The Transformation of Nature in Art PDF Download
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Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 224
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Book Description
An attempt to explain the theory behind medieval European and Asiatic art, especially art in India.
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 288
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Book Description
An attempt to explain the theory behind medieval European and Asiatic art, especially art in India.
Author: Ananda K. Coomaraswamy
Publisher:
ISBN: 9781621389880
Category : Art
Languages : en
Pages : 252
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 245
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages :
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Book Description
Author: Robert Fish
Publisher: CRC Press
ISBN: 1000428567
Category : Nature
Languages : en
Pages : 144
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Book Description
When a group of liberal arts students embark on a university assignment about the natural environment, no one could have quite prepared them for the bewildering array of questions and provocations to confront them in their task. What starts out as an earnest attempt to understand nature in the modern world, turns into a philosophical and practical tangle that only a good transdisciplinary education can provide. Can anyone save the day and actually start to value ‘nature’? And if they can’t, then what’s stopping them? The idea of ‘valuing nature’ harmonises diverse areas of natural resource management and is an important dimension of scientific and practical work concerned with managing ecosystems and habitats for sustainability. This graphic book takes the reader on an exploration of the issues that arise from this growing interest and concern in the valuation of nature. Set around the premise of a ‘motley’ group of undergraduates endeavouring to complete a university assignment on ‘nature in the modern world’, the book explores: the many and diverse meanings people assign to nature the different ways the relationship between people and nature might be characterised the many values systems people hold for the natural world the options and approaches society can deploy to manage it the extent to which we need entirely new economic systems to protect and sustain nature. This highly interdisciplinary book invites consideration of a range of philosophical and applied debates and questions. Written in an accessible style, it is an ideal undergraduate text in the fields of ecology, human and physical geography, conservation science, environment, social science and spatial planning, as well as a general primer for graduate natural and social scientists embarking on interdisciplinary research in the natural resource management arena.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 245
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Book Description
Author: Julian Johnson
Publisher: Cambridge University Press
ISBN: 9780521661492
Category : Music
Languages : en
Pages : 298
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Book Description
This book considers the idea of nature in the music of Anton Webern. It stands out from other studies because it explores the wider social and cultural dimensions of the music, as opposed to the often narrow, technical analysis of the music. In doing so it offers an important case study for the way in which social ideas can be discussed in relation to apparently 'abstract' modern music. Moreover, it does so in relation to musical details not simply on the level of biography or cultural history.
Author: Paul Crowther
Publisher: Routledge
ISBN: 1136455019
Category : Art
Languages : en
Pages : 312
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Book Description
Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense—the world of recognisable objects, creatures, organisms, processes, and states of affairs). Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.) The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.
