The Theory of Citrasutras in Indian Painting PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Theory of Citrasutras in Indian Painting PDF full book. Access full book title The Theory of Citrasutras in Indian Painting by Isabella Nardi. Download full books in PDF and EPUB format.
Author: Isabella Nardi
Publisher: Routledge
ISBN: 1134165242
Category : Art
Languages : en
Pages : 209
Get Book Here
Book Description
Filling a distinct gap in Indian scholarship, this original account presents a critical re-examination of the key Indian concepts of painting as described in the Sanskrit treatises. Drawing on the experiences of significant painters, Nardi suggests a new way of reading and understanding these concepts.
Author: Isabella Nardi
Publisher: Routledge
ISBN: 1134165242
Category : Art
Languages : en
Pages : 209
Get Book Here
Book Description
Filling a distinct gap in Indian scholarship, this original account presents a critical re-examination of the key Indian concepts of painting as described in the Sanskrit treatises. Drawing on the experiences of significant painters, Nardi suggests a new way of reading and understanding these concepts.
Author: Isabella Nardi
Publisher: Routledge
ISBN: 1134165234
Category : Art
Languages : en
Pages : 281
Get Book Here
Book Description
The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization of the significance of ‘text’ for Indian painters. Isabella Nardi offers an original approach to research in this field by drawing on the experiences of painters, who are considered as a valid source of knowledge for our understanding of the citrasutras, and provides a new conceptual framework for understanding the interlinkages between textual sources and the practice of Indian painting. Filling a significant gap in Indian scholarship, Nardi's study will appeal to those studying Indian painting and Indian art in general.
Author: Alexandra Green
Publisher: Hong Kong University Press
ISBN: 988813910X
Category : Art
Languages : en
Pages : 269
Get Book Here
Book Description
Rethinking Visual Narratives covers topics from the first millennium B.C.E. through the present day, testifying to the enduring significance of visual stories in shaping and affirming cultural practices in Asia. Contributors analyze how visual narratives function in different Asian cultures and reveal the multiplicity of ways that images can be narrated beyond temporal progression through a particular space. The study of local art forms advances our knowledge of regional iterations and theoretical boundaries, illustrating the enduring importance of pictorial stories to the cultural traditions of Asia. Contributors include Dominik Bonatz (Archaeologist Free University of Berlin), Sandra Cate (San Jose State University), Yonca Kösebay Erkan (Kadir Has University), Charlotte Galloway (Australian National University), Mary Beth Heston (College of Charleston), Yeewan Koon (The University of Hong Kong), Sonya S. Lee (University of Southern California), Leedom Lefferts (Drew University), Dore J. Levy (Brown University), Shane McCausland (School of Oriental and African Studies, University of London), Julia K. Murray (University of Wisconsin-Madison), Catherine Stuer (Denison University), Greg M. Thomas (The University of Hong Kong), Sarah E. Thompson (Rochester Institute of Technology), and Mary-Louise Totton (Western Michigan University).
Author: Valerie Gonzalez
Publisher: Routledge
ISBN: 1317184874
Category : Art
Languages : en
Pages : 337
Get Book Here
Book Description
The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
Author: Himanshu Prabha Ray
Publisher: Taylor & Francis
ISBN: 1000785815
Category : Religion
Languages : en
Pages : 688
Get Book Here
Book Description
This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: D. Venkat Rao
Publisher: Springer Nature
ISBN: 9811623910
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
This book focuses on the cohering elements across various texts and traditions of India. It engages with several significant works from the Sanskrit tradition and emphasizes the need to move beyond colonial and postcolonial engagements with the enduring cultural pasts of India. The chapters are grouped in three main parts: accented rhythms, dispersed mnemoscapes and inventive iterations. It addresses questions such as: what enabled cultural communication across very divergent geographical, temporal, locational contexts and among different cultural formations of India over millennia? What is this shareable impulse that pulsates across the domains of dance, sculpture, painting, poetry, dharma, music, medicine, the lore of rivers and the epics? It explains how modern Indian languages and especially their creative and reflective nodes are unthinkable without the intricately woven textures of these interfaces and their responsive receptions. This book is of interest to philosophers, humanities students, researchers and professors as well as people interested in exploring alternatives to European traditions of thought without an alibi.
Author:
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 636
Get Book Here
Book Description
Included section "Book reviews"
Author: Dr. Vidya Shimladka
Publisher: Ashok Yakkaldevi
ISBN: 1387537954
Category : Art
Languages : en
Pages : 289
Get Book Here
Book Description
The academic activity in relation to the performing arts is exploding at quite a fast rate. There are a number of old and new Universities and research centers offering a wide range of academic courses in the performing arts. However, traditionally the teaching-learning process in the performing arts field has been outside the ambit of the academic structure. The move of a traditional process to the academic circle has brought to the forefront some of the challenges of the move. These include both the teaching-learning process and the examination method.
Author:
Publisher: BRILL
ISBN: 9004508449
Category : Religion
Languages : en
Pages : 586
Get Book Here
Book Description
The ERC-funded research project BuddhistRoad aims to create a new framework to enable understanding of the complexities in the dynamics of cultural encounter and religious transfer in pre-modern Eastern Central Asia. Buddhism was one major factor in this exchange: for the first time the multi-layered relationships between the trans-regional Buddhist traditions (Chinese, Indian, Tibetan) and those based on local Buddhist cultures (Khotanese, Uyghur, Tangut) will be explored in a systematic way. The second volume Buddhism in Central Asia II—Practice and Rituals, Visual and Materials Transfer based on the mid-project conference held on September 16th–18th, 2019, at CERES, Ruhr-Universität Bochum (Germany) focuses on two of the six thematic topics addressed by the project, namely on "practices and rituals", exploring material culture in religious context such as mandalas and talismans, as well as “visual and material transfer”, including shared iconographies and the spread of ‘Khotanese’ themes.
Author: Alok Kumar Kanungo
Publisher: Springer Nature
ISBN: 9811636567
Category : Social Science
Languages : en
Pages : 567
Get Book Here
Book Description
This book provides a comprehensive research on Ancient Indian glass. The contributors include experienced archaeologists of South Asian glass and archaeological chemists with expertise in the chemical analysis of glass, besides, established ethnohistorians and ethnoarchaeologists. It is comprised of five sections, and each section discusses different aspects of glass study: the origin of glass and its evolution, its scientific study and its care, ancient glass in literature and glass ethnography, glass in South Asia and the diffusion of glass in different parts of the world. The topic covered by the different chapters ranges from the development of faience, to the techniques developed for the manufacture of glass beads, glass bangles or glass mirrors at different times in south Asia, a major glass producing region and the regional distribution of key artefacts both within India and outside the region, in Africa, Europe or Southeast Asia. Some chapters also include extended examples of the archaeometry of ancient glasses. It makes an important contribution to archaeological, anthropological and analytical aspects of glass in South Asia. As such, it represents an invaluable resource for students through academic and industry researchers working in archaeological sciences, ancient knowledge system, pyrotechnology, historical archaeology, social archaeology and student of anthropology and history with an interest in glass and the archaeology of South Asia.
