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Author: Edgcumbe Staley
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 212
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Book Description
The Tragedies of Medici is an account of the Medici Family during the Rennaisance period, giving great insight into life in Rennaissance Italy. The book pays special attention to the life of Lorenzo Medici.
Author: Edgcumbe Staley
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 212
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Book Description
The Tragedies of Medici is an account of the Medici Family during the Rennaisance period, giving great insight into life in Rennaissance Italy. The book pays special attention to the life of Lorenzo Medici.
Author: John Edgcumbe Staley
Publisher:
ISBN:
Category :
Languages : en
Pages : 230
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Book Description
Author: Gabrielle Langdon
Publisher: University of Toronto Press
ISBN: 0802038255
Category : Art
Languages : en
Pages : 457
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Book Description
The ducal court of Cosimo I de' Medici in sixteenth-century Florence was one of absolutist, rule-bound order. Portraiture especially served the dynastic pretensions of the absolutist ruler, Duke Cosimo and his consort, Eleonora di Toledo, and was part of a Herculean programme of propaganda to establish legitimacy and prestige for the new sixteenth-century Florentine court. In this engaging and original study, Gabrielle Langdon analyses selected portraits of women by Jacopo Pontormo, Agnolo Bronzino, Alessandro Allori, and other masters. She defines their function as works of art, as dynastic declarations, and as encoded documents of court culture and propaganda, illuminating Cosimo's conscious fashioning of his court portraiture in imitation of the great courts of Europe. Langdon explores the use of portraiture as a vehicle to express Medici political policy, such as with Cosimo's Hapsburg and Papal alliances in his bid to be made Grand Duke with hegemony over rival Italian princes. Stories from archives, letters, diaries, chronicles, and secret ambassadorial briefs, open up a world of fascinating, personalities, personal triumphs, human frailty, rumour, intrigue, and appalling tragedies. Lavishly illustrated, Medici Women: Portraits of Power, Love and Betrayal in the Court of Duke Cosimo I is an indispensable work for anyone with a passion for Italian renaissance history, art, and court culture.
Author: Edgcumbe Staley
Publisher: Createspace Independent Publishing Platform
ISBN: 9781507613917
Category : History
Languages : en
Pages : 114
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Book Description
Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became Pope. Among all of the Medicis, its most famous member ruled during the Golden Age of Florence at the apex of the Renaissance's artistic achievements. Lorenzo de Medici, commonly referred to as Lorenzo the Magnificent, was groomed both intellectually and politically to rule Venice, and he took the reins of power at just 20 years old. Of all the fields that were advanced during the Renaissance, the period's most famous works were art, with iconic paintings like Leonardo's Mona Lisa and timeless sculptures like Michelangelo's David. Thus it is fitting that both Leonardo and Michelangelo were at times members of Lorenzo's court, and the Florentian ruler, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age, including the aforementioned legends, Piero and Antonio del Pollaiuolo, Andrea del Verrocchio, Sandro Botticelli and Domenico Ghirlandaio. When Lorenzo died in April 1492, he was buried in a chapel designed by Michelangelo. From the intro: "The origin of the Medici family is lost in the mists of the Middle Ages, and, only here and there, can the historian gain glimpses of the lives of early forbears. Still, there is sufficient data, to be had for the digging, upon which to transcribe, inferentially at least, an interesting narrative. Away towards the end of the twelfth century, - exact dates are wholly beside the mark - there dwelt, under the shadow of one of the rugged castles of the robber-captains of the Mugello in Tuscany, a hard-working and trustworthy bonds-man - one Chiarissimo - "Old Honesty," as we may call him. He was married to an excellent helpmeet, and was by his lord permitted to till a small piece of land and rear his family."
Author:
Publisher:
ISBN:
Category : Book collecting
Languages : en
Pages : 776
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Book Description
Author: Franco Cesati
Publisher: Mandragora
ISBN:
Category : Art
Languages : en
Pages : 150
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Book Description
The Medici are probably the best-known and most illustrious Italian family - one that produced two popes, two Queens of France and such a multi-faceted and extraordinary figure as Lorenzo the Magnificent. Their name is inextricably linked to the history of Florence. The city itself remains a living symbol of the peninsula's most splendid epoch. When people around the world think of Italy, they usually think of Florence and Tuscany, and of the priceless art collections that hold, to this day, an irresistible fascination for millions of visitors. This concise and brilliant book reads like a piece of journalism in the best sense of the term. With an entirely original and non-provincial approach, the author traces the dazzling rise and fall of this dynasty, from the first gonfaloniere to the last Grand Duke, tirelessly bringing out its historical links with Florence, Italy and Europe. The many illustrations, clarified by ample captions, do not add up to a mere gallery of official portraits; rather, the
Author: Philip Walsingham Sergeant
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 370
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Book Description
Author: Edgcumbe B. 1845 Staley
Publisher: Wentworth Press
ISBN: 9781371849900
Category : History
Languages : en
Pages : 402
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: C. W. Gortner
Publisher: Random House Digital, Inc.
ISBN: 0345501861
Category : Fiction
Languages : en
Pages : 492
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Book Description
Leaving her native Florence to marry Henry II of France, Catherine de Medici embarks on an unanticipated destiny of religious warfare, thwarted leadership and psychologically charged royal machinations. By the author of The Last Queen.
Author: Matthew Steggle
Publisher: Routledge
ISBN: 1317150791
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
