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Author: Ian Watson
Publisher: Routledge
ISBN: 1134797540
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Eugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.
Author: Ian Watson
Publisher: Routledge
ISBN: 1134797540
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Eugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.
Author: Badal Sarkar
Publisher: Seagull Books Pvt Ltd
ISBN: 9788170462156
Category : Theater
Languages : en
Pages : 206
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Book Description
Perhaps no other theatre personality has had such a deep and pervasive influence on theatre practice and theory in post-independence India as Badal Sircar. As a writer of proscenium plays in the 1960s, all of which have been widely produced by leading directors in several Indian languages; as the pioneer of non-proscenium political theatre in the 1970s; as the mentor of countless directors and theatre activists who have carried his ideas to far corners of the country, his work is an integral part of contemporary Indian theatre history. Badal Sircar has over the years written and expounded on his key concepts such as free theatre, humanity in theatre, masks in theatre, and the term with which he is most closely identified, the Third Theatre. This volume brings together for the first time his seminal writings in both Bengali and English, written over three decades, between 1972 to 1992, an invaluable opportunity for cultural scholars and theatre lovers to familiarize themselves with this most influential of practitioners as he delves deep into the evolution of his theoretical stances and analyses his own milestone productions. Written with the same honesty and directness for which his theatre is renowned, these writings reflect a cultural landscape representative of a historical period prior to the watershed of liberalization. Born in 1925, Badal Sircar has been the recipient of several national awards and honours including the Sangeet Natak Akademi Award, Padma Shree, Kalidas Samman, Jawaharlal Nehru Fellowship, and Sangeet Natak Akademi Fellowship.
Author: Manujendra Kundu
Publisher: Oxford University Press
ISBN: 0199089582
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
This is the first-ever, full-length study of Badal Sircar's Third Theatre. Sircar was a very prominent playwright of modern Bengali Theatre. It challenges some of the well-established notions of the Third Theatre. It brings to the fore the lost voices of some members of the Third Theatre. It has some rare photographs of Shatabdi, Sircar's Theatre group.
Author: Jane Turner
Publisher: Routledge
ISBN: 1351995987
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
A Poetics of Third Theatre offers an in-depth, critical analysis of Third Theatre, a transnational community of theatre groups and artists united by a shared set of values and a laboratory attitude. This book takes a genealogical account of Third Theatre as a concept and a practice that draws attention to the historical Third Theatre Encounters that have taken place across Europe and Latin America since the 1970s. The work of renowned Third Theatre groups and organisations, such as LUME (Brazil), Grupo Cultural Yuyachkani (Peru), Triangle Theatre (UK) and Nordisk Teaterlaboratorium – NTL (Denmark), are explored to reveal how a multifarious poetics of Third Theatre is manifest through these artists’ approaches to performer training, dramaturgy and cultural action. Three critical pillars – unconditional hospitality, artisanal craft and (re)enchantment – are employed in order to illuminate the shared ethos of the Third Theatre community and its exemplification as a mode of cultural performance. This informative text will be of great use to students and scholars of drama and theatre studies, and its dedicated section on performer training exercises offers the reader pathways into an experiential engagement with Third Theatre craft.
Author: Luis Valdez
Publisher: Routledge
ISBN: 1000398676
Category : Performing Arts
Languages : en
Pages : 162
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Book Description
Theatre of the Sphere is Luis Valdez’s exploration of the principles that underlie his innovations as a playwright, teacher, and theatrical innovator. He discusses the unique aesthetic, more than five decades in the making, that defines the work of his group El Teatro Campesino—from shows staged on the backs of flatbed trucks by the participants in the Delano Grape Strike of the 1960s to international megahits like Zoot Suit. Opening with a history of El Teatro Campesino, rich with Valdez’s insights and remembrances, the book’s first part provides context for the development of the Theatre of the Sphere acting method. The second part delivers the conceptual framework for Valdez’s acting theory and practice, situating it in Mayan mathematics and metaphysics. The third part of the book applies this methodology to describe the "viente pasos," the 20-element exercise sequence that comprises the core practice of El Teatro Campesino—strengthening the body, balance, precision, and flexibility but also leadership, collaboration, observation, vulnerability, trust, and expression of passion; of consciousness of time, place, self, community, language, and belief; of honour, faith, morality, and commitment. The book concludes with the full text of Valdez’s poem, "El Buen Actor/El Mal Actor," and a comprehensive bibliography for further study. This is a vital and indispensable text for today’s actor, as well as scholars and students of contemporary theatre, American and Chicano performance, and the process of theatre-making, actor training, and community performance.
Author: John Holloway
Publisher: Taylor & Francis
ISBN: 1136082859
Category : Performing Arts
Languages : en
Pages : 418
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Book Description
This invaluable guide takes a step-by-step approach to the most common and popular theatre production practices and covers important issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. This new edition of the Illustrated Theatre Production Guide uniquely shows you how to build scenery through detailed lessons and hundreds of drawings. The illustrations make this book like no other and offers solutions to problems that you face, from rigging and knot tying, to drapery folding and the most detailed information on metal framing available. Written for the community theatre worker who has to be a jack of all trades and the student who needs to learn the fundamentals, respected author John Holloway teaches in a way that covers the necessities but doesn't bog you down with heavy language and boring verbosity. New features in this book range from expanded information on metal framing and foam construction to brand new elements such as a chapter on stage management and an extremely helpful Website with videos -- meant to go along with the informative section on projects. These videos take you from the drawings and descriptions in the book to the video instructions that will help you learn visually. A must have for the theatre professional as a guide to refer back to over and over again.
Author: Phillip B. Zarrilli
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
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Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Author: Brian Crow
Publisher: Cambridge University Press
ISBN: 9780521567220
Category : Drama
Languages : en
Pages : 208
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Book Description
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Author: Anton Pavlovich Chekhov
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822211440
Category : Drama
Languages : en
Pages : 84
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Book Description
THE STORY: A subtle and revealing study of life in provincial Russia, the story of the play is familiar to all. What distinguishes this new version is the translator's unique responsiveness to Chekov's intentions and the care with which these inten
Author: Subha Chakraborty Dasgupta
Publisher: Taylor & Francis
ISBN: 1000470342
Category : Social Science
Languages : en
Pages : 321
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Book Description
This volume forms a part of the Critical Discourses in South Asia series which deals with schools, movements, and discursive practices in major South Asian languages. It offers crucial insights into the making of Bengali or Bangla literature and its critical tradition across a century. The book brings together English translation of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions, and reinterpretations of primary concepts and categories in Bangla. It presents 32 key texts in literary and cultural studies from Bengal from the middle of the 19th to that of the 20th century, with most of them translated for the first time into English. These seminal essays are linked with socio-historical events and phenomena in the colonial and post-independence period in Bengal, including the background to the Language Movement in Bangladesh. They discuss themes such as integrative aesthetic visions, poetic and literary forms, modernism, imagination, power structures and social struggles, ideological values, cultural renovations, and humanism. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Bangla literature in South Asia. It will be essential for scholars and researchers of Bengali/Bangla language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies, and South Asian studies. It will also interest the Bengali-speaking diaspora and those working on the intellectual history of Bengal and conservation of languages and culture
