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Author: Zygmunt Adamczewski
Publisher: Springer
ISBN: 9401195560
Category : History
Languages : en
Pages : 330
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Book Description
is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with "the tragic" instead of "tragedy. " The excuse has perhaps transpired in the preceding passage.
Author: Zygmunt Adamczewski
Publisher: Springer
ISBN: 9401195560
Category : History
Languages : en
Pages : 330
Get Book Here
Book Description
is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with "the tragic" instead of "tragedy. " The excuse has perhaps transpired in the preceding passage.
Author: Noah Feldman
Publisher: Princeton University Press
ISBN: 0691227934
Category : History
Languages : en
Pages : 218
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Book Description
The Arab Spring promised to end dictatorship and bring self-government to people across the Middle East. Yet everywhere except Tunisia it led to either renewed dictatorship, civil war, extremist terror, or all three. In The Arab Winter, Noah Feldman argues that the Arab Spring was nevertheless not an unmitigated failure, much less an inevitable one. Rather, it was a noble, tragic series of events in which, for the first time in recent Middle Eastern history, Arabic-speaking peoples took free, collective political action as they sought to achieve self-determination.
Author: Sterling Professor of Humanities Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438114028
Category : Criticism
Languages : en
Pages : 199
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Book Description
Presents a collection of critical essays about Kafka's The metamorphosis.
Author: Nancy K. Bristow
Publisher:
ISBN: 0190215372
Category : Education
Languages : en
Pages : 321
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Book Description
On May 15, 1970, white police opened fire on students in front of a women's dormitory at Jackson State College, a historically black institution in Mississippi, killing two young people and injuring twelve. Frequently linked to the shootings at Kent State University ten days earlier, the violence at Jackson State was routinely misunderstood and largely forgotten by all but the local African American community. This book provides a full account of these shootings and their aftermath, as well as historical amnesia about the incident.
Author: Elizabeth Hinton
Publisher: Liveright Publishing
ISBN: 1631498916
Category : History
Languages : en
Pages : 468
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Book Description
“Not since Angela Davis’s 2003 book, Are Prisons Obsolete?, has a scholar so persuasively challenged our conventional understanding of the criminal legal system.” —Ronald S. Sullivan, Jr., Washington Post From one of our top historians, a groundbreaking story of policing and “riots” that shatters our understanding of the post–civil rights era. What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation’s streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors—and any attempt to understand our current crisis requires a reckoning with the recent past. Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton’s sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions—explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post–Jim Crow United States no longer holds. Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the “War on Crime,” sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California. The central lesson from these eruptions—that police violence invariably leads to community violence—continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation’s enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality.
Author: Clifford D. Conner
Publisher: Haymarket Books
ISBN: 164259203X
Category : Science
Languages : en
Pages : 283
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Book Description
A look at the destructive history of science-for-profit, including its toll on the US pandemic response, by the author of A People’s History of Science. Despite a facade of brilliant technological advances, American science has led humanity to the brink of interrelated disasters. In The Tragedy of American Science, historian of science Clifford D. Conner describes the dual processes by which this history has unfolded since the Second World War, addressing the corporatization and the militarization of science in the US. He examines the role of private profit considerations in determining the direction of scientific inquiry—and the ways those considerations have dangerously undermined the integrity of sciences impacting food, water, air, medicine, and the climate. In addition, he explores the relationship between scientific industries and the US military, discussing the innumerable financial and human scientific resources that have been diverted from other critical areas in order to further military aggrandizement and technological development. While the underlying problems may appear intractable, Conner compellingly argues that replacing the current science-for-profit system with a science-for-human-needs system is not an impossible utopian dream—and the first step to a better future is grappling with the mistakes of the past.
Author: Clint Smith
Publisher: SCB Distributors
ISBN: 1938912667
Category : Poetry
Languages : en
Pages : 102
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Book Description
From the author of How the Word is Passed: A Reckoning with the History of Slavery Across America * Winner, 2017 Black Caucus of the American Library Association Literary Award * Finalist, 2017 NAACP Image Awards * "One Book One New Orleans" 2017 Book Selection * Published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review, New Republic, Boston Review, The Guardian, The Rumpus, and The Academy of American Poets "So many of these poems just blow me away. Incredibly beautiful and powerful." -- Michelle Alexander, Author of The New Jim Crow "Counting Descent is a tightly-woven collection of poems whose pages act like an invitation. The invitation is intimate and generous and also a challenge; are you up to asking what is blackness? What is black joy? How is black life loved and lived? To whom do we look to for answers? This invitation is not to a narrow street, or a shallow lake, but to a vast exploration of life. And you’re invited. -- Elizabeth Acevedo, Author of Beastgirl & Other Origin Myths "These poems shimmer with revelatory intensity, approaching us from all sides to immerse us in the America that America so often forgets." -- Gregory Pardlo "Counting Descent is more than brilliant. More than lyrical. More than bluesy. More than courageous. It is terrifying in its ability to at once not hide and show readers why it wants to hide so badly. These poems mend, meld and imagine with weighted details, pauses, idiosyncrasies and word patterns I've never seen before." -- Kiese Laymon, Author of Long Division Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. "Do you know what it means for your existence to be defined by someone else’s intentions?" Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward.
Author: Leonard Moss
Publisher: Lexington Books
ISBN: 0739171224
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Paradox informs the narrative sequence, images, and rhetorical tactics contrived by skilled dramatists and novelists. Their literary languages depict not only a war between rivals but also simultaneous affirmation and negation voiced by a tragic individual. They reveal the treason, flux, and duplicity brought into play by an unrelenting drive for respect. Their patterns of speech, action, and image project a convergence of polarities, the convergence of integrity and radical change, of constancy and infidelity. A fanatical drive to fulfill a traditional code of masculine conduct produces the ironic consequence of de-forming that code—the tragic paradox. Tragic literature exploits irony. In Athenian and Shakespearean tragedy, self-righteous male or female aristocrats instigate their own disgrace, shame, and guilt, an un-expected diminishment. They are victimized by a magnificent obsession, a fantasy of un-alloyed authority or virtue, a dream of perfect self-sufficiency or trust. The authors of tragedy revised the concept of “nobility” to reflect the strange fact that grandeur elicits its own annulment. “Strengths by strengths do fail,” Shakespeare wrote in Coriolanus. The playwrights made this paradoxical predicament concrete with a narrative format that equates self-assertion with self-detraction, images that revolve between incredible reversals and provisional reinstatements, and speech that sounds impressively weighty but masks deception, disloyalty, cynicism, and insecurity. Three heroic philosophers, Plato, Hegel, and Nietzsche, contributed invaluable but contrasting accounts of these literary languages (Aristotle's Poetics will be discussed in connection with Plato's attitude toward poetry). Their divergent descriptions can be reconciled to show that invalidations as well as affirmations—the transmission of contraries—are essential for tragic composition. An equivocal rhetoric, a mutable imagery, and an ironic progression convey the tortuous pursuit of personal preeminence or (in later tragic works by Kafka and Strindberg) family solidarity and communal safety. I am trying to integrate the disparate arguments offered by several notable theorists with technical procedures fashioned by the Athenian dramatists and recast by Shakespeare and other writers, procedures that articulate the tragic paradox.
Author: Natalie M. Rosinsky
Publisher: Capstone
ISBN: 0756538459
Category : Kent State Shootings, Kent, Ohio, 1970
Languages : en
Pages : 26
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Book Description
On a beautiful spring day in 1970, the Vietnam War came to Ohio. In less than 15 seconds, rifles fired by 28 Ohio National Guardsmen killed four college students and injured nine others. The shootings at Kent State University on May 4, 1970, were sparked by protests against the Vietnam War. And like the war itself, the shootings remain a sources of bitter arguments and strong emotions.
Author: Jeff Kisseloff
Publisher: University Press of Kentucky
ISBN: 0813138469
Category : History
Languages : en
Pages : 380
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Book Description
“An invigorating collection of fifteen testimonials from counter-culturists, conscientious objectors, and artists who came of age” during the ’60s (Publishers Weekly). Many of the freedoms and rights Americans enjoy today are the direct result of those who defied the established order during the Civil Rights Era. It was an era that challenged both mainstream and elite American notions of how politics and society should function. In Generation on Fire, oral historian Jeff Kisseloff provides an eclectic and personal account of the political and social activity of the decade. Among other things, the book offers firsthand accounts of what it was like to face a mob's wrath in the segregated South and to survive the jungles of Vietnam. It takes readers inside the courtroom of the Chicago Eight and into a communal household in Vermont. From the stage at Woodstock to the playing fields of the NFL and finally to a fateful confrontation at Kent State, Generation on Fire brings the '60s alive again. This collection of never-before published interviews illuminates the ingrained social and cultural obstacles facing those working for change as well as the courage and shortcomings of those who defied "acceptable" conventions and mores. Sometimes tragic, sometimes hilarious, the stories in this volume celebrate the passion, courage, and independent thinking that led a generation to believe change for the better was possible.
