The Theory of Vision Or Visual Language Shewing the Immediate Presence and Providence of a Deity, Vindicated and Explained PDF Download
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Author: Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Book Description
Author: Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Book Description
Author: George Berkeley
Publisher: IndyPublish.com
ISBN:
Category : Medical
Languages : en
Pages : 232
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Book Description
Author: Kim Marriott
Publisher: Springer Science & Business Media
ISBN: 1461216761
Category : Computers
Languages : en
Pages : 382
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Book Description
A broad-ranging survey of our current understanding of visual languages and their theoretical foundations. Its main focus is the definition, specification, and structural analysis of visual languages by grammars, logic, and algebraic methods and the use of these techniques in visual language implementation. Researchers in formal language theory, HCI, artificial intelligence, and computational linguistics will all find this an invaluable guide to the current state of research in the field.
Author: Li Zhaoping
Publisher: Oxford University Press, USA
ISBN: 0199564663
Category : Medical
Languages : en
Pages : 397
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Book Description
Vision science has grown hugely in the past decades, but there have been few books showing readers how to adopt a computional approach to understanding visual perception, along with the underlying mechanisms in the brain. This book explains the computational principles and models of biological visual processing, and in particular, primate vision.
Author: Bjørn Stabell
Publisher: Cambridge University Press
ISBN: 052111117X
Category : Medical
Languages : en
Pages : 239
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Book Description
This book chronicles the development of three classic theories within vision research, from the 17th century to today, focusing on duplicity theory.
Author: Fernande Saint-Martin
Publisher: Indiana University Press
ISBN: 9780253112699
Category : Literary Criticism & Collections
Languages : en
Pages : 278
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Book Description
"... the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." -- Journal of Communication Saint-Martin elucidates a syntax of visual language that sheds new light on nonverbal language as a form of representation and communication. She describes the evolution of this language in the visual arts as well as its multiple uses in contemporary media. The result is a completely new approach for scholars and practitioners of the visual arts eager to decode the many forms of visual communication.
Author: Neil Cohn
Publisher: A&C Black
ISBN: 1441174516
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives-until now. This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain's comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans' expressive behaviours in the mind and brain.
Author: Whitney Davis
Publisher: Princeton University Press
ISBN: 0691178070
Category : Art
Languages : en
Pages : 400
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Book Description
What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.
Author: George Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
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Book Description
Author: Gyorgy 1906- Kepes
Publisher: Hassell Street Press
ISBN: 9781015186064
Category :
Languages : en
Pages : 228
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
