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Author: Burç İdem Dinçel
Publisher: Cambridge Scholars Publishing
ISBN: 152754396X
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
This book provides a novel way of looking at translational phenomena in contemporary performances of Attic tragedies via the formidable work of three directors, each of whom bears the aesthetic imprint of Samuel Beckett: Theodoros Terzopoulos, Şahika Tekand and Tadashi Suzuki. Through a discerningly transdisciplinary approach, translation becomes re(trans)formed into a mode of physical action, its mimetic nature reworked according to the individual directors’ responses to Attic tragedies. As such, the highly complex notion of mimesis comes into prominence as a thematic thread, divulging the specific ways in which the pathos epitomised in the works of Aeschylus, Sophocles and Euripides is reawakened on the contemporary stage. By employing mimesis as a conceptual motor under the overarching rubric of the art of tragic theatre, the monograph appeals to a wide range of scholarly readers and practitioners across the terrains of Translation Studies, Theatre Studies, Classical Reception, Comparative Literature and Beckett Studies.
Author: Burç İdem Dinçel
Publisher: Cambridge Scholars Publishing
ISBN: 152754396X
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
This book provides a novel way of looking at translational phenomena in contemporary performances of Attic tragedies via the formidable work of three directors, each of whom bears the aesthetic imprint of Samuel Beckett: Theodoros Terzopoulos, Şahika Tekand and Tadashi Suzuki. Through a discerningly transdisciplinary approach, translation becomes re(trans)formed into a mode of physical action, its mimetic nature reworked according to the individual directors’ responses to Attic tragedies. As such, the highly complex notion of mimesis comes into prominence as a thematic thread, divulging the specific ways in which the pathos epitomised in the works of Aeschylus, Sophocles and Euripides is reawakened on the contemporary stage. By employing mimesis as a conceptual motor under the overarching rubric of the art of tragic theatre, the monograph appeals to a wide range of scholarly readers and practitioners across the terrains of Translation Studies, Theatre Studies, Classical Reception, Comparative Literature and Beckett Studies.
Author: Gordon S. Grose
Publisher:
ISBN: 9780578160894
Category :
Languages : en
Pages : 216
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Book Description
Using spiritual and psychological resources, Tragedy Transformed offers wisdom and self-help ideas for people in tragedy. Each chapter contains an interview with people today, a detailed discussion of Job's similar experiences, and self-help suggestions. The book also contains an Epilogue, Endnotes, and an Index.
Author: Vaddey Ratner
Publisher: Simon and Schuster
ISBN: 1849837619
Category : Fiction
Languages : en
Pages : 436
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Book Description
A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday
Author: Heather Meadows
Publisher:
ISBN: 9781732634923
Category : Religion
Languages : en
Pages : 296
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Book Description
Eighty-seven percent of her seven-year-old body was covered in third-degree burns, coupled with a traumatic heart injury. Doctors calculated a 140 percent chance Heather would die. There were so many questions. Would she live? The emotional quality of this book will captivate your heart.
Author: Jim Seroka
Publisher: Routledge
ISBN: 1315486954
Category : Political Science
Languages : en
Pages : 201
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Book Description
Once it was hoped that the Yugoslav federation might manage to defy the odds once more, this time to become one of the world's few examples of democratic pluralism. Instead, we are witnessing another Balkan tragedy. What went wrong? In this volume scholars from Croatia, Serbia, and Slovenia examine the Janus face of pluralism, with case studies of electoral politics in the republics and of what were once the country's institutions of integration - the League of Communists, the managerial elite, and the army. Among the contributors are Mirjana Kaspovic, Tomaz Masmak, Vesna Pusic, Anton Bebler, Ivan Siber, Vucina Vasovic, and the editors.
Author: Lilla Crisafulli
Publisher: Routledge
ISBN: 1317982541
Category : Literary Collections
Languages : en
Pages : 265
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Book Description
The volume explores the interrelated topics of transnational identity in all its ambiguity and complexity, and the new ways of imagining community or Gemeinschaft (as distinct from society or Gesellschaft)) that this broader climate made possible in the Romantic period. The period crystallized, even if it did not inaugurate, an unprecedented interest in travel and exploration, as well as in the dissemination of the knowledge thus acquired through print media and learned societies. This dissemination expanded but also unmoored both epistemic and national boundaries. It thus led to what Antoine Berman in his study of translation tellingly calls “the experience of the foreign,” as a zone of differences between and within selves, of which translation was the material expression and symptom. As several essays in the collection suggest, it is this mental travel that distinguishes the Romantic probing of transitional zones from that of earlier periods when travel and exploration were more purely under the sign of trade and commerce and thus of appropriation and colonization. The renegotiation of national and cultural boundaries also raises the question of what kinds of community are possible in this environment. A group of essays therefore explores the period’s alternative communities, and the ways in which it tested the limits of the very concept of community. Finally, the volume also explores the interrelationship between notions of identity and community by turning to Romantic theatre. Concentrating on the stage as monitor and mirror of contemporary ideological developments, a dedicated section of this book looks at the evolution of the tragic in European Romanticisms and how its inherent conflicts became vehicles for contrasting representations of individual and communal identities. This book was published as a special issue of European Romantic Review
Author: Rush Rehm
Publisher: Princeton University Press
ISBN: 1400825075
Category : Performing Arts
Languages : en
Pages : 466
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Book Description
Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.
Author: Leonard Moss
Publisher: Lexington Books
ISBN: 0739171224
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Paradox informs the narrative sequence, images, and rhetorical tactics contrived by skilled dramatists and novelists. Their literary languages depict not only a war between rivals but also simultaneous affirmation and negation voiced by a tragic individual. They reveal the treason, flux, and duplicity brought into play by an unrelenting drive for respect. Their patterns of speech, action, and image project a convergence of polarities, the convergence of integrity and radical change, of constancy and infidelity. A fanatical drive to fulfill a traditional code of masculine conduct produces the ironic consequence of de-forming that code—the tragic paradox. Tragic literature exploits irony. In Athenian and Shakespearean tragedy, self-righteous male or female aristocrats instigate their own disgrace, shame, and guilt, an un-expected diminishment. They are victimized by a magnificent obsession, a fantasy of un-alloyed authority or virtue, a dream of perfect self-sufficiency or trust. The authors of tragedy revised the concept of “nobility” to reflect the strange fact that grandeur elicits its own annulment. “Strengths by strengths do fail,” Shakespeare wrote in Coriolanus. The playwrights made this paradoxical predicament concrete with a narrative format that equates self-assertion with self-detraction, images that revolve between incredible reversals and provisional reinstatements, and speech that sounds impressively weighty but masks deception, disloyalty, cynicism, and insecurity. Three heroic philosophers, Plato, Hegel, and Nietzsche, contributed invaluable but contrasting accounts of these literary languages (Aristotle's Poetics will be discussed in connection with Plato's attitude toward poetry). Their divergent descriptions can be reconciled to show that invalidations as well as affirmations—the transmission of contraries—are essential for tragic composition. An equivocal rhetoric, a mutable imagery, and an ironic progression convey the tortuous pursuit of personal preeminence or (in later tragic works by Kafka and Strindberg) family solidarity and communal safety. I am trying to integrate the disparate arguments offered by several notable theorists with technical procedures fashioned by the Athenian dramatists and recast by Shakespeare and other writers, procedures that articulate the tragic paradox.
Author: Richard G. Tedeschi
Publisher: SAGE Publications
ISBN: 1506319998
Category : Psychology
Languages : en
Pages : 177
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Book Description
There are a growing number of books on the market focusing on the history, symptomatology, and treatment of trauma and PTSD. This book provides something unique as its purpose is to highlight the ′personal positive growth or strengthening that often occurs in persons who have faced traumatic events.′ As the book points out, this is a sadly neglected area in terms of research. . . . This book has something to offer to the layperson and those who have experienced a traumatic event as well as to the seasoned professional. It is written in an easily accessible style and, given the price of books these days, is also a good value for the money. --Gladeana McMahon in British Psychological Society Counseling Psychology Review "This is a useful book, especially for those involved with research on this important issue." --James Graves, M.D., in Readings: A Journal of Reviews and Commentary in Mental Health Unique in focusing on the positive outcomes of coping with crisis, this volume helps you to understand the process of growth after trauma and apply that knowledge to the counseling relationship. Sensitizing the reader to the pain experienced by people affected by trauma, the authors weave together literature from philosophy, religion, and psychology to form a model of active coping and transformation. An essentially cognitive framework gives conceptual context to the important changes in trauma survivors′ belief systems that the authors examine and upon which they build. Case examples and quotations from literary and religious sources as well as from the authors′ research and clinical work articulate the coping and growth process and cultivate compassion and understanding. At the same time, the authors′ findings and analysis of important research encourage researchers to more closely examine this type of personal growth. This volume provides new information and perspectives invaluable to all those in the helping professions, in a variety of counseling settings, as well as researchers and students in clinical psychology, psychology, nursing, interpersonal violence, and family studies. "At last someone has assembled and integrated the extensive literature on coping with trauma. The authors provide a thoughtful and creative analysis of the process by which survivors of trauma experience personal growth. They propose their own model of coping that incorporates a wide range of personality variables, coping strategies, tasks, cognitive processes, and social support. Chockfull of engaging case examples and suggestions for researchers and therapists, this is a must read for anyone interested in the human dimensions of surviving trauma." --Raymond M. Berger, Professor (retired), California State University, Long Beach
Author: Kate Ranta
Publisher:
ISBN: 9780982156889
Category : Abused wives
Languages : en
Pages : 0
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Book Description
"In 2012 Kate Ranta and her father used their combined strength to brace themselves against the front door of her home, as her estranged husband, an Air Force Major, tried to force his way inside. For years he had been verbally and emotionally abusive, but never caused physical harm. Until the unthinkable happened. In a rage he fired bullets through the door from a 9mm Beretta, shooting Kate and her father. Their 4-year-old son stood paralyzed as he witnessed the horrific event. Reading like a real-life horror-thriller, Killing Kate details episodes of her husband's deranged mind games and twisted actions which threaten her sanity and safety. It serves as a cautionary flag critical of the ways the police and legal system failed to protect her -- including the court's denial of three restraining order requests before the shooting. And, it serves as a rallying cry for women to come together, support each other in knowing the danger signs, exit potentially violent and abusive relationships, and avoid entering into them in the first place. Kate's story and book are essential reading in the fight against domestic and gun violence."--
