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Author: Gay Clifford
Publisher: London ; Boston : Routledge & K. Paul
ISBN: 9780710079763
Category : Allegory
Languages : en
Pages : 132
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Book Description
Author: Gay Clifford
Publisher: London ; Boston : Routledge & K. Paul
ISBN: 9780710079763
Category : Allegory
Languages : en
Pages : 132
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Book Description
Author: Maureen Quilligan
Publisher: Cornell University Press
ISBN: 1501724487
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it.
Author: Gay Clifford
Publisher: Taylor & Francis
ISBN: 9780710079770
Category : Allegory
Languages : en
Pages : 132
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Book Description
Author: Whitman
Publisher: BRILL
ISBN: 9004453598
Category : History
Languages : en
Pages : 529
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Book Description
Western literary, philosophical, and religious traditions from Plato and Paul to Augustine and Avicenna have utilized, exploited, or been subjected to allegorical interpretation. Naturally developing a composite picture of interpretive allegory from such a large landscape faces numerous difficulties. As the editor puts it, “to imagine a ‘definitive’ account of the theory and practice of allegorical interpretation in the West would require something of an allegorical vision in its own right.” With that caveat in mind, however, the international team of contributors—from a variety of disciplines—offers a “historical and conceptual framework” for understanding interpretive allegory in the West, from antiquity through the early and late medieval and renaissance periods, and from the eighteenth through the twentieth centuries. This publication has also been published in hardback, please click here for details.
Author: Peter Berek
Publisher:
ISBN:
Category : Allegory
Languages : en
Pages : 56
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Author: Vladimir Brljak
Publisher: Routledge
ISBN: 1000403726
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Allegory Studies: Contemporary Perspectives collects some of the most compelling current work in allegory studies, by an international team of researchers in a range of disciplines and specializations in the humanities and cognitive sciences. The volume tracks the subject across disciplinary, cultural, and period-based divides, from its shadowy origins to its uncertain future, and from the rich variety of its cultural and artistic manifestations to its deep cognitive roots. Allegory is everything we already know it to be: a mode of literary and artistic composition, and a religious as well as secular interpretive practice. As this volume attests, however, it is much more than that—much more than a sum of its parts. Collectively, the phenomena we now subsume under this term comprise a dynamic cultural force which has left a deep imprint on our history, whose full impact we are only beginning to comprehend, and which therefore demands precisely such dedicated cross-disciplinary examination as this book seeks to provide.
Author: Kenneth Borris
Publisher: Cambridge University Press
ISBN: 9780521781299
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Challenging conventional readings of literary allegorism, this book, first published in 2000, reassesses Renaissance relations between allegory and heroic poetry.
Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1788730453
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.
Author: Joanne S. Norman
Publisher: New York : P. Lang
ISBN:
Category : Allegories
Languages : en
Pages : 370
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Book Description
This study is a comprehensive survey of the iconography of the psychomachia motif including an analysis of the relationship between text and image based on the visual transformation of a verbal metaphor. Moral allegories, such as the battle of the virtues and vices representing the conflict between good and evil within the human soul, were important motifs, not only in literary and theological texts from the sixth to the sixteenth century in western Europe, but also in iconography. The transformations or metamorphoses of a central verbal metaphor as a motif in the visual arts provide a way to understand the mutual influence of word and image in developing a particular concept throughout the Middle Ages. The book includes a descriptive survey of the visual interpretations of the psychomachia allegory in all major works of art, manuscript illustrations, sculpture, paintings, and stained glass, as well as minor art forms, such as ivory and wood carvings and tapestries. Individual works are analyzed in terms of their conception of the allegory and various literary and theological sources or parallels are indicated.
Author: Mary Beth Tierney-Tello
Publisher:
ISBN: 9780585065069
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
