Author: William Archer
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 474
Book Description
The Theatrical 'world' of 1893-1897
Author: William Archer
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 474
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 474
Book Description
The Theatrical 'world'.
Author: William Archer
Publisher:
ISBN:
Category : Acting and actors
Languages : en
Pages : 478
Book Description
Publisher:
ISBN:
Category : Acting and actors
Languages : en
Pages : 478
Book Description
George Bernard Shaw
Author: T. F. Evans
Publisher: Routledge
ISBN: 1136213643
Category : Literary Criticism
Languages : en
Pages : 440
Book Description
This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Publisher: Routledge
ISBN: 1136213643
Category : Literary Criticism
Languages : en
Pages : 440
Book Description
This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
The Edwardian Theatre
Author: Michael R. Booth
Publisher: Cambridge University Press
ISBN: 9780521453752
Category : Drama
Languages : en
Pages : 268
Book Description
This book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provinence broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema.
Publisher: Cambridge University Press
ISBN: 9780521453752
Category : Drama
Languages : en
Pages : 268
Book Description
This book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provinence broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema.
Ibsen's Lively Art
Author: Frederick J. Marker
Publisher: Cambridge University Press
ISBN: 9780521266437
Category : Drama
Languages : en
Pages : 272
Book Description
Ibsen's Lively Art explores key stage productions and clusters of productions in detail.
Publisher: Cambridge University Press
ISBN: 9780521266437
Category : Drama
Languages : en
Pages : 272
Book Description
Ibsen's Lively Art explores key stage productions and clusters of productions in detail.
Mrs Warren's Profession
Author: Bernard Shaw
Publisher: Broadview Press
ISBN: 9781551116273
Category : Drama
Languages : en
Pages : 250
Book Description
One of Bernard Shaw’s early plays of social protest, Mrs Warren’s Profession places the protagonist’s decision to become a prostitute in the context of the appalling conditions for working class women in Victorian England. Faced with ill health, poverty, and marital servitude on the one hand, and opportunities for financial independence, dignity, and self-worth on the other, Kitty Warren follows her sister into a successful career in prostitution. Shaw’s fierce social criticism in this play is driven not by conventional morality, but by anger at the hypocrisy that allows society to condemn prostitution while condoning the discrimination against women that makes prostitution inevitable. This Broadview edition includes a comprehensive historical and critical introduction; extracts from Shaw’s prefaces to the play; Shaw’s expurgations of the text; early reviews of the play in the United States, Canada, and Great Britain; and contemporary contextual documents on prostitution, incest, censorship, women’s education, and the “New Woman.”
Publisher: Broadview Press
ISBN: 9781551116273
Category : Drama
Languages : en
Pages : 250
Book Description
One of Bernard Shaw’s early plays of social protest, Mrs Warren’s Profession places the protagonist’s decision to become a prostitute in the context of the appalling conditions for working class women in Victorian England. Faced with ill health, poverty, and marital servitude on the one hand, and opportunities for financial independence, dignity, and self-worth on the other, Kitty Warren follows her sister into a successful career in prostitution. Shaw’s fierce social criticism in this play is driven not by conventional morality, but by anger at the hypocrisy that allows society to condemn prostitution while condoning the discrimination against women that makes prostitution inevitable. This Broadview edition includes a comprehensive historical and critical introduction; extracts from Shaw’s prefaces to the play; Shaw’s expurgations of the text; early reviews of the play in the United States, Canada, and Great Britain; and contemporary contextual documents on prostitution, incest, censorship, women’s education, and the “New Woman.”
English Theatre in Transition 1881-1914
Author: James Woodfield
Publisher: Routledge
ISBN: 1317389425
Category : Performing Arts
Languages : en
Pages : 222
Book Description
Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction. This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.
Publisher: Routledge
ISBN: 1317389425
Category : Performing Arts
Languages : en
Pages : 222
Book Description
Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction. This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.
The Bookman
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 930
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 930
Book Description
Athenaeum and Literary Chronicle
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 872
Book Description
Actresses on the Victorian Stage
Author: Gail Marshall
Publisher: Cambridge University Press
ISBN: 9780521620161
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
Publisher: Cambridge University Press
ISBN: 9780521620161
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.