Author: John Bartholomew O'Connor
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Chapters in the History of Actors and Acting in Ancient Greece
Author: John Bartholomew O'Connor
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Chapters in the History of Actors and Acting in Ancient Greece
Author: John Bartholomew O'Connor
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 164
Book Description
Fallen Stars
Author: Julian Upton
Publisher: Headpress
ISBN: 9781900486385
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
Fallen Stars probes the underside of fame to reveal a host of glittering careers stunted by ill-health, alcoholism, drug addiction and egomania. Twenty-one tales of stardom turned sour, these are the tragic final years of some of the world's best-loved actors and comedians, a latter-day Hollywood Babylon that includes Benny Hill, Diana Dors, Peter Sellers, Carry On legends and many others.
Publisher: Headpress
ISBN: 9781900486385
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
Fallen Stars probes the underside of fame to reveal a host of glittering careers stunted by ill-health, alcoholism, drug addiction and egomania. Twenty-one tales of stardom turned sour, these are the tragic final years of some of the world's best-loved actors and comedians, a latter-day Hollywood Babylon that includes Benny Hill, Diana Dors, Peter Sellers, Carry On legends and many others.
Roman Historical Drama
Author: Patrick Kragelund
Publisher: Oxford University Press
ISBN: 0198718292
Category : Drama
Languages : en
Pages : 492
Book Description
Roman Historical Drama is the first comprehensive interpretation of ancient historical drama in relation to the Octavia, revealing how the play mirrors the genre's traditions by mixing formats and stock characters from traditional tragedy with elements drawn from new developments of the Hellenistic and Roman stage.
Publisher: Oxford University Press
ISBN: 0198718292
Category : Drama
Languages : en
Pages : 492
Book Description
Roman Historical Drama is the first comprehensive interpretation of ancient historical drama in relation to the Octavia, revealing how the play mirrors the genre's traditions by mixing formats and stock characters from traditional tragedy with elements drawn from new developments of the Hellenistic and Roman stage.
The Cambridge Companion to Shakespeare on Stage
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 1139826484
Category : Drama
Languages : en
Pages : 559
Book Description
This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
Publisher: Cambridge University Press
ISBN: 1139826484
Category : Drama
Languages : en
Pages : 559
Book Description
This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
Greek Tragedy on the Move
Author: Edmund Stewart
Publisher: Oxford University Press
ISBN: 0192519883
Category : Literary Collections
Languages : en
Pages : 199
Book Description
Greek tragedy is one of the most important cultural legacies of the classical world, with a rich and varied history and reception, yet it appears to have its roots in a very particular place and time. The authors of the surviving works of Greek tragic drama-Aeschylus, Sophocles, and Euripides-were all from one city, Athens, and all lived in the fifth century BC; unsurprisingly, it has often been supposed that tragic drama was inherently linked in some way to fifth-century Athens and its democracy. Why then do we refer to tragedy as 'Greek', rather than 'Attic' or 'Athenian', as some scholars have argued? This volume argues that the story of tragedy's development and dissemination is inherently one of travel and that tragedy grew out of, and became part of, a common Greek culture, rather than being explicitly Athenian. Although Athens was a major panhellenic centre, by the fifth century a well-established network of festivals and patrons had grown up to encompass Greek cities and sanctuaries from Sicily to Asia Minor and from North Africa to the Black Sea. The movement of professional poets, actors, and audience members along this circuit allowed for the exchange of poetry in general and tragedy in particular, which came to be performed all over the Greek world and was therefore a panhellenic phenomenon even from the time of the earliest performances. The stories that were dramatized were themselves tales of travel-the epic journeys of heroes such as Heracles, Jason, or Orestes- and the works of the tragedians not only demonstrated how the various peoples of Greece were connected through the wanderings of their ancestors, but also how these connections could be sustained by travelling poets and their acts of retelling.
Publisher: Oxford University Press
ISBN: 0192519883
Category : Literary Collections
Languages : en
Pages : 199
Book Description
Greek tragedy is one of the most important cultural legacies of the classical world, with a rich and varied history and reception, yet it appears to have its roots in a very particular place and time. The authors of the surviving works of Greek tragic drama-Aeschylus, Sophocles, and Euripides-were all from one city, Athens, and all lived in the fifth century BC; unsurprisingly, it has often been supposed that tragic drama was inherently linked in some way to fifth-century Athens and its democracy. Why then do we refer to tragedy as 'Greek', rather than 'Attic' or 'Athenian', as some scholars have argued? This volume argues that the story of tragedy's development and dissemination is inherently one of travel and that tragedy grew out of, and became part of, a common Greek culture, rather than being explicitly Athenian. Although Athens was a major panhellenic centre, by the fifth century a well-established network of festivals and patrons had grown up to encompass Greek cities and sanctuaries from Sicily to Asia Minor and from North Africa to the Black Sea. The movement of professional poets, actors, and audience members along this circuit allowed for the exchange of poetry in general and tragedy in particular, which came to be performed all over the Greek world and was therefore a panhellenic phenomenon even from the time of the earliest performances. The stories that were dramatized were themselves tales of travel-the epic journeys of heroes such as Heracles, Jason, or Orestes- and the works of the tragedians not only demonstrated how the various peoples of Greece were connected through the wanderings of their ancestors, but also how these connections could be sustained by travelling poets and their acts of retelling.
The Chautauquan
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
Book Description
Talma on the Actor's Art
Author: François Joseph Talma
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 32
Book Description
Spectator Politics
Author: Niall W. Slater
Publisher: University of Pennsylvania Press
ISBN: 9780812236521
Category : Drama
Languages : en
Pages : 384
Book Description
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
Publisher: University of Pennsylvania Press
ISBN: 9780812236521
Category : Drama
Languages : en
Pages : 384
Book Description
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
Tragedy and Philosophy. A Parallel History
Author: Agnes Heller†
Publisher: BRILL
ISBN: 9004460128
Category : Philosophy
Languages : en
Pages : 134
Book Description
Completed shortly before her death in 2019, Tragedy and Philosophy. A Parallel History is the sum of Agnes Heller’s reflections on European history and culture, seen through the prism of Europe’s two unique literary creations: tragedy and philosophy.
Publisher: BRILL
ISBN: 9004460128
Category : Philosophy
Languages : en
Pages : 134
Book Description
Completed shortly before her death in 2019, Tragedy and Philosophy. A Parallel History is the sum of Agnes Heller’s reflections on European history and culture, seen through the prism of Europe’s two unique literary creations: tragedy and philosophy.