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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Author: Robert Garnier
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
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Author: Elizabeth Cary
Publisher: Univ of California Press
ISBN: 9780520912984
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition. With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.
Author: Elizabeth Cary
Publisher: Broadview Press
ISBN: 9781551110431
Category : Drama
Languages : en
Pages : 204
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First published in 1613, The Tragedy of Mariam, the Fair Queen of Jewry is probably the first play in English known to have been authored by a woman, and it has become increasingly popular in the study of early modern women’s writing. The play, which Cary based on the story of Herod and Mariam, turns on a rumour of Herod’s death, and unfolds around the actions taken by the patriarch’s family and servants in his absence. In part a critique of male power, the play sets gender politics in sharp relief against a background of dynastic conflict and Roman imperialism.
Author: Andrew Lynch
Publisher: Cambridge Scholars Publishing
ISBN: 1443808407
Category : Literary Criticism
Languages : en
Pages : 365
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Renaissance Poetry and Drama in Context is a stimulating refereed collection of new work dedicated to Emeritus Professor Christopher Wortham of The University of Western Australia. The essays provide a rich context for the interdisciplinary study of the English Renaissance, from its medieval antecedents to its modern afterlife on stage and screen. Their up-to-date engagement with many scholarly fields - art and iconography, cartography, cultural and social history, literature, politics, theatre, and film - will ensure that this book makes a valuable contribution to contemporary Renaissance studies, with a special interest for those researching and teaching English literature and drama. The nineteen contributors include distinguished Renaissance scholars such as Ann Blake, Graham Bradshaw, Alan Brissenden, Conal Condren, Joost Daalder, Heather Dubrow, Philippa Kelly, Anthony Miller, Kay Gililand Stevenson, Robert White, and Lawrence Wright. Work on Shakespeare forms the core of this coherent collection. There are also significant essays on Magnificence, Donne, Marlowe, A Yorkshire Tragedy, Jonson, Marvell, the Ferrars of Little Gidding, and female conduct literature. hardbound with dust jacket; xii+353 pp; 18 b/w illustrations.
Author: Alison Findlay
Publisher: Routledge
ISBN: 1317882318
Category : Literary Criticism
Languages : en
Pages : 258
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There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
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Author: William Shakespeare
Publisher:
ISBN:
Category : Stratford-upon-Avon (England)
Languages : en
Pages : 298
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