THE THEORY OF TRAGEDY AS HISTORY IN RENAISSANCE AND NEO-CLASSICAL CRITICISM. PDF Download
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Author: Giovanni Giovannini
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
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Book Description
Author: Giovanni Giovannini
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
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Book Description
Author:
Publisher: UM Libraries
ISBN:
Category : Education, Higher
Languages : en
Pages : 1616
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Book Description
Author: Alexander Pope
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 54
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Book Description
Author: University of Michigan
Publisher:
ISBN:
Category :
Languages : en
Pages : 1748
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Book Description
Announcements for the following year included in some vols.
Author: John D. Barbour
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 224
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Book Description
Author: University of Michigan
Publisher:
ISBN:
Category : Detroit (Mich.)
Languages : en
Pages : 1804
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Book Description
Announcements for the following year included in some vols.
Author: Laurence F. McNamee
Publisher: New York : Bowker
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1148
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Book Description
Author: Carl Joseph Stratman
Publisher: Carbondale : Southern Illinois University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 840
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Book Description
This first comprehensive compilation of twentieth-century scholarÂship in Restoration and Eighteenth-Century drama provides a basis for future research and is an invaluable reference work. Items are arranged alphabetically under general headings--e.g., acting, criticism, periodicals, music, theology--as well as alphabetically by surname of actor, actress, dramatist, musician, etc. Copiously indexed.
Author: Clarence Corleon Green
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 374
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Book Description
Author: Joel Elias Spingarn
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 374
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Book Description
An essay examining the history of literary criticism in the Renaissance, with a focus on the sixteenth century. Divided into three sections devoted to: Italian criticism from Dante to Tasso, French criticism from Du Bellay to Boileau, and English criticism from Ascham to Milton.
