted Ink Publishing, LLC
ISBN: 9781732678217
Category :
Languages : en
Pages : 396
Book Description
Seventeen-year-old Charlotte Barclay has to face her fears in order to save her mom from the fairies that kidnapped her.