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Author: D. Schwarz
Publisher: Springer
ISBN: 0230379338
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
In an exciting and important book... The theoretical chapters are a model of elegantly styled accommodation; yet they brook no fudging of the issues, no comfortable ambiguities - Modern Fiction Studies The Transformation of the English Novel, 1890-1930: Studies in Hardy, Conrad, Joyce, Lawrence, Forster and Woolf is a provocative exploration of a crucial period in the development of the English novel, integrating critical theory, historical background and sophisticated close reading. Divided into two major sections, the first shows how historical and contextual material is essential for developing powerful readings. The second section is theoretical and speaks of the transformation in the way that we read and think about authors, readers, characters and form in the light of recent theory, offering an alternative to the deconstructive and Marxist trends in literary studies.
Author: D. Schwarz
Publisher: Springer
ISBN: 0230379338
Category : Literary Criticism
Languages : en
Pages : 345
Get Book Here
Book Description
In an exciting and important book... The theoretical chapters are a model of elegantly styled accommodation; yet they brook no fudging of the issues, no comfortable ambiguities - Modern Fiction Studies The Transformation of the English Novel, 1890-1930: Studies in Hardy, Conrad, Joyce, Lawrence, Forster and Woolf is a provocative exploration of a crucial period in the development of the English novel, integrating critical theory, historical background and sophisticated close reading. Divided into two major sections, the first shows how historical and contextual material is essential for developing powerful readings. The second section is theoretical and speaks of the transformation in the way that we read and think about authors, readers, characters and form in the light of recent theory, offering an alternative to the deconstructive and Marxist trends in literary studies.
Author: Daniel R. Schwarz
Publisher: Springer
ISBN: 1349097039
Category : Fiction
Languages : en
Pages : 342
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Book Description
Focusing on the work of Hardy, Lawrence, Conrad, Joyce, Forster and Woolf, this study is divided into two sections: the first shows how historical and contextual material is essential for developing powerful readings; the second discusses how new theory has transformed the way we read and think.
Author: Daniel Morris
Publisher: University of Delaware
ISBN: 1611493455
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Our culture attempts to separate competing ideological factions by denying relationships between multiple perspectives and influences outside of one’s own narrow interpretive community. The distinguished essayists in this volume find Daniel R. Schwarz’s pluralistic, self-questioning approach to what he calls “reading texts and reading lives” quite relevant to the current historical moment and political situation. A legendary scholar of modernist literature, Schwarz’s critical principles are a healthy corrective to cultural hubris. The essayists treat works ranging from fictions by Joyce, Conrad, Morrison, and Woolf to the poetry of Yeats, to Holocaust literature, to the environmental writings of Wendell Berry, to the photographs of Lee Friedlander. The authors focus on different works, but they follow Schwarz in stressing formal elements most often associated with traditional realism while keeping an eye on historical and author-centered approaches. The essayists also follow Schwarz in their emphasis on narrative cohesion and in how they look for signs of agency among characters who possess the will to alter their fate, even in a seemingly random universe such as the one depicted by Conrad. Readers with eyes to ethics and aesthetics, they follow Schwarz in encouraging a values-centered approach that leaves room for the reader to address the ways in which reading a text correlates to the reader’s ability to find meaning and value in experience outside the text. Like Schwarz, the essays look for intentionality of authorial meaning (rather than something called an “author function”) as well as for the relationship between lived experience and the imagined world of the literary work (rather than the endless semiotic play of an ultimately indecipherable text).
Author: Christoph Reinfandt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110369486
Category : Literary Criticism
Languages : en
Pages : 613
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Book Description
The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy’, ̒Genres’, ̒Gender’ (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad’s Heart of Darkness (1899) to Tom McCarthy’s Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.
Author: Randall Stevenson
Publisher: University Press of Kentucky
ISBN: 9780813108230
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
The novel is the major literary phenomenon of the twentieth century, and its development in Britain since 1900 has reflected the tumultuous changes that have characterized modern society. Randall Stevenson now presents an accessible and authoritative guide to the work of th ecentury's leading novelists as well as many of its lesser known writers. In this stimulating and wide-ranging account, Stevenson locates the work of individual writers, from Conrad to Jeanette Winterson, within an evolving literary history and the wider context of social, political, and cultural change. Included are British writers working in exile and writers with origins elsewhere, such as James and Rushdie, who have chosen to work in Britain. Women novelists are accorded their rightful prominence. This clear and lively survey deals with a broad range of movements, including modernism and postmodernism, as well as the influence of other world literatures and the impact of two world wars. An ideal text, this is a 'guide' in the best sense—concise and lucid, well-informed and perceptive. Readers new to the field will appreciate Stevenson's clear direction, while the experienced will be delighted by newly revealed connections and fresh perspectives.
Author: Daniel R. Schwarz
Publisher: SUNY Press
ISBN: 1438438966
Category : Language Arts & Disciplines
Languages : en
Pages : 503
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Book Description
A groundbreaking study of ten difficult years in the life of Americas most important newspaper. From false stories about weapons of mass destruction in Iraq to growing competition from online and twenty-four-hour cable news, the first decade of the twenty-first century was not particularly kind to the New York Times. In this groundbreaking study of the recent life and times of Americas most important newspaper, Daniel R. Schwarz describes the transformation of the Times as it has confronted not only its various scandals and embarrassments but also the rapid rise of the Internet and blogosphere, the ensuing decline in circulation and print advertising, and the change in what readers want and how they want to get it. Drawing on more than forty one-on-one interviews with past and present editors (including every living executive editor), senior figures on the business and financial side, and publisher Arthur Sulzberger Jr., Schwarz discusses virtually every aspect of the contemporary Times, from columnists to cultural coverage. He explains how, in response to continuous online updating and twenty-four-hour all-news radio and television, the Times has become much more like a daily magazine than a traditional newspaper, with increased analysis (as opposed to reporting) of the news as well as value-added features on health, travel, investing, and food. After carefully tracing the rise of the Timess website, Schwarz asks whether the Times can survive as a print newspaper, whether it can find a business model to support its vast print and online newsgathering operation, and whether the Sulzberger family can survive as controlling owners. He also asks whether the Times, in its desperate effort to survive, has abandoned its quality standards by publishing what he calls Timeslite and Timestrash. Writing as a skeptical outsider and devoted lifelong reader, Schwarz concludes that the Times is the worst newspaper in the worldexcept for all the others. Endtimes? is a must read for Times readers as well as anyone interested in the radical change in print and broadcast media in the rapidly evolving Internet Age. [A] balanced grappling with big issues and tumultuous changes in journalism and at The Times between 1999 and 2009. CHOICE Fascinating Schwarz raises many questions about the future of printed newspapers and about how Americans will stay informed about news. Charleston Gazette-Mail Endtimes? is a product of brain and heartpassion for its subject, yes, but also clear-eyed critique of that subjects strengths and weaknesses. Huntsville Times Schwarz is diligent in his research and his interviews He puts the Times on the couch and gives us a very thorough psychoanalysis. Washington Independent Review of Books Struggling to maintain its journalistic preeminence in a world of accelerating change, the New York Times has often stumbled, but not yet fallen. Scrupulously researched, judiciously argued, and accessibly written, Endtimes? provides a sympathetically critical account of the Timess strengths and weaknesses as it responds to the economic, technological, cultural, and political challenges of our day. No one alarmed by the threatened survival of quality journalism can afford to ignore this trenchant book. Martin Jay, author of The Virtues of Mendacity: On Lying in Politics Daniel Schwarzs lucid, well-researched, and passionate book reminded me of the saying that the best criticism comes from admirers who are willing to tell us our faults. Benefiting from his own extensive interviews with key players in the Timess story, including Max Frankel, Arthur Sulzberger Jr., and Howell Raines, Schwarz offers a complex, judicious history of a prominent American cultural institution as it responds to a period of crises and turmoil in print journalism. Pulling no punches, Schwarz laments the current version of the papers fluff, lack of gatekeeping and news judgment, and failure to stand up to government. At the same time, he appreciates how the Times remains, after more than a century, a preeminent source of information. This is a lovers quarrel at its best. Daniel Morris, Purdue University Dan Schwarz is a knowing reader and a master teacher. Endtimes? shows that he is a great student of journalism as well. He takes us on a roller-coaster ride from the era of the New York Timess cultural ascendancy to the current financial crisis over its very existence. And he looks into the Timess future too. Everyone who cares about the news in America should read this book. Barry Strauss, author of The Spartacus War Dan Schwarz writes with terrific energy about an important subject: the threat posed by todays flood of information to the integrity and even the existence of what is arguably the worlds most influential newspaper. Not every reader will agree with his criticisms of the papers leadership or his prescriptions for its survival. But every reader will be deeply informed and sharply challenged by his well-documented narrative and his provocative argument. Steven Knapp, The George Washington University
Author: Andrew D. Radford
Publisher: Rodopi
ISBN: 9042022353
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter's loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts's case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades,The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.
Author: Brian May
Publisher: University of Missouri Press
ISBN: 9780826210968
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
The past few years have witnessed a resurgence in the study of British literary modernism. With recent publications on modernist American poetry and increasingly appreciative attitudes toward modern British novelists like Joseph Conrad and E. M. Forster, many scholars are experiencing a renewed interest in modernism. In The Modernist as Pragmatist, Brian May investigates modernist works that have been, until recently, regarded largely as mere exercises in stale Victorian liberal ideology. Breaking from one current interpretation of Forster as an innovative and perhaps objectionable representative of modernist fictional audacity, May keenly argues that Forster is neither a traditional liberal nor an imperial modernist stylist. He is, rather, a pragmatic liberal critic of both unreconstructed Victorian liberalism and unreckoning modernist aestheticism. May also looks at the debate between two contemporary progressive pragmatists, Richard Rorty and Cornel West, who have turned to the liberalism of the past as an avenue toward the future. First clarifying the terms of the debate, May then tries to resolve it using the writings of E. M. Forster to discuss some of the major political and philosophical statements of Rorty and West. In turn, the works of these two philosophers are used as tools to gain insight into Forster's literary texts and cultural contexts. By bringing British literary history to American neopragmatist philosophy, May allows the reader to understand both more concretely, historically, and imaginatively. Persuasive new readings of A Passage to India, Howards End, and The Longest Journey are used to illustrate how Rorty and West offer a choice between pragmatisms. May's well-argued study offers an exploration of how literature and philososphy can lead to a fruitful dialogue that can complement formalism as well as traditional types of contextualism. It also persuasively connects Forster to the contemporary debates between liberalism and pragmatism, making this an important contribution to all scholars of modernism.
Author: Daniel R. Schwarz
Publisher: John Wiley & Sons
ISBN: 1444304844
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Written by influential scholar-critic and award-winning Daniel R. Schwarz, In Defense of Reading: Teaching Literature in the Twenty-First Century is a passionate and joyful defense of the pleasures of reading. This stimulating book provides valuable insights for teachers and students on why we read and how we read when we embark on "the odyssey of reading." Provides valuable insights into why and how we read Addresses issues and problems in the contemporary university and offers insights into the future Explores the life of the mind, the rewards and joys of committed teaching, and the relationship between teaching and scholarship in the contemporary university Draws on the author's forty years of teaching experience Following his long term commitment to close reading and historicism, Schwarz shows how the best literary criticism must both respect text and context Contains insightful and important readings of a broad range of texts, including those by Joyce, Woolf, Conrad, Forster, Gordimer, and Spiegelman's Maus
Author: Daniel R. Schwarz
Publisher: University of Missouri Press
ISBN: 9780826213273
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Leading Conradian scholar Daniel R. Schwarz assembles his work from over the past two decades into one crucial volume, providing a significant reexamination of a seminal figure who continues to be a major focus in the twenty-first century. Schwarz touches on virtually all of Joseph Conrad's work including his masterworks and the later, relatively neglected fiction. In his introduction and in the persuasive and insightful essays that follow, Schwarz explores how the study of Conrad has changed and why Conrad is such a focus of interest in terms of gender, postcolonial, and cultural studies. He also demonstrates how Conrad helps define the modernist cultural tradition. Exploring such essential works as Heart of Darkness, Lord Jim, Nostromo, and "The Secret Sharer," Schwarz addresses issues raised by recent theory, discussing the ways in which contemporary readers, including, of course, himself, have come to read Conrad differently. He does so without abandoning crucial Conradian themes such as the disjunction between interior and articulated motives and the discrepancies between dimly acknowledged needs, obsessions, and compulsions and actual behavior. Schwarz also touches on the extent to which Conrad's conservative desires for a few simple moral and political ideas were often at odds with his profound skepticism. A powerful close reader of Conrad's complex texts, Schwarz stresses how from their opening paragraphs Conrad's works establish a grammar of psychological, political, and moral cause and effect. Rereading Conrad sheds new light on an author who has spoken to readers for over a century. Schwarz's essays take account of recent developments in theory and cultural studies, including postcolonial, feminist, gay, and ecological perspectives, and show how reading Conrad has changed in the face of the theoretical explosion that has occurred over the past two decades. Because for over three decades Schwarz has been an important figure in defining how we read Conrad and in studying modernism, including how we respond to the relationship between modern literature and modern art, scholars, teachers, and students will take great pleasure in this new collection of his work.
